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Female protective figure (pagar), 19th century or earlier (wood)

Female protective figure (pagar), 19th century or earlier (wood)


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Female protective figure (pagar), 19th century or earlier (wood)

1071540 Female protective figure (pagar), 19th century or earlier (wood) by Toba Batak Culture (19th century); 51.4x27.9x10.2 cm; Dallas Museum of Art, Texas, USA; (add.info.: The Toba Batak are an ethnic group from northern Sumatra, Indonesia.); The Eugene and Margaret McDermott Art Fund, Inc.; Indonesian, out of copyright

Media ID 23043634

© The Eugene and Margaret McDermott Art Fund, Inc. / Bridgeman Images

Carvings Figurine Figurines Hands Indonesia Indonesian Proportions Protective Southeast Asia Southeast Asian Statuette Sumatra Sumatran Apotropaic Toba Batak


FEATURES IN THESE COLLECTIONS

> Animals > Fishes > G > Grouper

> Arts > Sculpture

> Asia > Indonesia > Related Images

> Asia > Related Images

> Fine Art Finder > Artists > Theodore Gericault

> Fine Art Finder > Artists > Toba Batak Culture

> Fine Art Finder > Asian & Indian Sculptures & Artefacts

> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Wooden sculptures

> North America > United States of America > Texas > Dallas

> North America > United States of America > Texas > Related Images


EDITORS COMMENTS
This print showcases a remarkable 19th-century wooden sculpture known as the "Female protective figure (pagar)" by Toba Batak Culture. Standing at an impressive height of 51.4 centimeters, this intricately carved artwork is housed in the prestigious Dallas Museum of Art in Texas, USA. The Toba Batak people, hailing from northern Sumatra in Indonesia, are responsible for creating this stunning piece. The craftsmanship and attention to detail evident in this sculpture highlight their rich artistic heritage. The female figure depicted exudes a sense of strength and protection. With her hands raised in a gesture of power and authority, she serves as a guardian against evil forces or malevolent spirits that may threaten her community. Notably, the proportions of this figurine are slightly disproportionate, emphasizing certain features such as the hands. This intentional artistic choice adds to its unique charm and allure. As an apotropaic symbol—a talisman meant to ward off harm—this carving holds great cultural significance within Southeast Asian art history. It represents both the skillful craftsmanship of Indonesian artists and the deep-rooted beliefs held by the Toba Batak people. Thanks to The Eugene and Margaret McDermott Art Fund's generous contribution, visitors can now appreciate this extraordinary work at one of America's premier art institutions. Its presence serves as a testament to the enduring beauty and cultural richness found within Indonesian art traditions.

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