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Carvings Collection (page 5)

Carvings have the power to tell stories, preserve history, and captivate our imaginations

Background imageCarvings Collection: Group of figures (wood)

Group of figures (wood)
956820 Group of figures (wood) by African School; Private Collection; (add.info.: Left, Suku female figure pendant, Congolese, brown-red patina, 13.5cm high ETH200606189 01 Centre)

Background imageCarvings Collection: Helmet mask (gye), mid-20th century (wood, paint & sheet metal)

Helmet mask (gye), mid-20th century (wood, paint & sheet metal)
1070701 Helmet mask (gye), mid-20th century (wood, paint & sheet metal) by African School; 25.4x34.3x81.3 cm; Dallas Museum of Art, Texas

Background imageCarvings Collection: Stool supported by kneeling female figure (kipona), late 19th to early 20th century (wood)

Stool supported by kneeling female figure (kipona), late 19th to early 20th century (wood, beads & metal)
1068106 Stool supported by kneeling female figure (kipona), late 19th to early 20th century (wood, beads & metal) by African School; 41.8x29.4x26.8 cm; Dallas Museum of Art, Texas

Background imageCarvings Collection: Headdress in the form of D'mba, late 19th to early 20th century (wood)

Headdress in the form of D'mba, late 19th to early 20th century (wood)
1068321 Headdress in the form of D'mba, late 19th to early 20th century (wood) by African School; 125.1x41x70.3 cm; Dallas Museum of Art, Texas, USA; (add.info.: D'mba)

Background imageCarvings Collection: Helmet mask (kifwebe), late 19th to early 20th century (wood & paint)

Helmet mask (kifwebe), late 19th to early 20th century (wood & paint)
1068189 Helmet mask (kifwebe), late 19th to early 20th century (wood & paint) by African School; 60.3x34.3x29.2 cm; Dallas Museum of Art, Texas, USA; (add.info.: Made by the Songye)

Background imageCarvings Collection: The Confessionals of Saint Paul's Church, Antwerp (oak)

The Confessionals of Saint Paul's Church, Antwerp (oak)
715423 The Confessionals of Saint Paul's Church, Antwerp (oak) by Verbrugghen, Caspar Pieter I (1635-87); Sint Pauluskerk, Antwerp, Belgium

Background imageCarvings Collection: Detail of the Annunciation, 1452 (oil on panel)

Detail of the Annunciation, 1452 (oil on panel)
489999 Detail of the Annunciation, 1452 (oil on panel) by Christus, Petrus (c.1410-1475/76); Groeningemuseum, Bruges, Belgium; (add.info.: See 489997.); © Art in Flanders

Background imageCarvings Collection: Chimney, Brugse Vrije

Chimney, Brugse Vrije
6336871 Chimney, Brugse Vrije by Blondeel, Lancelot (c.1495-c.1561); © Art in Flanders

Background imageCarvings Collection: Two important Kenyah statues carved for Peacekeeping Ceremony in Marudi, Baram River, Sarawak

Two important Kenyah statues carved for Peacekeeping Ceremony in Marudi, Baram River, Sarawak, Malaysia
423741 Two important Kenyah statues carved for Peacekeeping Ceremony in Marudi, Baram River, Sarawak, Malaysia, 1898 (carved wood) by Malaysian School; Sarawak Museum, Kuching

Background imageCarvings Collection: Carved bamboo containers from Sarawak, Malaysia (bamboo)

Carved bamboo containers from Sarawak, Malaysia (bamboo)
LIT372713 Carved bamboo containers from Sarawak, Malaysia (bamboo) by Malaysian School; Photo © Luca Tettoni; Malaysian, out of copyright

Background imageCarvings Collection: Carvings of a Sofa, c. 1937. Creator: Robert Stewart

Carvings of a Sofa, c. 1937. Creator: Robert Stewart
Carvings of a Sofa, c. 1937

Background imageCarvings Collection: Wood carving: Circular panel in higher relief (engraving)

Wood carving: Circular panel in higher relief (engraving)
5226063 Wood carving: Circular panel in higher relief (engraving) by English School, (19th century); Private Collection; (add.info.: Circular panel in higher relief)

Background imageCarvings Collection: Wood carving: Incised border, centre in low relief (engraving)

Wood carving: Incised border, centre in low relief (engraving)
5226041 Wood carving: Incised border, centre in low relief (engraving) by English School, (19th century); Private Collection; (add.info.: Incised border, centre in low relief)

Background imageCarvings Collection: Myra - Tomb Cut in the Rock, from The Principal Ruins of Asia Minor, pub. 1863 (litho)

Myra - Tomb Cut in the Rock, from The Principal Ruins of Asia Minor, pub. 1863 (litho)
4071294 Myra - Tomb Cut in the Rock, from The Principal Ruins of Asia Minor, pub. 1863 (litho) by English School, (19th century); Private Collection; The Stapleton Collection; English

Background imageCarvings Collection: Wood carving: Album cover (engraving)

Wood carving: Album cover (engraving)
5226042 Wood carving: Album cover (engraving) by English School, (19th century); Private Collection; (add.info.: Album cover)

Background imageCarvings Collection: Relief of a Winged Genius, Reign of Ashurnasirpal, c. 883-859 BC (gypsum)

Relief of a Winged Genius, Reign of Ashurnasirpal, c. 883-859 BC (gypsum)
5242076 Relief of a Winged Genius, Reign of Ashurnasirpal, c.883-859 BC (gypsum) by Assyrian, (9th century BC); 223.5x195.5 cm; Private Collection; (add.info)

Background imageCarvings Collection: Parthenon sculptures: Theseus or Dionysos, British Museum (b / w photo)

Parthenon sculptures: Theseus or Dionysos, British Museum (b / w photo)
6000898 Parthenon sculptures: Theseus or Dionysos, British Museum (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Theseus or Dionysos, British Museum)

Background imageCarvings Collection: Parthenon sculptures: North Frieze, British Museum (b / w photo)

Parthenon sculptures: North Frieze, British Museum (b / w photo)
6000883 Parthenon sculptures: North Frieze, British Museum (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: North Frieze, British Museum)

Background imageCarvings Collection: The Lady Chapel, Ely Cathedral: SE Corner (b / w photo)

The Lady Chapel, Ely Cathedral: SE Corner (b / w photo)
6022538 The Lady Chapel, Ely Cathedral: SE Corner (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: SE Corner)

Background imageCarvings Collection: The Lady Chapel, Ely Cathedral: North Side, XVI (b / w photo)

The Lady Chapel, Ely Cathedral: North Side, XVI (b / w photo)
6022534 The Lady Chapel, Ely Cathedral: North Side, XVI (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: North Side, XVI)

Background imageCarvings Collection: The Lady Chapel, Ely Cathedral: South Side, XI (b / w photo)

The Lady Chapel, Ely Cathedral: South Side, XI (b / w photo)
6022501 The Lady Chapel, Ely Cathedral: South Side, XI (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: South Side, XI)

Background imageCarvings Collection: The Lady Chapel, Ely Cathedral: South Side, from East, I (b / w photo)

The Lady Chapel, Ely Cathedral: South Side, from East, I (b / w photo)
6022490 The Lady Chapel, Ely Cathedral: South Side, from East, I (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: South Side, from East, I)

Background imageCarvings Collection: Guardian of the Chalice, Mongolia, 1937 (tempera on cardboard)

Guardian of the Chalice, Mongolia, 1937 (tempera on cardboard)
5642778 Guardian of the Chalice, Mongolia, 1937 (tempera on cardboard) by Roerich, Nicholas (1874-1947); 30.6A--45.7 cm; Nicholas Roerich Museum, New York; eNicholas Roerich Museum; Russian

Background imageCarvings Collection: White Stone, 1933 (tempera on canvas)

White Stone, 1933 (tempera on canvas)
5642734 White Stone, 1933 (tempera on canvas) by Roerich, Nicholas (1874-1947); 80A--103 cm; Nicholas Roerich Museum, New York; eNicholas Roerich Museum; Russian, out of copyright

Background imageCarvings Collection: Rocks of Ladakh, 1932 (tempera on canvas)

Rocks of Ladakh, 1932 (tempera on canvas)
5642686 Rocks of Ladakh, 1932 (tempera on canvas) by Roerich, Nicholas (1874-1947); 46A--78.7 cm; Nicholas Roerich Museum, New York; eNicholas Roerich Museum; Russian, out of copyright

Background imageCarvings Collection: Rabbit-form pendant, late Shang-early Western Zhou dynasty, 12th-11th century BC (jade)

Rabbit-form pendant, late Shang-early Western Zhou dynasty, 12th-11th century BC (jade)
5942694 Rabbit-form pendant, late Shang-early Western Zhou dynasty, 12th-11th century BC (jade) by Chinese School; length: 4.5 cm; Private Collection; (add.info)

Background imageCarvings Collection: Society of Arts, Select Specimens of British Decorative Art (engraving)

Society of Arts, Select Specimens of British Decorative Art (engraving)
1095778 Society of Arts, Select Specimens of British Decorative Art (engraving) by English School, (19th century); Private Collection; (add.info.: Society of Arts)

Background imageCarvings Collection: Standing female figure, late 19th to 20th century (polychrome wood with metal

Standing female figure, late 19th to 20th century (polychrome wood with metal
1068326 Standing female figure, late 19th to 20th century (polychrome wood with metal, fibre & beads) by Nigerian; 93.7A--22.9A--24.1 cm; Dallas Museum of Art, Texas

Background imageCarvings Collection: Temple, before 300 BC (calcite)

Temple, before 300 BC (calcite)
1068206 Temple, before 300 BC (calcite) by Pre-Columbian; 14.4x10.2x3.5 cm; Dallas Museum of Art, Texas, USA; General Acquisitions Fund; South American, out of copyright

Background imageCarvings Collection: Reclining Woman (ebony)

Reclining Woman (ebony)
1069519 Reclining Woman (ebony) by Pradier, James (Jean-Jacques) (1790-1852); 5.1x10 cm; Dallas Museum of Art, Texas, USA; The Wendy and Emery Reves Collection; Swiss, out of copyright

Background imageCarvings Collection: Haida Totem Post (engraving)

Haida Totem Post (engraving)
980458 Haida Totem Post (engraving) by American School, (19th century) (after); Private Collection; (add.info.: Haida Totem Post)

Background imageCarvings Collection: Sacred Birch Bark Records (colour litho)

Sacred Birch Bark Records (colour litho)
980440 Sacred Birch Bark Records (colour litho) by American School, (19th century) (after); Private Collection; (add.info.: Sacred Birch Bark Records)

Background imageCarvings Collection: The Bird (engraving)

The Bird (engraving)
980416 The Bird (engraving) by American School, (19th century) (after); Private Collection; (add.info.: The Bird. 1 Fragment of shell gorget, Alabama (1/1). 2 Gold ornament, Florida

Background imageCarvings Collection: Prey God Fetiches (colour litho)

Prey God Fetiches (colour litho)
980408 Prey God Fetiches (colour litho) by American School, (19th century) (after); Private Collection; (add.info.: Prey God Fetiches)

Background imageCarvings Collection: Visigothic carvings in the Chapel of Sao Pedro de Balsemao, Se, Lamego, Portugal c

Visigothic carvings in the Chapel of Sao Pedro de Balsemao, Se, Lamego, Portugal c
1126660 Visigothic carvings in the Chapel of So Pedro de Balsemo, SA©, Lamego, Portugal c.599 (granite) by Visigothic (6th century AD); Chapel of So Pedro de Balsemo, SA©, Lamego

Background imageCarvings Collection: Seated male and female figures, Etowah, 1200-1450 (marble) (see also 422895)

Seated male and female figures, Etowah, 1200-1450 (marble) (see also 422895)
DBP422893 Seated male and female figures, Etowah, 1200-1450 (marble) (see also 422895) by Mississippian culture (c.800-1500); height: 61 cm; Private Collection; Photo eDirk Bakker; American

Background imageCarvings Collection: The pulpit in the Church of Sant Andrea, c. 1298-1301 (marble)

The pulpit in the Church of Sant Andrea, c. 1298-1301 (marble)
466948 The pulpit in the Church of Sant Andrea, c.1298-1301 (marble) by Pisano, Giovanni (c.1245-p.1314); Sant Andrea, Pistoia, Italy; Photo eNicol Orsi Battaglini; Italian, out of copyright

Background imageCarvings Collection: The Porta della Carta (b / w photo)

The Porta della Carta (b / w photo)
MES408655 The Porta della Carta (b/w photo) by Italian Photographer; Venice, Italy; (add.info.: main entrance to the Ducal Palace next to the basilica of San Marco built 1438-43 by Giovanni)

Background imageCarvings Collection: Curios from the Gold Coast, 1876 (albumen print)

Curios from the Gold Coast, 1876 (albumen print)
622844 Curios from the Gold Coast, 1876 (albumen print) by Centennial Photographic Co. (fl.1876); 10.1x8 cm; Private Collection; (add.info.: A stereocard from the 1876 Philadelphia Exhibition)

Background imageCarvings Collection: Interior frieze and cornice of the Temple of Aesculapius

Interior frieze and cornice of the Temple of Aesculapius
STC425585 Interior frieze and cornice of the Temple of Aesculapius, from Ruins of the Palace of Emperor Diocletian at Spalatro in Dalmatia, published 1764 (engraving) by Adam

Background imageCarvings Collection: Pavilion at the All-Russian Exhibition of Industry and Art, Nizhny Novgorod

Pavilion at the All-Russian Exhibition of Industry and Art, Nizhny Novgorod
BCC425227 Pavilion at the All-Russian Exhibition of Industry and Art, Nizhny Novgorod, 1896 (b/w photo) by Russian Photographer

Background imageCarvings Collection: Parish church and school designed for the All-Russian Exhibition of Industry and Art

Parish church and school designed for the All-Russian Exhibition of Industry and Art
BCC425228 Parish church and school designed for the All-Russian Exhibition of Industry and Art, Nizhny Novgorod, 1896 (b/w photo) by Russian Photographer

Background imageCarvings Collection: Chimneypiece dated 1729, at 139 Redcliffe Street (w / c on paper)

Chimneypiece dated 1729, at 139 Redcliffe Street (w / c on paper)
2831585 Chimneypiece dated 1729, at 139 Redcliffe Street (w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageCarvings Collection: Bosses from St Thomass Church (pencil & w / c on paper)

Bosses from St Thomass Church (pencil & w / c on paper)
2831566 Bosses from St Thomass Church (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageCarvings Collection: Two stone heads in wall of Prebendal House (pencil & w / c on paper)

Two stone heads in wall of Prebendal House (pencil & w / c on paper)
2831384 Two stone heads in wall of Prebendal House (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageCarvings Collection: A flesh idol? (colour litho)

A flesh idol? (colour litho)
2777860 A flesh idol? (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: A flesh idol? The capture of a devil-fish)



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Carvings have the power to tell stories, preserve history, and captivate our imaginations. From the intricate details of The Tree of Life at Animal Kingdom in Disneyworld, Orlando, Florida, United States of America to the ancient white horse dating back to 1812 carved in chalk on Milk Hill, Marlborough Downs; they can a testament to human creativity and craftsmanship. Traveling across continents, one can marvel at the Islamic carvings adorning the Alhambra in Spain or be mesmerized by Picture No. 10741327 capturing the beauty of Char Bangla Temple in Baranagore, West Bengal, India. Indian petroglyphs drawn on red sandstone transport us back in time while Easter Island's Moai Statues leave us pondering their mysterious origins. The Pashtunath Jain temple sculpture found in Haridwar, Uttarakhand showcases exquisite artistry from Asia while Sottoguda's giant wooden troll exemplifies local craftsmanship amidst Veneto's Dolomites. Even political figures like Lenin find themselves immortalized through carvings such as the image found in Bishkek, Kyrgyzstan. Russia's St Petersburg boasts an array of stunning carvings that adorn its architecture and public spaces. Meanwhile masks and handicrafts from Colombia showcase South America's rich cultural heritage. Whether it is a symbol of faith or an expression of artistic prowess passed down through generations; these diverse carvings serve as reminders that human creativity knows no bounds. They invite us to appreciate different cultures and celebrate our shared humanity through this timeless form of artistry.