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Framed Print : Southcott, (1750- 1814), 1830. Creator: Unknown

Southcott, (1750- 1814), 1830. Creator: Unknown



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Southcott, (1750- 1814), 1830. Creator: Unknown

Southcott, (1750- 1814), 1830. Joanna Southcott (1750- 1814) self-described religious prophetess, dismissed as a domestic servant she joined the Wesleyan Church and announced herself a Woman of the Apocalypse. Called to London by William Sharp to sell seals of the Lord for eternal life, at 64 affirmed she was pregnant and would deliver the new Messiah. From " Biographical Illustrations", by Alfred Howard. [Thomas Tegg, R. Griffin and Co. J. Cumming, London, Glasgow and Dublin, 1830]

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Media ID 19302073

© The Print Collector/Heritage Images

Alfred Alfred Howard Biographical Illustrations Bizarre Bonnet Charles Griffin Company Richard Griffin And Cumming Cumming J Domestic Servant Eccentric Griffin Griffin And Company Griffin Richard Howard Howard Alfred J Cumming Joanna Life Methodist Prophecy Prophetess Prophetic R Griffin And Co Revelation Revelations Richard Richard Griffin And Richard Griffin And Company Servant Servants Sharp Sharp William T Tegg And Son T Tegg Son Tegg Tegg And Son Tegg Son Tegg Son T Tegg Thomas Thomas Tegg Wesleyan William Sharp Eternal Life Southcott Titled


18"x14" Modern Frame

Introducing our latest addition to the Media Storehouse Framed Prints collection: "Southcott, (1750-1814), 1830" by Unknown. This captivating image showcases Joanna Southcott, a self-proclaimed religious prophetess who rose to prominence in the late 18th century. Despite her humble beginnings as a dismissed servant, Southcott joined the Wesleyan Church and gained a significant following. This intriguing print, with its mysterious origins, is a fascinating glimpse into the past and an excellent conversation starter. Order your framed print today and bring a piece of history into your home decor.

16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 35.6cm x 40.6cm (14" x 16")

Estimated Product Size is 35.6cm x 45.7cm (14" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > William Charles

> Arts > Artists > D > Alfred > Related Images

> Arts > Artists > W > Charles White

> Arts > Artists > W > William White

> Arts > Literature > Illustration

> Arts > Literature

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Realistic drawings > Still life artwork > Fine art

> Arts > Realistic drawings > Still life artwork > Portrait artwork


EDITORS COMMENTS
This print from 1830 depicts Joanna Southcott, a self-proclaimed religious prophetess of the late 18th and early 19th centuries. Despite being dismissed as a domestic servant, Southcott found solace in the Wesleyan Church and declared herself to be a Woman of the Apocalypse. The image showcases her direct gaze, dressed in traditional clothing with a bonnet and hat. The engraving is taken from "Biographical Illustrations" by Alfred Howard, published by Thomas Tegg, R. Griffin and Co. , J. Cumming in London, Glasgow, and Dublin. It offers an intriguing glimpse into the life of this eccentric figure who gained notoriety for selling seals of the Lord for eternal life. At the age of 64, Southcott made an astonishing claim – she proclaimed to be pregnant with the new Messiah. This revelation brought her to London under William Sharp's invitation to sell these seals further. Her prophetic beliefs were met with both fascination and skepticism during this time. This portrait captures Joanna Southcott's enigmatic presence as she stands alone against a simple backdrop. It serves as a testament to her impact on British history and religion during that era—a reminder of how individuals can challenge societal norms through their unwavering faith and conviction.

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