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Revelation Collection

"Revelation: Unveiling the Mysteries of Life and Beyond" In the depths of a wintry night, amidst the timeless tale penned by Charles Dickens

Background imageRevelation Collection: Scene from A Christmas Carol by Charles Dickens, 1843. Artist: John Leech

Scene from A Christmas Carol by Charles Dickens, 1843. Artist: John Leech
Scene from A Christmas Carol by Charles Dickens, 1843. The irascible, curmudgeonly Ebenezer Scrooge, sitting alone on Christmas Eve, is visited by the ghost of Marley, his late business partner

Background imageRevelation Collection: VISION OF DEATH. Vision of Death (on a pale horse), Revelation 6: 8

VISION OF DEATH. Vision of Death (on a pale horse), Revelation 6: 8. Wood engraving after Gustave Dor
VISION OF DEATH. Vision of Death (on a pale horse), Revelation 6:8. Wood engraving after Gustave Dor

Background imageRevelation Collection: Naked little girl looking in the mirror

Naked little girl looking in the mirror
A little girl wearing nothing but her shoes and socks, and pink ribbons in her hair, looks in the mirror and says " Goodness, Is That Me!" She is holding an apple in her left hand

Background imageRevelation Collection: The Last Judgement, 1865-1866. Artist: Gustave Dore

The Last Judgement, 1865-1866. Artist: Gustave Dore
The Last Judgement, 1865-1866. From the Bible (Book of Revelation 20:11)

Background imageRevelation Collection: Chronological chart of the Visions of Daniel and John, 1843 (colour litho)

Chronological chart of the Visions of Daniel and John, 1843 (colour litho)
AQS257138 Chronological chart of the Visions of Daniel and John, 1843 (colour litho) by American School, (19th century); American Antiquarian Society, Worcester, Massachusetts

Background imageRevelation Collection: Book of Revelation or The Apocalypse. Book of New Testament

Book of Revelation or The Apocalypse. Book of New Testament. Miniature. 15th century. The fifth Angel playing trumpet. Chateau of Chatilly. France

Background imageRevelation Collection: Romanesque Art. France. 12th century. Moissac Abbey. Tympanu

Romanesque Art. France. 12th century. Moissac Abbey. Tympanum of the south-west portico. Tetramorph and Pantocrator

Background imageRevelation Collection: The dangers of getting a personal tattoo

The dangers of getting a personal tattoo
" First of All, Mary, theres something awful I must get off my chest." The dangers of getting a personal tattoo - A dapper gent has to admit to a previous romantic liason to his new young

Background imageRevelation Collection: The Babylonian Whore, 1498, (1936). Artist: Albrecht Durer

The Babylonian Whore, 1498, (1936). Artist: Albrecht Durer
The Babylonian Whore, 1498, (1936). A scene from the Apocalypse or The Revelations of St. John the Divine. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Background imageRevelation Collection: The Archangel Michael and his angels fighting the dragon, 1865-1866. Artist: Gustave Dore

The Archangel Michael and his angels fighting the dragon, 1865-1866. Artist: Gustave Dore
The Archangel Michael and his angels fighting the dragon, 1865-1866. The Virgin Mary with the infant Jesus in her arms looks down from Heaven. From Gustave Dores Bible (Revelation 12:1)

Background imageRevelation Collection: The conductor

The conductor
Marco Redaelli

Background imageRevelation Collection: Worship

Worship
Ali Nejatbakhsh

Background imageRevelation Collection: ANGELS & MONSTERS ANGELS & MONSTERS

ANGELS & MONSTERS ANGELS & MONSTERS
Angels come down from Heaven to deal with the evil monsters

Background imageRevelation Collection: Sun Diver

Sun Diver
Henry Jager

Background imageRevelation Collection: School Dancers

School Dancers
DDiArte

Background imageRevelation Collection: Southcott, (1750- 1814), 1830. Creator: Unknown

Southcott, (1750- 1814), 1830. Creator: Unknown
Southcott, (1750- 1814), 1830. Joanna Southcott (1750- 1814) self-described religious prophetess, dismissed as a domestic servant she joined the Wesleyan Church

Background imageRevelation Collection: The Lamb, holding the book of the Seven Seals, adored by the Elders, 14th-15th century

The Lamb, holding the book of the Seven Seals, adored by the Elders, 14th-15th century. Revelations 5. V6-14. Panel 7 of the Altarpiece of the Apocalypse

Background imageRevelation Collection: The Woman Clothed with the Sun, 14th-15th century. Artist: Master Bertram of Hamburg

The Woman Clothed with the Sun, 14th-15th century. Artist: Master Bertram of Hamburg
The Woman Clothed with the Sun, 14th-15th century. Her child, threatened by the dragon, taken to heaven. Panel 29 from the Altarpiece of the Apocalypse. Master Bertram of Hamburg, (Revelations 12 v)

Background imageRevelation Collection: Sossusvlei dunes in the Namib desert, Swakopmund, Namibia

Sossusvlei dunes in the Namib desert, Swakopmund, Namibia

Background imageRevelation Collection: Birth of Antichrist

Birth of Antichrist
The birth of Antichrist Date: 1516

Background imageRevelation Collection: Angel

Angel
Marko Dasic

Background imageRevelation Collection: Advert for Revelation Luggage

Advert for Revelation Luggage
Here Revelation Luggage are advertising their expanding suitcase. Date: 1939

Background imageRevelation Collection: Advert for the innovative Rev-Robe luggage

Advert for the innovative Rev-Robe luggage
The Rev-Robe by Revelation Luggage promises a quick, easy and creaseless packing experience in this advert. Date: circa 1939

Background imageRevelation Collection: Death of the two prophets

Death of the two prophets - Revelation 12. circa 1688

Background imageRevelation Collection: The Last Judgement. Bible Book of Revelation 20:11. Illustration by Gustave Dore 1865-1866

The Last Judgement. Bible Book of Revelation 20:11. Illustration by Gustave Dore 1865-1866. Wood engraving
536425 The Last Judgement. Bible Book of Revelation 20:11. Illustration by Gustave Dore 1865-1866. Wood engraving by Dore, Gustave (1832-83); Universal History Archive/UIG

Background imageRevelation Collection: Philip now learned that he was the son of King Richard, illustration from Shakespeare's stories of

Philip now learned that he was the son of King Richard, illustration from Shakespeare's stories of the English
IL274122 Philip now learned that he was the son of King Richard, illustration from Shakespeare's stories of the English Kings, published by George Harrap & Son, 1912 (colour litho) by Hammond

Background imageRevelation Collection: The Burning Bush

The Burning Bush
2096710 The Burning Bush by Schnorr von Carolsfeld, Julius (1794-1872); (add.info.: Religion. Old Testament. Moses and the Burning Bush: God Appears to Moses in Burning Bush)

Background imageRevelation Collection: DivineTouch

DivineTouch
Marcel Egger

Background imageRevelation Collection: Supper at Emmaus, c. 1610 (oil on canvas)

Supper at Emmaus, c. 1610 (oil on canvas)
XIR409293 Supper at Emmaus, c.1610 (oil on canvas) by Rodriguez, Alonso (1578-1648); 116x166 cm; Musee des Beaux-Arts, Pau, France; (add.info.: La Cene a Emmaus;)

Background imageRevelation Collection: Detail of the Last Judgement, 1551 (oil on panel)

Detail of the Last Judgement, 1551 (oil on panel)
489994 Detail of the Last Judgement, 1551 (oil on panel) by Pourbus, Pieter Jansz. (1523-84); Groeningemuseum, Bruges, Belgium; (add.info.: See 489991.); © Art in Flanders

Background imageRevelation Collection: Detail of the Last Judgement, 1551 (oil on panel)

Detail of the Last Judgement, 1551 (oil on panel)
489992 Detail of the Last Judgement, 1551 (oil on panel) by Pourbus, Pieter Jansz. (1523-84); Groeningemuseum, Bruges, Belgium; (add.info.: See 489991.); © Art in Flanders

Background imageRevelation Collection: Detail of the Last Judgement, 1525 (oil on panel)

Detail of the Last Judgement, 1525 (oil on panel)
490013 Detail of the Last Judgement, 1525 (oil on panel) by Provoost, Jan (c.1465-1529); Groeningemuseum, Bruges, Belgium; (add.info)

Background imageRevelation Collection: St John on Patmos (oil on panel)

St John on Patmos (oil on panel)
471560 St John on Patmos (oil on panel) by Netherlandish School (16th century); 33x47 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageRevelation Collection: Detail of the Last Judgement, 1551 (oil on panel)

Detail of the Last Judgement, 1551 (oil on panel)
489993 Detail of the Last Judgement, 1551 (oil on panel) by Pourbus, Pieter Jansz. (1523-84); Groeningemuseum, Bruges, Belgium; (add.info.: See 489991.); © Art in Flanders

Background imageRevelation Collection: The Last Judgement, 1525 (oil on panel)

The Last Judgement, 1525 (oil on panel)
490011 The Last Judgement, 1525 (oil on panel) by Provoost, Jan (c.1465-1529); 145x169 cm; Groeningemuseum, Bruges, Belgium; (add.info)

Background imageRevelation Collection: The Last Judgement, 1551 (oil on panel)

The Last Judgement, 1551 (oil on panel)
489991 The Last Judgement, 1551 (oil on panel) by Pourbus, Pieter Jansz. (1523-84); 228.5x181 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

Background imageRevelation Collection: A Rider on a Black Horse with a Pair of Balances in His Hand; and A Pale Horse with D

A Rider on a Black Horse with a Pair of Balances in His Hand; and A Pale Horse with D... 1440-1450. Creator: Anon
A Rider on a Black Horse with a Pair of Balances in His Hand; and A Pale Horse with Death as Its Rider, from an Apocalypse blockbook, 2nd edition, 1440-1450

Background imageRevelation Collection: The Angels of the Euphrates Killing Mankind; and The Angel Preventing Saint John

The Angels of the Euphrates Killing Mankind; and The Angel Preventing Saint John from... 1440-1450. Creator: Anon
The Angels of the Euphrates Killing Mankind; and The Angel Preventing Saint John from Recording the Words of the Seven Thunders from an Apocalypse blockbook, 2nd edition, 1440-1450

Background imageRevelation Collection: The Last Judgment, 1922. 1922. Creator: Anon

The Last Judgment, 1922. 1922. Creator: Anon
The Last Judgment, 1922

Background imageRevelation Collection: Hand-carved Picture Frame 'River of Life'Motif, c. 1938. Creator: Vera Van Voris

Hand-carved Picture Frame "River of Life"Motif, c. 1938. Creator: Vera Van Voris
Hand-carved Picture Frame " River of Life" Motif, c. 1938

Background imageRevelation Collection: In the shadow of the giant

In the shadow of the giant
Stephan Rückert

Background imageRevelation Collection: Song of Praise in Heaven over the Fall of the Whore of Babylon; The Wedding of the La

Song of Praise in Heaven over the Fall of the Whore of Babylon; The Wedding of the La... 1440-1450. Creator: Anon
Song of Praise in Heaven over the Fall of the Whore of Babylon; The Wedding of the Lamb from an Apocalypse block book, 2nd edition, 1440-1450

Background imageRevelation Collection: The Mountain and the Star Fall into the Sea, illustration from the Apocalypsis Sancti

The Mountain and the Star Fall into the Sea, illustration from the Apocalypsis Sancti... 1460-1470. Creator: Anon
The Mountain and the Star Fall into the Sea, illustration from the Apocalypsis Sancti Johannis, block book, 4th edition, 1460-1470

Background imageRevelation Collection: The Supper at Emmaus, c. 1625 (oil on canvas)

The Supper at Emmaus, c. 1625 (oil on canvas)
3588496 The Supper at Emmaus, c.1625 (oil on canvas) by Tarchiani, Filippo (1576-1645); 124.5x160 cm; Los Angeles County Museum of Art, CA, USA; (add.info.: The resurrected but incognito Jesus)

Background imageRevelation Collection: Saint John on Patmos, from Landscapes with Old and New Testament Scenes

Saint John on Patmos, from Landscapes with Old and New Testament Scenes and Hunting Scenes, 1584

Background imageRevelation Collection: Roundel with Elder of the Apocalypse, France, 1250 / 75. Creator: Unknown

Roundel with Elder of the Apocalypse, France, 1250 / 75. Creator: Unknown
Roundel with Elder of the Apocalypse, France, 1250/75

Background imageRevelation Collection: Saint Paul (oil on canvas)

Saint Paul (oil on canvas)
CH438718 Saint Paul (oil on canvas) by Parrocel, Etienne (Le Romain) (1696-1775); 64.1x48.6 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageRevelation Collection: He carried me away in the spirit to a great and high mountain, Revelation XXI, 10 (engraving)

He carried me away in the spirit to a great and high mountain, Revelation XXI, 10 (engraving)
5218855 He carried me away in the spirit to a great and high mountain, Revelation XXI, 10 (engraving) by English School, (19th century); Private Collection; (add.info)



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"Revelation: Unveiling the Mysteries of Life and Beyond" In the depths of a wintry night, amidst the timeless tale penned by Charles Dickens, we find ourselves immersed in a scene from "A Christmas Carol. " The artist's brush strokes capture the essence as Ebenezer Scrooge confronts his past, present, and future, and is through this transformative journey that he experiences a profound revelation about his own humanity. As our eyes wander further into the realm of revelations, we stumble upon Gustave Doré's wood engraving depicting Death on a pale horse. This chilling vision draws inspiration from Revelation 6:8, reminding us that even in death there lies an undeniable truth – an ultimate revelation awaiting each soul. But not all they are shrouded in darkness; some emerge from innocence itself. A naked little girl gazes intently into her reflection within a mirror. In her innocent curiosity lies the potential for self-discovery and personal growth—a tender revelation that will shape her perception of herself and others. Gustave Doré returns to grace our visual narrative with "The Last Judgment, " where divine justice unfolds before our eyes. This masterpiece serves as both warning and reassurance—an awe-inspiring depiction of final reckoning and eternal truths revealed to those who have traversed life's winding path. Turning our attention to ancient texts, we encounter chronological charts mapping out Daniel's visions alongside John's prophetic insights found within the Book of Revelation. These intricate illustrations guide us through apocalyptic landscapes while unraveling prophecies—each stroke revealing glimpses into mankind's destiny. Romanesque art transports us back to Moissac Abbey in France during the twelfth century—a time when religious symbolism thrived. Here at its tympanum, richly carved scenes depict biblical narratives intertwined with revelations about faith—a testament to human devotion seeking spiritual enlightenment. Yet not all revelations come from sacred sources.