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Framed Print : Ivory casket lid, 965 to 970 AD, (1881). Creator: W Jones

Ivory casket lid, 965 to 970 AD, (1881). Creator: W Jones



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Ivory casket lid, 965 to 970 AD, (1881). Creator: W Jones

Ivory casket lid, 965 to 970 AD, (1881). Etching of the carved lid of a box, made in Al-Andalus (Andalucia, Spain), possibly at Madinat al-Zahra, Cordoba, in the mid 10th century. From " The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Victoria & Albert Museum in London (formerly known as the South Kensington Museum). [Sampson Low, Marston, Searle and Rivington, London, 1881]

Heritage Images features heritage image collections

Media ID 19299789

© The Print Collector/Heritage Images

10th Century Andalusia Boxes Casket Cordoba Hispano Arabic Ivory Jones Marston Moorish Museum Of Ornamental Art Sampson Low Searle And Rivington South Kensington Museum Tenth Century The South Kensington Museum V And A V And A Museum Victoria Albert Museum Victoria And Albert Museum Madinat Al Zahra Medina Azahara


18"x14" Modern Frame

Discover the rich history of Al-Andalus with our exquisite Framed Prints from Media Storehouse. This captivating piece showcases an intricately carved ivory casket lid, estimated to date back to 965 to 970 AD. Originally created by W Jones in 1881, this etching brings the intricate designs and craftsmanship of the mid-10th century Madinat al-Zahra, Cordoba, to life. Add a touch of history and culture to your home or office with our premium Framed Prints, expertly crafted to preserve the beauty and detail of this ancient artifact.

16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 35.6cm x 40.6cm (14" x 16")

Estimated Product Size is 35.6cm x 45.7cm (14" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Literature > Illustration

> Europe > Spain > Cordoba

> Europe > United Kingdom > England > London > Boroughs > Kensington and Chelsea

> Europe > United Kingdom > England > London > Museums > V&A (Victoria & Albert)

> Europe > United Kingdom > England > London > Towns > Kensington

> Europe > United Kingdom > England > London > Towns > South Kensington

> Europe > United Kingdom > Scotland > Highlands > Alness

> Historic > Ancient artifacts and relics


EDITORS COMMENTS
This print showcases an exquisite ivory casket lid dating back to the 10th century. Created by W Jones in 1881, this etching captures the intricate carving of a box lid believed to have been made in Al-Andalus (Andalucia, Spain), possibly at Madinat al-Zahra, Cordoba. The lid's decorative motifs reflect the Hispano-Arabic influence prevalent during that era. Its delicate craftsmanship and attention to detail highlight the artistic prowess of Islamic artisans from this period. The casket lid is a testament to the rich cultural heritage of Al-Andalus, where different religious and artistic traditions coexisted harmoniously. Originally featured in "The South Kensington Museum" an esteemed collection now known as the Victoria & Albert Museum in London, this artifact holds immense historical significance. It serves as a reminder of the Moorish legacy that once flourished in Spain. W Jones' skillful etching brings out every intricacy of this remarkable piece, allowing viewers to appreciate its beauty even centuries later. This photograph print transports us back in time, offering a glimpse into the splendor and sophistication of medieval Andalusian artistry. As we admire this ivory casket lid captured through W Jones' lens, we are reminded of how art can transcend time and connect us with our shared human history.

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