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Framed Print : A water carrier woman in Eritrea 1867 (Engraving)
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A water carrier woman in Eritrea 1867 (Engraving)
7141239 A water carrier woman in Eritrea 1867 (Engraving) by Bayard, Emile Antoine (1837-91); Private Collection; (add.info.: A water carrier woman in Eritrea ( Massaua ) Design by Emile Bayard
1867 ( TdM 1867 1s )); Photo ©Jaime Abecasis
Media ID 33085876
© ©Jaime Abecasis / Bridgeman Images
Anthropology Bayard Emile Antoine 1837 91 Eritrea Water Carrier Ethnography Traditional Costume
18"x14" Modern Frame
Bring timeless beauty into your home with the Media Storehouse Framed Print of "A Water Carrier Woman in Eritrea 1867 (Engraving)" by Emile Antoine Bayard. This exquisite piece, originally published in 1867, showcases the resilience and grace of a water carrier woman from Eritrea. The intricate engraving by Jaime Abecasis, sourced from Fine Art Finder, is expertly framed to preserve its vintage charm. Add this captivating work of art to your decor and start a conversation about history and culture in your space.
16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 35.6cm x 40.6cm (14" x 16")
Estimated Product Size is 35.6cm x 45.7cm (14" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This engraving, titled "A water carrier woman in Eritrea 1867" takes us back to a bygone era, offering a glimpse into the rich cultural heritage of Africa. The image showcases the remarkable talent of French illustrator Emile Antoine Bayard, who beautifully captures the essence of this Eritrean woman. Intriguingly poised with her water jug balanced gracefully on her head, she stands as a symbol of strength and resilience. Her traditional costume reflects the deep-rooted traditions and customs that have shaped Eritrean culture for centuries. The intricate details in her clothing highlight Bayard's meticulous attention to accuracy and his dedication to ethnographic representation. As we gaze upon this engraving, we are transported to Massaua, an ancient port city in Eritrea where this scene unfolds. It is evident that Bayard was not merely interested in capturing physical appearances but also sought to understand the spirit and soul of the native population he encountered during his travels. The nudity depicted here should be seen through an anthropological lens rather than one of objectification or exploitation. This artwork serves as a valuable historical document shedding light on societal norms prevalent at that time. Through Jaime Abecasis' expert photography skills, this print preserves both artistry and history within its frame. It reminds us how art can transcend time and space while celebrating diversity across continents.
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