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Canvas Print : A water carrier woman in Eritrea 1867 (Engraving)
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A water carrier woman in Eritrea 1867 (Engraving)
7141239 A water carrier woman in Eritrea 1867 (Engraving) by Bayard, Emile Antoine (1837-91); Private Collection; (add.info.: A water carrier woman in Eritrea ( Massaua ) Design by Emile Bayard
1867 ( TdM 1867 1s )); Photo ©Jaime Abecasis
Media ID 33085876
© ©Jaime Abecasis / Bridgeman Images
Anthropology Bayard Emile Antoine 1837 91 Eritrea Water Carrier Ethnography Traditional Costume
30"x20" (76x51cm) Canvas Print
Bring history to life with our exquisite Canvas Prints from Media Storehouse. This captivating engraving, titled "A water carrier woman in Eritrea 1867," is an extraordinary work by Emile Antoine Bayard, as showcased in the Private Collection on Fine Art Finder. The intricate details of this image, originally created in 1867, are beautifully rendered on our high-quality canvas. Each print is meticulously crafted to bring out the rich textures and vibrant colors of the original artwork. Transport yourself back in time with this stunning addition to your home or office decor.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 76.2cm (20" x 30")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This engraving, titled "A water carrier woman in Eritrea 1867" takes us back to a bygone era, offering a glimpse into the rich cultural heritage of Africa. The image showcases the remarkable talent of French illustrator Emile Antoine Bayard, who beautifully captures the essence of this Eritrean woman. Intriguingly poised with her water jug balanced gracefully on her head, she stands as a symbol of strength and resilience. Her traditional costume reflects the deep-rooted traditions and customs that have shaped Eritrean culture for centuries. The intricate details in her clothing highlight Bayard's meticulous attention to accuracy and his dedication to ethnographic representation. As we gaze upon this engraving, we are transported to Massaua, an ancient port city in Eritrea where this scene unfolds. It is evident that Bayard was not merely interested in capturing physical appearances but also sought to understand the spirit and soul of the native population he encountered during his travels. The nudity depicted here should be seen through an anthropological lens rather than one of objectification or exploitation. This artwork serves as a valuable historical document shedding light on societal norms prevalent at that time. Through Jaime Abecasis' expert photography skills, this print preserves both artistry and history within its frame. It reminds us how art can transcend time and space while celebrating diversity across continents.
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