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Fine Art Print : 1857 Hugh Miller portrait photograph

1857 Hugh Miller portrait photograph



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1857 Hugh Miller portrait photograph

1856. Hugh Miller, Scottish geologist and palaeontologist. Born 1802 died 1856. Photographic frontispiece of author by J.G. Tunny in some first editions of Millers posthumous 1857 book " Testimony of the Rocks; or geology in its bearing on the two theologies, natural and revealed". Gernsheim, " Incunabala of British Photographic literature", p.67, cites this as the first book to ever include a photograph of its author. Miller was a stonesmason who went on to become a self-trained geologist/author. He is particularly associated with the mainly Devonian old red sandstone of Scotland. His suicide while preparing to publish this book, diminished his reputation and some say damaged geology as a victorian hobby. Often cited as a fevered result of a conflict between science and religion - his brief suicide note seems to suggest he was scared of injuring his family during delusions (psychosis)

Science Photo Library features Science and Medical images including photos and illustrations

Media ID 6318833

© PAUL D STEWART/SCIENCE PHOTO LIBRARY

Creationist Depression Devonian Geologist Mental Illness Natural Theology Palaeontological Psychosis Psychotic Religion Science And Religion Scot Land Scottish Suicide Early Photography Old Red Sandstone Palaeontology


20"x16" (+3" Border) Fine Art Print

Discover the captivating world of Scottish geologist and palaeontologist Hugh Miller, brought to life through the exquisite detail of our Media Storehouse Fine Art Prints. This extraordinary portrait by Paul D. Stewart, from the Science Photo Library, captures the intellectual curiosity and passion that defined Miller's groundbreaking work in the 19th century. Each print is meticulously crafted using premium materials and vibrant inks, ensuring a stunning and long-lasting addition to your home or office. Immerse yourself in the rich history of science and exploration with this inspiring piece of art.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This print showcases the 1857 Hugh Miller portrait photograph, capturing the essence of a remarkable Scottish geologist and palaeontologist. Born in 1802 and tragically passing away in 1856, Hugh Miller's legacy lives on through this photographic frontispiece featured in some first editions of his posthumous book "Testimony of the Rocks; or geology in its bearing on the two theologies, natural and revealed". Taken by J. G. Tunny, this image holds historical significance as it is cited as being the first book to ever include a photograph of its author. Miller's journey from being a stonesmason to becoming a self-trained geologist/author is truly inspiring. Renowned for his association with Scotland's mainly Devonian old red sandstone, Miller made significant contributions to the field of geology. However, his untimely suicide while preparing to publish this very book had lasting effects on both his reputation and Victorian-era geology as a hobby. Often interpreted as an unfortunate consequence of conflicts between science and religion during that time period, Miller's brief suicide note suggests he was driven by delusions (psychosis) and feared harming his family. This thought-provoking print not only captures an important figure in scientific history but also sheds light on mental illness within academia. It serves as a reminder that even brilliant minds can be plagued by personal struggles.

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