Canvas Print : 1857 Hugh Miller portrait photograph
Canvas Prints From Science Photo Library
1857 Hugh Miller portrait photograph
1856. Hugh Miller, Scottish geologist and palaeontologist. Born 1802 died 1856. Photographic frontispiece of author by J.G. Tunny in some first editions of Millers posthumous 1857 book " Testimony of the Rocks; or geology in its bearing on the two theologies, natural and revealed". Gernsheim, " Incunabala of British Photographic literature", p.67, cites this as the first book to ever include a photograph of its author. Miller was a stonesmason who went on to become a self-trained geologist/author. He is particularly associated with the mainly Devonian old red sandstone of Scotland. His suicide while preparing to publish this book, diminished his reputation and some say damaged geology as a victorian hobby. Often cited as a fevered result of a conflict between science and religion - his brief suicide note seems to suggest he was scared of injuring his family during delusions (psychosis)
Science Photo Library features Science and Medical images including photos and illustrations
Media ID 6318833
© PAUL D STEWART/SCIENCE PHOTO LIBRARY
Creationist Depression Devonian Geologist Mental Illness Natural Theology Palaeontological Psychosis Psychotic Religion Science And Religion Scot Land Scottish Suicide Early Photography Old Red Sandstone Palaeontology
20"x16" (51x41cm) Canvas Print
Bring the captivating history of Scottish geologist and palaeontologist Hugh Miller to life with our Media Storehouse Canvas Prints. This stunning portrait photograph, taken by Paul D. Stewart in 1856 and sourced from Science Photo Library, captures the intellectual curiosity and passion that defined Miller's groundbreaking work in the fields of geology and palaeontology. Our high-quality canvas prints are meticulously crafted to bring out the rich details and vibrant colors of this iconic image, making it a beautiful addition to any home or office. Experience the timeless allure of this intriguing historical figure and elevate your space with our Canvas Print of the "1857 Hugh Miller Portrait Photograph" by Paul D. Stewart.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases the 1857 Hugh Miller portrait photograph, capturing the essence of a remarkable Scottish geologist and palaeontologist. Born in 1802 and tragically passing away in 1856, Hugh Miller's legacy lives on through this photographic frontispiece featured in some first editions of his posthumous book "Testimony of the Rocks; or geology in its bearing on the two theologies, natural and revealed". Taken by J. G. Tunny, this image holds historical significance as it is cited as being the first book to ever include a photograph of its author. Miller's journey from being a stonesmason to becoming a self-trained geologist/author is truly inspiring. Renowned for his association with Scotland's mainly Devonian old red sandstone, Miller made significant contributions to the field of geology. However, his untimely suicide while preparing to publish this very book had lasting effects on both his reputation and Victorian-era geology as a hobby. Often interpreted as an unfortunate consequence of conflicts between science and religion during that time period, Miller's brief suicide note suggests he was driven by delusions (psychosis) and feared harming his family. This thought-provoking print not only captures an important figure in scientific history but also sheds light on mental illness within academia. It serves as a reminder that even brilliant minds can be plagued by personal struggles.
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