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Fine Art Print : A Wife and No wife - or - a Trip to the Continent, 1786. Artist: Carlo Khan
Fine Art Prints from Heritage Images
A Wife and No wife - or - a Trip to the Continent, 1786. Artist: Carlo Khan
A Wife and No wife - or - a Trip to the Continent, 1786. Satire on the secret marriage said to have taken place between the Prince of Wales and Mrs Fitzherbert. Charles James Fox gives the bride away, Edmund Burke performs the ceremony, Lord North has fallen asleep. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)
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Media ID 14917401
© The Print Collector / Heritage-Images
Asleep Bride Bridegroom Burke Carlo Charles Fox Charles James Charles James Fox Crucified Crucifixion Edmund Edmund Burke Emily Morse Emily Morse Symonds Fitzherbert Frederick George Iv George Paston Groom Husband Khan King George Iv King Of Great Britain Maria Anne Maria Anne Fitzherbert Mrs Fitzherbert Paston Prime Minister Prince Of Wales Prince Regent Prinnie Prinny Sleep Sleeping Symonds Vicar Wedding Wife Roman Catholicism
20"x16" (+3" Border) Fine Art Print
Experience the captivating wit and satire of the past with our exclusive Fine Art Print of Carlo Khan's "A Wife and No Wife - or - A Trip to the Continent," from Heritage Images. This intriguing work of art, created by Carlo Khan in 1786, offers a humorous commentary on the alleged secret marriage between the Prince of Wales and Mrs. Fitzherbert. Featuring prominent historical figures such as King George IV, Charles James Fox, Edmund Burke, and Frederick North, this print is a must-have for history enthusiasts and art collectors alike. Add a touch of historical intrigue and satire to your home or office decor with this beautiful and thought-provoking piece from the Media Storehouse range of Fine Art Prints.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 50.8cm x 37cm (20" x 14.6")
Estimated Product Size is 66cm x 55.9cm (26" x 22")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
A Wife and No wife - or - a Trip to the Continent, 1786" is a captivating print that captures the essence of satire and political intrigue in 18th century Britain. Created by Carlo Khan, this artwork depicts a significant event rumored to have taken place between the Prince of Wales and Mrs Fitzherbert. In this scene, Charles James Fox stands proudly as he gives away the bride, while Edmund Burke solemnly performs the wedding ceremony. Meanwhile, Lord North has succumbed to slumber, oblivious to the momentous occasion unfolding before him. The image showcases George Paston's exceptional talent for caricature and his pseudonym Emily Morse Symonds adds an air of mystery. The composition portrays Maria Anne Fitzherbert as she assumes her role as both bride and wife with grace and dignity. The presence of various politicians highlights their involvement in this secret marriage scandal that rocked British society at the time. Carlo Khan's attention to detail brings forth a sense of authenticity in capturing not only the individuals involved but also their emotions during this controversial event. Through monochrome tones, we are transported back to an era where religion played a significant role in politics and relationships were shrouded in secrecy. This print serves as a historical testament to an intriguing chapter in British history when love defied societal norms and challenged traditional power structures. It invites viewers into a world filled with political machinations, forbidden romance, and hidden alliances – all beautifully captured within one frame.
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