Crucifixion Gallery

The New Jerusalem, c1900

The New Jerusalem, c1900. Christ, who has redeemed the world through his Crucifixion, waits at the entrance to The New Jerusalem to welcome the saved, while those who have ignored his message and sacrifice go down to hell. Popular print

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Symbolic designs on the lid of the Pastos in the vault of the Adepts, c

RGL212699 Symbolic designs on the lid of the Pastos in the vault of the Adepts, c.1895 (coloured ink on paper) by English School, (19th century); Private Collection; (add.info.: Pastos was the tomb in which lay the mythical figure of Christian Rosencreutz, the legendary, perhaps allegorical, founder of the Rosicrucian Order; these symbolic designs show two aspects of the Christ, the lower in the form of the Crucified Jesus and the upper in the form of Alpha & Omega; the meaning of the symbols was explained to each new Adept in the Order of the Golden Dawn, a magical Rosicrucian order active in Great Britain during the late 19th and early 20th centuries; Adepts constituted the third and highest rank in the organisation of the order; Pastos A©tait la tombe dans laquelle reposait le personnage mythique de Christian Rosencreutz, le lA©gendaire, peut-Aªtre allA©gorique, fondateur de l'ordre de la Rose-Croix ; ces dessins symboliques montrent deux aspects du Christ, le bas sous la forme de JA©sus crucifiA© et le haut sous la forme d'Alpha & Omega ; la signification des symboles a A©tA© expliquA©e A  chaque nouvelle adepte de l'ordre de la Golden Dawn, un Ordre rosicrucien magique active en Grande-Bretagne au cours de la fin du XIXe et du dA©but du XXe siA¨cle; les Adeptes constituent le troisiA¨me et plus haut rang dans l'organisation de l'ordre;); English, out of copyright

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The Parlement of Paris Altarpiece, 1453-55 (oil on panel)

XIR244977 The Parlement of Paris Altarpiece, 1453-55 (oil on panel) by French School, (15th century); 226.5 x 270 cm; Louvre, Paris, France; (add.info.: painted for the Grand Chambre du Parlement de Paris; to the left of Calvary are the saints Louis and John the Baptist; to the right, saint Denis (Areopagite) and Charlemagne; background depicts on the left the Tour de Nesle, the river Seine, the Louvre, the Petit-Bourbon & on the right, the Palais;); French, out of copyright

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