Salted Paper Print From Waxed Paper Negative Collection

Amerapoora, Palace of the White Elephant, 1 September-21 October 1855. Creator: Captain Linnaeus Tripe
Amerapoora, Palace of the White Elephant, 1 September-21 October 1855

The Ramparts of Carcassonne, 1851. Creator: Gustave Le Gray
The Ramparts of Carcassonne, 1851

Chene dans les rochers aFontainebleau, 1849-52. Creator: Gustave Le Gray
Chene dans les rochers a Fontainebleau, 1849-52

The Salon of 1852, 1852. Creator: Gustave Le Gray
The Salon of 1852, 1852

Amerapoora, Barracks of the Burmese Guard, 1 September-21 October 1855

Untitled (Scene of Fontainbleau), c. 1853. Creator: Andre Giroux (French, 1801-1879)
Untitled (Scene of Fontainbleau), c. 1853. Trained as a painter, Giroux was an active amateur photographer during the 1850s

Village Scene (Southern France), c. 1853. Creator: Andre-Adolphe-Eugene Disderi
Village Scene (Southern France), c. 1853. Although best known for his development of the carte-de-visite photograph which immortalized many a Parisian

The Sphinx, c. 1853. Creator: John Beasley Greene (American, 1832-1856)
The Sphinx, c. 1853. The son of a wealthy banker, Greene was an American but born and raised in Paris. At a young age, he became an avid archaeologist focusing on the Middle East

Pathway in the Forest of Fontainbleau, 1849-1852. Creator: Gustave Le Gray (French, 1820-1884)
Pathway in the Forest of Fontainbleau, 1849-1852. One of the most inventive and influential French photographers of the 1850s

Parthenon, 1852. Creator: Eugene Piot (French, 1812-1891)
Parthenon, 1852

Road in the Forest, 1860-1863. Creator: Eugene Cuvelier (French, 1837-1900)
Road in the Forest, 1860-1863. Eugene Cuvelier was a landscape painter as well as a photographer. During the 1850s and 1860s, he photographed in an number of forests near Paris

Landscape with Seated Figure on Stream Bank, c. 1856. Creator: Frank Chauvassaignes (French)
Landscape with Seated Figure on Stream Bank, c. 1856. Flooded with bright light and enveloped in deep shadows, this romantic landscape is the remarkable achievement of the early French photographer

Henriette Robert, 1852-1853. Creator: Louis-Remy Robert (French, 1811-1882)
Henriette Robert, 1852-1853. Henriette Robert, daughter of the distinguished amateur photographer of this portrait, is seated on a stone balustrade in the garden of the manufactory at Sevres

View of Evreux, 1850. Creator: Hippolyte Bayard (French, 1801-1887); Blanquart-Evrard
View of Evreux, 1850

View of Luxor, 1854. Creator: John Beasley Greene (American, 1832-1856)
View of Luxor, 1854. On the first of three trips to Egypt, John Beasley Greene created some 200 photographs. His work rarely documented favorite tourist sites in a conventionally descriptive manner;

Porte Bachelier, Eglise Saint-Sernin, Toulouse (Haute-Garonne), 1851. Creator: Auguste Mestral
Porte Bachelier, Eglise Saint-Sernin, Toulouse (Haute-Garonne), 1851

Behind the Troglodyte Farm, c. 1853. Creator: Henri Le Secq (French, 1818-1882)
Behind the Troglodyte Farm, c. 1853. Trained as a painter, Le Secq was drawn to the new invention of photography in the late 1840s

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"Exploring the Captivating World of Salted Paper Prints from Waxed Paper Negatives" Step back in time to Amerapoora, where Captain Linnaeus Tripe captured the majestic Palace of the White Elephant on a salted paper print from a waxed paper negative. This remarkable photograph, taken between 1 September and 21 October 1855, transports us to a bygone era. Gustave Le Gray's masterpiece, "The Ramparts of Carcassonne, " showcases his mastery of this unique technique. The intricate details and textures bring these ancient walls to life, allowing us to immerse ourselves in their rich history dating back to 1851. Le Gray's talent shines again with "Chene dans les rochers à Fontainebleau. " This enchanting image captures the beauty of nature intertwined with man-made structures during the years 1849-52, and is a testament to Le Gray's ability to capture both grand landscapes and intimate scenes. In contrast, "The Salon of 1852" by Gustave Le Gray takes us into an opulent world filled with art enthusiasts admiring masterpieces. Through this salted paper print, we witness an important moment in art history as it immortalizes one of Paris' most prestigious exhibitions. Andre Giroux's untitled work offers a glimpse into Fontainbleau's scenic wonders circa 1853. With its serene atmosphere and captivating composition, it invites viewers on an imaginary journey through time. Meanwhile, Andre-Adolphe-Eugene Disderi transports us further south with his charming "Village Scene (Southern France)" from around the same period. The rustic charm depicted here evokes feelings of nostalgia for simpler times amidst picturesque countryside settings. John Beasley Greene presents an intriguing perspective through his enigmatic photograph titled "The Sphinx. " Taken around 1853, this salted paper print captures not only the iconic monument but also the mystique and allure that have surrounded it for centuries.