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Amerapoora, Palace of the White Elephant, 1 September-21 October 1855. Creator: Captain Linnaeus Tripe

Amerapoora, Palace of the White Elephant, 1 September-21 October 1855. Creator: Captain Linnaeus Tripe


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Amerapoora, Palace of the White Elephant, 1 September-21 October 1855. Creator: Captain Linnaeus Tripe

Amerapoora, Palace of the White Elephant, 1 September-21 October 1855

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Media ID 25335423

© Heritage Art/Heritage Images

Amarapura Mandalay Myanmar Buddhist Buddhists Burma Burmese Captain Linnaeus Tripe Linnaeus Tripe Tripe Captain Linnaeus Tripe Linnaeus Albumen Print Albumen Silver Print British Empire


FEATURES IN THESE COLLECTIONS

> Architecture > Palaces

> Architecture > Related Images

> Architecture > Religious

> Architecture > Styles > Buddhist Architecture

> Architecture > Styles > Empire Architecture

> Asia > Myanmar > Mandalay

> Asia > Myanmar > Related Images

> Europe > United Kingdom > England > London > Sights > British Museum

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Religious Images


EDITORS COMMENTS
This print titled "Amerapoora, Palace of the White Elephant, 1 September-21 October 1855" takes us back to a bygone era in Myanmar. Captured by the talented Captain Linnaeus Tripe, this 19th-century albumen silver print showcases the remarkable architecture and religious significance of this historic site. The image transports us to Amarapura Mandalay, where the majestic palace stands proudly against a clear sky. The intricate details of the building's exterior are beautifully highlighted in black and white tones, emphasizing its grandeur. The roof's elegant design adds an element of grace to this sacred place. As we delve into the photograph's narrative, we discover that it is not just about capturing architectural beauty but also about showcasing cultural heritage. Buddhism plays a significant role in Burmese society, and here we witness its influence through Buddhist symbolism present throughout the palace grounds. Captain Linnaeus Tripe skillfully captures both the physical structure and spiritual essence of this location. His salted paper print from waxed paper negative technique brings out every fine detail with precision. Displayed at The Metropolitan Museum of Art as part of their collection on British Empire photography during that era, this print serves as a timeless reminder of Myanmar's rich history and religious traditions. It invites viewers to appreciate not only its aesthetic appeal but also its cultural significance within a broader historical context.

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