Architectural Design Collection

Capability Brown plan F891571
AUDLEY END, SAFFRON WALDEN, ESSEX Colour-tinted landscape design plan of the Audley End estate in the 1770s, by Lancelot Capability Brown c. 1770 - 1780 Scale uncertain

Modern architecture, National Art Center, Roppongi, Tokyo, Japan

Modern architecture, National Art Center, Roppongi, Tokyo, Japan

Modern architecture, National Art Center, Roppongi, Tokyo, Japan

Modern architecture, National Art Center, Roppongi, Tokyo, Japan

Modern architecture, National Art Center, Roppongi, Tokyo, Japan

Modern architecture, National Art Center, Roppongi, Tokyo, Japan

Universal Exposition of 1900: Installation of the Star on Top of the Palace of Electricity (engraving)
XIR155345 Universal Exposition of 1900: Installation of the Star on Top of the Palace of Electricity (engraving) by Lanos, Henri (1859-1929); Bibliotheque Nationale, Paris

View of Grey Street, Newcastle upon Tyne (b / c, ink & w / c on paper)
473948 View of Grey Street, Newcastle upon Tyne (b/c, ink & w/c on paper) by Dobson, John (1787-1865); 41.2x27.5 cm; Laing Art Gallery, Newcastle-upon-Tyne

Craftsmen working on designs, from Rococo Ornament
STC171654 Craftsmen working on designs, from Rococo Ornament, engraved by Antoine Aveline (1691-1743), published 1736-49 (engraving) by Mondon

Plans for the Red House, Bexley Heath, 1859 (pen and ink and w / c on paper)
WMA172921 Plans for the Red House, Bexley Heath, 1859 (pen and ink and w/c on paper) by Webb, Philip (1831-1915); Private Collection; (add.info)

Houghton Hall: section of the East Front, engraved by Pierre Fourdrinier
STC64903 Houghton Hall: section of the East Front, engraved by Pierre Fourdrinier, 1735 (engraving) (see also 64902 & 64904) by Ware

Working drawing for House and Studio for F. Miles Esq, Tite Street, Chelsea
STC176482 Working drawing for House and Studio for F. Miles Esq, Tite Street, Chelsea, 1878-79 (w/c & pencil on paper) (see also 176481, 176483-485) by Godwin

Houghton Hall: section of the West front, engraved by Pierre Fourdrinier
STC64904 Houghton Hall: section of the West front, engraved by Pierre Fourdrinier, 1735 (engraving) (see also 64902 & 64903) by Ware

Houghton Hall: cross-section of the Hall and Salon, engraved by Pierre Fourdrinier
STC64902 Houghton Hall: cross-section of the Hall and Salon, engraved by Pierre Fourdrinier, 1735 (engraving) (see also 64903 & 64904) by Ware

Architecture, from a series of four illustrating the Fine Arts, c
KAB93226 Architecture, from a series of four illustrating the Fine Arts, c.1780 (pietra dura, bronze) by Zocchi, Giuseppe (1711-67) (after); Museo Opificio delle Pietre Dure, Florence

Design for Greys Monument and Proposed Layout and Style of Architecture for Grey
473930 Design for Greys Monument and Proposed Layout and Style of Architecture for Grey Street (b/c, ink & w/c on paper) by Green, Benjamin (c.1811-58); 89.5x60.3 cm; Laing Art Gallery

Architectural Design (engraving)
1096633 Architectural Design (engraving) by English School, (19th century); Private Collection; (add.info.: Architectural Design)

Design for a church, fol. 4r (pen & ink on paper)
XJF308759 Design for a church, fol. 4r (pen & ink on paper) by Vinci, Leonardo da (1452-1519); Private Collection; Italian, out of copyright

Interior of the Central Station, Newcastle upon Tyne (b / c, pencil & w / c on paper)
473947 Interior of the Central Station, Newcastle upon Tyne (b/c, pencil & w/c on paper) by Dobson, John (1787-1865); 46.8x26.8 cm; Laing Art Gallery, Newcastle-upon-Tyne

Design for a church, fol. 4r (pen & ink on paper)
XJF308758 Design for a church, fol. 4r (pen & ink on paper) by Vinci, Leonardo da (1452-1519); Private Collection; Italian, out of copyright

Studies for stables, Folio 39r, from Paris Manuscript B 2173
XJF308756 Studies for stables, Folio 39r, from Paris Manuscript B 2173, 1487-90 (pen & ink on paper) by Vinci, Leonardo da (1452-1519); Bibliotheque de l Institut de France, Paris, France; Italian

Royal Academy Prize (Architectural Design), Design for a Wellington College, by R Norman Shaw (engraving)
1097550 Royal Academy Prize (Architectural Design), Design for a Wellington College, by R Norman Shaw (engraving) by English School

Architectural design by Mr Arthur Adam (engraving)
602328 Architectural design by Mr Arthur Adam (engraving) by English School, (19th century); Private Collection; (add.info.: The National Gallery, architectural design by Mr Arthur Adam)

Interior of the Central Station, Newcastle upon Tyne (b / c, pencil & w / c on paper)
473942 Interior of the Central Station, Newcastle upon Tyne (b/c, pencil & w/c on paper) by Dobson, John (1787-1865); 51.4x31.0 cm; Laing Art Gallery, Newcastle-upon-Tyne

Christopher Wrens first design for the new St. Paul
KW329957 Christopher Wrens first design for the new St. Pauls Cathedral after the Great Fire of London, from The National and Domestic History of England by William Hickman Smith Aubrey (1858-1916)

Holy Family Johannesknaben c. 1530-1560 oil oak wood
The Holy Family with the Johannesknaben, c. 1530-1560, oil on oak wood, Original frame with architectural design, 60 x 53 cm, not marked, Herri met de Bles, tatig im 2. Drittel des 16. Jh

Uprising facade Palazzo Spinola di Pellicceria
Uprising of the facade of the Palazzo Spinola di Pellicceria in Genoa Facciata del Palazzo del sigr. Francesco Grimaldo (title on object), Bottom right a two-line explanation in Italian

Uprising facade Palazzo Clemente della Rovere
Uprising of the facade of the Palazzo Clemente della Rovere in Genoa Facciata del Palazzo del sigr. Giulio della Rovere (title on object), This print is part of an album, hotel, i.e

Architectural Design Cartouche Flanked Siren
Artokoloro

Frieze Consoles Putti Garlands Recto Fragment
Artokoloro

Architectural Design Rusticated Entrance 1760
Artokoloro

Winged Hippocamp supporting Vase recto Figure Studies
Artokoloro

Fragment Architectural Design 18th century Pen
Artokoloro

Architectural Design Exterior City House 19th century
Artokoloro

Susanna Elders recto Architectural design scribbles
Artokoloro

Architectural Design Monumental Altar Composition
Artokoloro

Architectural Design Two Columns Figure 17th century
Artokoloro

Architectural Design Decorated Frieze Containing
Artokoloro

Architectural Design Stage Set Colonna Family
Artokoloro

Infant Saint John Baptist Christ Wilderness recto
Artokoloro

Design for Studios at Bedford Gardens, Campden Hill, London, from The Building News
XJF473753 Design for Studios at Bedford Gardens, Campden Hill, London, from The Building News, May 4 1883 (litho) by English School

Interior of the Nave of St. Pauls Cathedral, looking east, as it would have
KW330050 Interior of the Nave of St. Pauls Cathedral, looking east, as it would have been after Wrens first design, from London Pictures: Drawn with Pen and Pencil, by Rev

Cres, Coatia - Low angle view of an Old World building

Cres, Coatia - A two level, yellow house with a large porch and well manicured garden area in the front

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Architectural design is a captivating blend of creativity, precision, and innovation. It encompasses the art and science of creating structures that not only serve a purpose but also inspire awe and admiration. From Capability Brown's meticulously planned landscapes to the grandeur of the Universal Exposition of 1900, it has continuously pushed boundaries. The engraving depicting the installation of the Star on top of the Palace of Electricity at the Universal Exposition showcases how architecture can merge with technology to create breathtaking marvels. Similarly, the Edystone Lighthouse engraving from 1762 exemplifies how they are withstand nature's forces while guiding ships safely through treacherous waters. Intricate details are an integral part of architectural design, as seen in the view of Grey Street in Newcastle upon Tyne. The black and white ink drawing captures both elegance and functionality, showcasing how urban planning can shape cities into vibrant spaces for people to live and thrive. Craftsmen working on designs in Rococo Ornament highlight another aspect - collaboration between architects and skilled artisans who bring their vision to life. This synergy is evident in plans for Red House in Bexley Heath; pen, ink, and watercolor combine harmoniously to depict a dwelling that seamlessly blends with its surroundings. Houghton Hall stands as a testament to architectural mastery with its intricate sections engraved by Pierre Fourdrinier. Whether it be capturing different perspectives or cross-sections showcasing meticulous attention to detail, these engravings demonstrate how every element contributes to creating magnificent structures. Architecture extends beyond buildings alone; it intertwines with other forms of art too. A series illustrating fine arts depicts architecture as one facet among many that contribute to society's cultural fabric. Finally, we have Greys Monument's proposed layout and style alongside designs for F Miles Esq. 's house - both examples showcase architects' ability to adapt their creations based on specific requirements while maintaining aesthetic appeal.