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Design for Greys Monument and Proposed Layout and Style of Architecture for Grey
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Design for Greys Monument and Proposed Layout and Style of Architecture for Grey
473930 Design for Greys Monument and Proposed Layout and Style of Architecture for Grey Street (b/c, ink & w/c on paper)
by Green, Benjamin (c.1811-58); 89.5x60.3 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: The pillar of Greys Monument in Newcastle was designed by the local architectural partnership of John Green (1787-1852) and his son Benjamin. This view was painted in 1836 by Benjamin Green to present their ideas (the figures were contributed by another local artist, Thomas Miles Richardson, Senior). The monument was built 1837-38 with money donated by the public. It celebrated the success of the 1832 Reform Act, which was promoted by Earl Grey. The Act extended voting rights to a wider group of men (women did not have the vote).
); eTyne & Wear Archives & Museums; British, out of copyright
Media ID 23161694
© Tyne & Wear Archives & Museums / Bridgeman Images
Architectural Design Newcastle Upon Tyne Pedestrians Daily Life Scene
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EDITORS COMMENTS
This print showcases the "Design for Greys Monument and Proposed Layout and Style of Architecture for Grey Street" in Newcastle-upon-Tyne, UK. Created by Benjamin Green in 1836, this artwork presents the visionary ideas of local architects John Green and his son Benjamin for the iconic Greys Monument. The figures within the painting were contributed by another talented artist, Thomas Miles Richardson, Senior. The monument itself was constructed between 1837-38 through public donations to commemorate the success of the 1832 Reform Act. This significant legislation expanded voting rights to a broader group of men (excluding women). Earl Grey played a pivotal role in promoting this act, hence its association with his name. Measuring at an impressive 89.5x60.3 cm, this image provides a glimpse into daily life during the Victorian era on Grey Street—a bustling street scene filled with pedestrians going about their routines. The architectural design showcased here exemplifies the grandeur and elegance characteristic of nineteenth-century architecture. Preserved within the Laing Art Gallery in Newcastle-upon-Tyne, this historic piece offers viewers a fascinating insight into both architectural planning and societal changes that shaped British history during that time period. With its intricate details and meticulous execution, it serves as a testament to Benjamin Green's artistic talent and his contribution to Newcastle's rich cultural heritage.
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