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The Plum Pudding in danger or State Epicures taking un Petit Souper, pub

The Plum Pudding in danger or State Epicures taking un Petit Souper, pub


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The Plum Pudding in danger or State Epicures taking un Petit Souper, pub

3025920 The Plum Pudding in danger or State Epicures taking un Petit Souper, pub. 1805 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: William Pitt the Younger (1759-1806); Napoleon Bonaparte (1769-1821); ); The Stapleton Collection; English, out of copyright

Media ID 22233998

© The Stapleton Collection / Bridgeman Images

Carving Knife Globe Napoleon Bonaparte Pigtail Plum Pudding Prime Minister Section Slice William Pitt Carving Fork


FEATURES IN THESE COLLECTIONS

> Arts > Artists > G > James Gillray

> Arts > Pop art > Satire > Satirical artwork

> Europe > France > Amiens

> Europe > France > Military

> Europe > United Kingdom > England > London > Politics > William Pitt the Younger

> Europe > United Kingdom > England > London > Politics > William Pitt

> Fine Art Finder > Artists > James Gillray


The Plum Pudding in Danger - A Satirical Feast of Power and Politics

EDITORS COMMENTS
. This print captures a hand-colored engraving titled "The Plum Pudding in danger or State Epicures taking un Petit Souper" published in 1805 by James Gillray. The image showcases an extraordinary gathering, featuring two prominent figures of the time - William Pitt the Younger and Napoleon Bonaparte. In this satirical masterpiece, we witness a scene filled with symbolism and political commentary. Seated at opposite ends of a grand table, Pitt represents Great Britain while Bonaparte personifies France. The globe placed between them signifies their global influence and power struggle during the Peace of Amiens. As they carve into a massive plum pudding, each leader wields their respective carving tools - Pitt holding a carving knife representing British strength, while Bonaparte brandishes a carving fork symbolizing French military might. This visual metaphor highlights the ongoing tensions between these two nations. Gillray's attention to detail is impeccable; he masterfully portrays both leaders' distinctive features such as Pitt's pigtail hairstyle and Bonaparte's iconic military uniform. Through his sharp wit and artistic talent, Gillray creates an enduring caricature that offers biting social commentary on politics and power dynamics. This remarkable print from Fine Art Finder allows us to delve into history through artistry. It serves as a reminder that even centuries ago, satire played an essential role in critiquing those who held positions of authority – making

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The Hand-Writing upon the Wall, James Gillray, 1803. Napoleon and Josephine
The Hand-Writing upon the Wall, James Gillray, 1803. Napoleon and Josephine

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