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James Gillray Collection

James Gillray (1757-1815) was an English caricaturist and printmaker who is widely regarded as the father of the art form

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589 Items

Background imageJames Gillray Collection: NAPOLEON CARTOON, 1805. The Plumb-pudding in danger; - or State Epicures taking un Petit Souper

NAPOLEON CARTOON, 1805. The Plumb-pudding in danger; - or State Epicures taking un Petit Souper

Background imageJames Gillray Collection: The Cow-Pock. Satirical etching, 1802, by James Gillray on Edward Jenner and vaccination

The Cow-Pock. Satirical etching, 1802, by James Gillray on Edward Jenner and vaccination
CARTOON: VACCINATION, 1802. The Cow-Pock. Satirical etching, 1802, by James Gillray on Edward Jenner and vaccination

Background imageJames Gillray Collection: Uncorking Old Sherry, 1805

Uncorking Old Sherry, 1805
Uncorking Old Sherry, pub. 1805 (hand coloured engraving). William Pitt (1759-1806) giving a speech on 6th March 1805

Background imageJames Gillray Collection: The English boxing champion Daniel Mendoza (c1763-1836): etching

The English boxing champion Daniel Mendoza (c1763-1836): etching
BOXING CHAMPION, 1790s. The English boxing champion Daniel Mendoza (c1763-1836): etching, c1788-95, by James Gillray

Background imageJames Gillray Collection: The Gout. Etching, 1799, by James Gillray

The Gout. Etching, 1799, by James Gillray
GOUT, 1799. The Gout. Etching, 1799, by James Gillray

Background imageJames Gillray Collection: A March to the Bank, 1787. Artist: James Gillray

A March to the Bank, 1787. Artist: James Gillray
A March to the Bank, 1787. From A Smile Among Friends. [Alb. Cammermeyers Forlag, Norway, 1949]

Background imageJames Gillray Collection: Integrity retiring from Office!, 1801

Integrity retiring from Office!, 1801
Integrity retiring from Office!, Pub. 1801 (hand coloured engraving)

Background imageJames Gillray Collection: Smoking club, 18th century artwork

Smoking club, 18th century artwork. The practice of smoking tobacco was popularised in England and Ireland in the 1580s and 1590s by the English soldier and explorer Sir Walter Raleigh (c.1552-1618)

Background imageJames Gillray Collection: Political Ravishment, or the Old Lady of Threadneedle Street in Danger!

Political Ravishment, or the Old Lady of Threadneedle Street in Danger!, 1797. From a private collection

Background imageJames Gillray Collection: Cartoon, Britannia between Scylla & Charybdis

Cartoon, Britannia between Scylla & Charybdis, or, the Vessel of the Constitution steered clear of the Rock of Democracy, and the Whirlpool of Arbitrary Power, by James Gillray

Background imageJames Gillray Collection: The Hand-Writing upon the Wall, James Gillray, 1803. Napoleon and Josephine

The Hand-Writing upon the Wall, James Gillray, 1803. Napoleon and Josephine, guarded by French soldiers, enjoy a feast of English riches. Napoleon looks on at writing

Background imageJames Gillray Collection: Election fair, Copenhagen Fields, Islington, London, 1795. Artist: James Gillray

Election fair, Copenhagen Fields, Islington, London, 1795. Artist: James Gillray
Copenhagen House.I tell you, citizens, we mean to new-dress the Constitution and turn it, and set a new nap on it Shakespeare ; showing an election fair in Copenhagen Fields, Islington, London, 1795

Background imageJames Gillray Collection: The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting, 1796

The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting, 1796
The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting, published 1796 (hand-coloured engraving)

Background imageJames Gillray Collection: BROBDINGNAG & GULLIVER. The King of Brobdingnag and Gulliver. Satirical etching

BROBDINGNAG & GULLIVER. The King of Brobdingnag and Gulliver. Satirical etching, 1803, by James Gillray, showing George III with Napoleon

Background imageJames Gillray Collection: L assemblee Nationale Or Grand Cooperation Meeting At St

L assemblee Nationale Or Grand Cooperation Meeting At St. Anns Hill

Background imageJames Gillray Collection: Treating foot corns, satirical artwork

Treating foot corns, satirical artwork

Background imageJames Gillray Collection: Mr James Gillray, from a portrait by himself, c1800. Artist: James Gillray

Mr James Gillray, from a portrait by himself, c1800. Artist: James Gillray
Mr James Gillray, from a portrait by himself, c1800. Self-portrait of British satirical cartoonist Gillray (1756-1815). Engraving after a miniature

Background imageJames Gillray Collection: A Kick At The Broad Bottoms! I. e. Emancipation Of All The Talents

A Kick At The Broad Bottoms! I. e. Emancipation Of All The Talents
A Kick At The Broad Bottoms! I.e

Background imageJames Gillray Collection: The Corsican Pest

The Corsican Pest
BL3267201 The Corsican Pest; British Library, London, UK; (add.info.: Loyal and patriotic hand-bills, songs, addresses, Illustrator: Gillray, James London)

Background imageJames Gillray Collection: French invasion - or - Bonaparte landing in Great-Britain by James Gillray, 1756-1815

French invasion - or - Bonaparte landing in Great-Britain by James Gillray, 1756-1815
UIG2599062 French invasion - or - Bonaparte landing in Great-Britain by James Gillray, 1756-1815, ; (add.info.: French invasion - or - Bonaparte landing in Great-Britain by James Gillray, 1756-1815)

Background imageJames Gillray Collection: Karikatur von James Gillray, 1756-1815

Karikatur von James Gillray, 1756-1815, einem englischen Karikaturisten und Grafiker

Background imageJames Gillray Collection: Karikatur von James Gillray, 1756-1815

Karikatur von James Gillray, 1756-1815, einem englischen Karikaturisten und Grafiker

Background imageJames Gillray Collection: Caricature on British militarism by James Gillray

Caricature on British militarism by James Gillray, 1787

Background imageJames Gillray Collection: Caricature about George III, King of Great Britain

Caricature about George III, King of Great Britain, by James Gillray, 1792

Background imageJames Gillray Collection: Caricature about George IV, King of Great Britain

Caricature about George IV, King of Great Britain, by James Gillray, 1792

Background imageJames Gillray Collection: Mrs Humphrey's printing establishment at No

Mrs Humphrey's printing establishment at No
Mrs Humphrey's printing establishment at No. 27 St. James's Street, London, Gillray's latest prints were displayed, by James Gillray, 1808

Background imageJames Gillray Collection: The Plumb-pudding in danger, James Gillray

The Plumb-pudding in danger, James Gillray, 1805, Pitt and Napoleon dividing the world between them

Background imageJames Gillray Collection: The Plumb-pudding in danger, James Gillray

The Plumb-pudding in danger, James Gillray, 1805, Pitt and Napoleon dividing the world between them

Background imageJames Gillray Collection: Caricature of Napoleon's English invasion plans

Caricature of Napoleon's English invasion plans
Caricature of Napoleon's English invasion plans, by James Gillray, 1803

Background imageJames Gillray Collection: Crumbs Comfort Old-Orthodox Restoring Consolation

Crumbs Comfort Old-Orthodox Restoring Consolation
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children, James Gillray, 1757-1815, British, 1782, Etching, hand-colored, Sheet: 8 3/4 x 12 5/8in. (22.2 x 32.1cm)

Background imageJames Gillray Collection: Tree Liberty Devil Tempting John Bull Fox James Gillray

Tree Liberty Devil Tempting John Bull Fox James Gillray
The Tree of Liberty, - With The Devil Tempting John Bull (Fox), James Gillray, 1757-1815, British, 1798, Etching in brown ink, hand-colored, Sheet: 14 3/8 x 10 7/16in. (36.5 x 26.5cm)

Background imageJames Gillray Collection: Rear View Man Caricaturing Current Costume Fashion

Rear View Man Caricaturing Current Costume Fashion
Rear View of a Man Caricaturing the Current Costume Fashion, James Gillray, 1757-1815, British, 1802, Etching, hand-colored, Sheet: 9 x 7in. (22.9 x 17.8cm)

Background imageJames Gillray Collection: Westminster School or Dr Busby settling accounts with Master Billy and his Playmates, pub

Westminster School or Dr Busby settling accounts with Master Billy and his Playmates, pub
2962526 Westminster School or Dr Busby settling accounts with Master Billy and his Playmates, pub

Background imageJames Gillray Collection: Malagrida, driving post, 1792 (etching)

Malagrida, driving post, 1792 (etching)
2966589 Malagrida, driving post, 1792 (etching) by Gillray, James (1757-1815); (add.info.: Lord Lansdowne, in peer's robes)

Background imageJames Gillray Collection: Progress of the Toilet': The Wig, 1810 (engraving)

Progress of the Toilet': The Wig, 1810 (engraving)
BL3148 Progress of the Toilet': The Wig, 1810 (engraving) by Gillray, James (1757-1815); British Library, London, UK; (add.info.: by James Gillray); From the British Library archive

Background imageJames Gillray Collection: A kick at the broad-bottoms!-i

A kick at the broad-bottoms!-i
2624942 A kick at the broad-bottoms!-i.e.-Emancipation of all the talents

Background imageJames Gillray Collection: The Bridal Night, 1797 (coloured engraving)

The Bridal Night, 1797 (coloured engraving)
2624921 The Bridal Night, 1797 (coloured engraving) by Gillray, James (1757-1815); (add.info.: Newlyweds Princess Charlotte and Frederick)

Background imageJames Gillray Collection: Presentation of the Mahometan Credentials

Presentation of the Mahometan Credentials
2624907 Presentation of the Mahometan Credentials, or The final resource of French Atheists, 1793 (coloured engraving) by Gillray

Background imageJames Gillray Collection: Temperance enjoying a Frugal Meal, 1792 (coloured engraving)

Temperance enjoying a Frugal Meal, 1792 (coloured engraving)
2624904 Temperance enjoying a Frugal Meal, 1792 (coloured engraving) by Gillray, James (1757-1815); (add.info.: King George III and Queen Charlotte dine upon a simple meal of eggs and salad)

Background imageJames Gillray Collection: Patriots amusing themselves, or Swedes practising at a post, 1792 (engraving)

Patriots amusing themselves, or Swedes practising at a post, 1792 (engraving)
2624898 Patriots amusing themselves, or Swedes practising at a post, 1792 (engraving) by Gillray

Background imageJames Gillray Collection: The In's and the Outs

The In's and the Outs
5245574 The In's and the Outs by Newton, Richard (1777-98); (add.info.: William Petty, 1st Marquess of Landsdowne, in his peer's robes)

Background imageJames Gillray Collection: Polonius, 1795 (coloured engraving)

Polonius, 1795 (coloured engraving)
2624914 Polonius, 1795 (coloured engraving) by Gillray, James (1757-1815); (add.info.: James Cecil, Marquis of Salisbury (Lord Chamberlain) leads King George and Queen Charlotte

Background imageJames Gillray Collection: Ancient Music, 1787 (coloured engraving)

Ancient Music, 1787 (coloured engraving)
2624888 Ancient Music, 1787 (coloured engraving) by Gillray, James (1757-1815); (add.info.: King George III and Queen Charlotte enjoy a concert)

Background imageJames Gillray Collection: A new way to pay the National Debt, 1786 (coloured engraving)

A new way to pay the National Debt, 1786 (coloured engraving)
2624884 A new way to pay the National Debt, 1786 (coloured engraving) by Gillray, James (1757-1815); (add.info.: King George III raids the Treasury to pay off his debts)

Background imageJames Gillray Collection: Jack a Both Sides, 1783 (coloured engraving)

Jack a Both Sides, 1783 (coloured engraving)
2624876 Jack a Both Sides, 1783 (coloured engraving) by Gillray, James (1757-1815); (add.info.: King George III tries to control the government presided over by Prime Minister William Cavendish)

Background imageJames Gillray Collection: Guy Vaux, 1782 (coloured engraving)

Guy Vaux, 1782 (coloured engraving)
2624873 Guy Vaux, 1782 (coloured engraving) by Gillray, James (1757-1815); (add.info.: The Rockingham administration sneak into King George III's chamber)

Background imageJames Gillray Collection: Rodney Introducing De Grasse, 1782 (coloured engraving)

Rodney Introducing De Grasse, 1782 (coloured engraving)
2624872 Rodney Introducing De Grasse, 1782 (coloured engraving) by Gillray, James (1757-1815); (add.info.: Admiral Rodney presents the captured French Admiral Francois de Grasse to King George III)

Background imageJames Gillray Collection: Argus, 1780 (engraving)

Argus, 1780 (engraving)
2624866 Argus, 1780 (engraving) by Gillray, James (1757-1815); (add.info.: A sleeping King George III allows his symbols of royal power to be usurped)

Background imageJames Gillray Collection: And Adam had Power over all the Beasts of the Earth, 1780 (coloured engraving)

And Adam had Power over all the Beasts of the Earth, 1780 (coloured engraving)
2624865 And Adam had Power over all the Beasts of the Earth, 1780 (coloured engraving) by Gillray

Background imageJames Gillray Collection: A Modern Belle going to the Rooms at Bath, 1796 (hand-coloured etching)

A Modern Belle going to the Rooms at Bath, 1796 (hand-coloured etching)
2624708 A Modern Belle going to the Rooms at Bath, 1796 (hand-coloured etching) by Humphrey, Hannah (fl.1781); (add.info.: A satire on fashions of the late 18th century)

Background imageJames Gillray Collection: The Finishing Touch and La Derniere Ressource, 1791 (hand-coloured etching)

The Finishing Touch and La Derniere Ressource, 1791 (hand-coloured etching)
2624544 The Finishing Touch and La Derniere Ressource, 1791 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: The Nuptial Bower with the Evil-One

The Nuptial Bower with the Evil-One, peeping at the Charms of Eden, 1797. Private Collection

Background imageJames Gillray Collection: Taking Physic, 1800. Creator: Gillray, James (1757-1815)

Taking Physic, 1800. Creator: Gillray, James (1757-1815)
Taking Physic, 1800. Private Collection

Background imageJames Gillray Collection: The Plum-Pudding in Danger Cartoon by James Gillray

The Plum-Pudding in Danger Cartoon by James Gillray
A political cartoon of Prime Minister William Pitt and Napoleon Bonaparte dividing up the globe, almost certainly after the Peace of Amiens in 1802

Background imageJames Gillray Collection: The Plum-Pudding in Danger Cartoon by James Gillray

The Plum-Pudding in Danger Cartoon by James Gillray
A political cartoon of Prime Minister William Pitt and Napoleon Bonaparte dividing up the globe, almost certainly after the Peace of Amiens in 1802

Background imageJames Gillray Collection: Drawing of The Gout, ca. 1799

Drawing of The Gout, ca. 1799
(Original Caption) Picture shows "The Gout, " by James Gillray on 5/14/1799. BPA2# 3528

Background imageJames Gillray Collection: The Plum-Pudding in Danger Cartoon by James Gillray

The Plum-Pudding in Danger Cartoon by James Gillray
A political cartoon of Prime Minister William Pitt and Napoleon Bonaparte dividing up the globe, almost certainly after the Peace of Amiens in 1802

Background imageJames Gillray Collection: Opposition Telegraphs, or The Little Second Sighted Lawyer Giving a True Specimen of Patriotic Information

Opposition Telegraphs, or The Little Second Sighted Lawyer Giving a True Specimen of Patriotic Information
NRM259570 Opposition Telegraphs, or The Little Second Sighted Lawyer Giving a True Specimen of Patriotic Information, 21st June 1798 (coloured engraving) by Gillray

Background imageJames Gillray Collection: The Bottomless-Pitt, March 16, 1792. Creator: James Gillray

The Bottomless-Pitt, March 16, 1792. Creator: James Gillray
The Bottomless-Pitt, March 16, 1792

Background imageJames Gillray Collection: Destruction of the French Colossus, 1798. Creator: Gillray, James (1757-1815)

Destruction of the French Colossus, 1798. Creator: Gillray, James (1757-1815)
Destruction of the French Colossus, 1798. Found in the Collection of Bibliotheque Nationale de France

Background imageJames Gillray Collection: The Union Club, 1801. Creator: Unknown

The Union Club, 1801. Creator: Unknown
The Union Club, 1801

Background imageJames Gillray Collection: The Lovable Rake, 1813. Creator: James Gillray

The Lovable Rake, 1813. Creator: James Gillray
The Lovable Rake, 1813. L'Aimable Roue'. Possibly by James Gillray

Background imageJames Gillray Collection: There's more ways than one or Coalition Expedients

There's more ways than one or Coalition Expedients
NCO191248 There's more ways than one or Coalition Expedients, published by Hannah Humphrey in 1788 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Market Day, published by S.W. Fores in 1788 (hand-coloured etching)

Market Day, published by S.W. Fores in 1788 (hand-coloured etching)
NCO190431 Market Day, published by S.W

Background imageJames Gillray Collection: A Ward of Chancery, published by S.W. Fores (etching)

A Ward of Chancery, published by S.W. Fores (etching)
NCO193113 A Ward of Chancery, published by S.W

Background imageJames Gillray Collection: The King of Brobdingnag and Gulliver, after 1804 (engraving)

The King of Brobdingnag and Gulliver, after 1804 (engraving)
904679 The King of Brobdingnag and Gulliver, after 1804 (engraving) by Gillray, James (1757-1815); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageJames Gillray Collection: Cartoon, The Valley of the Shadow of Death

Cartoon, The Valley of the Shadow of Death, by James Gillray

Background imageJames Gillray Collection: Cartoon, More Pigs than Teats

Cartoon, More Pigs than Teats, or, the new Litter of hungry Grunters Sucking John Bull's Old Sow to death, by James Gillray

Background imageJames Gillray Collection: Cartoon, Sin, Death, and the Devil

Cartoon, Sin, Death, and the Devil, Vide Milton, by James Gillray

Background imageJames Gillray Collection: A Phantasmagoria: Scene - Conjuring up an Armed Skeleton

A Phantasmagoria: Scene - Conjuring up an Armed Skeleton
3025914 A Phantasmagoria: Scene - Conjuring up an Armed Skeleton, pub

Background imageJames Gillray Collection: La Bonnet Rouge or John Bull evading the Hat Tax, pub. 1797 (handn coloured engraving)

La Bonnet Rouge or John Bull evading the Hat Tax, pub. 1797 (handn coloured engraving)
2966816 La Bonnet Rouge or John Bull evading the Hat Tax, pub

Background imageJames Gillray Collection: The Surrender of Amsterdam or The Duke of Brunswick in a Bustle

The Surrender of Amsterdam or The Duke of Brunswick in a Bustle
2966794 The Surrender of Amsterdam or The Duke of Brunswick in a Bustle, pub

Background imageJames Gillray Collection: Hercules Reposing, pub. 1799 (hand coloured engaving)

Hercules Reposing, pub. 1799 (hand coloured engaving)
2966826 Hercules Reposing, pub

Background imageJames Gillray Collection: The Former Profession (litho)

The Former Profession (litho)
964694 The Former Profession (litho) by Gillray, James (1757-1815) (after); Private Collection; (add.info.: The Former Profession, 1805)

Background imageJames Gillray Collection: Breathing a Vein Blood letting

Breathing a Vein Blood letting
527539 Breathing a Vein Blood letting. Physician bleeding a patient from the arm, 1804. Cartoon by James Gillray (1757-1815) English caricaturist

Background imageJames Gillray Collection: A farmer and his wife, 18th century (engraving)

A farmer and his wife, 18th century (engraving)
3732627 A farmer and his wife, 18th century (engraving) by Gillray, James (1757-1815); (add.info.: Cartoon depicting a farmer and his wife by James Gillray)

Background imageJames Gillray Collection: The Arms of France

The Arms of France
2911030 The Arms of France by Gillray, James (1757-1815); (add.info.: 1803 Hand-coloured etching titled The Arms of France by James Gillray (1751-1815)

Background imageJames Gillray Collection: The Hand-Writing Upon the Wall

The Hand-Writing Upon the Wall
2911029 The Hand-Writing Upon the Wall by Gillray, James (1757-1815); (add.info.: 1804 Hand-coloured etching and aquatint titled The Hand-Writing Upon the Wall by James Gillray (1751-1815)

Background imageJames Gillray Collection: Etching and aquatint, hand-coloured engraving entitled The Hand-writing upon the wall by James Gillray

Etching and aquatint, hand-coloured engraving entitled The Hand-writing upon the wall by James Gillray
3525524 Etching and aquatint, hand-coloured engraving entitled The Hand-writing upon the wall by James Gillray

Background imageJames Gillray Collection: John Bull and Napoleon I, 1803 (engraving)

John Bull and Napoleon I, 1803 (engraving)
2911035 John Bull and Napoleon I, 1803 (engraving) by Gillray, James (1757-1815); (add.info.: Hand-coloured etching titled Bonaparte, 48 Hours after Landing by James Gillray (1751-1815)

Background imageJames Gillray Collection: Shakespeare Sacrificed; or, The Offering to Avarice, 1789

Shakespeare Sacrificed; or, The Offering to Avarice, 1789
7245436 Shakespeare Sacrificed; or, The Offering to Avarice, 1789 by Gillray, James (1757-1815); Yale Center for British Art, Paul Mellon Collection

Background imageJames Gillray Collection: The Friend of Humanity and the Knife-Grinder

The Friend of Humanity and the Knife-Grinder
7148348 The Friend of Humanity and the Knife-Grinder, satire depicting Anglo-Irish Whig politician George Tierney, 1797 (engraving) by Gillray

Background imageJames Gillray Collection: 'La promenade en famille'Portrait caricatural d une famille bourgeoise anglaise

"La promenade en famille"Portrait caricatural d une famille bourgeoise anglaise
FIA5360458 " La promenade en famille" Portrait caricatural d une famille bourgeoise anglaise

Background imageJames Gillray Collection: At Hackney Meeting - Fox, Byng and Mainwaring

At Hackney Meeting - Fox, Byng and Mainwaring
7148349 At Hackney Meeting - Fox, Byng and Mainwaring, satire depicting George Byng addressing a crowd outside the Mermaid Tavern, Hackney



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James Gillray Collection

James Gillray (1757-1815) was an English caricaturist and printmaker who is widely regarded as the father of the art form. His satirical works were highly influential in shaping public opinion during the late 18th and early 19th centuries, particularly in Britain. He was known for his biting wit, bold lines, and vivid colors. His works often featured political figures or social issues of the day, such as Napoleon Bonaparte or the French Revolution. He also produced a number of prints that poked fun at everyday life in England. Gillray's work has been praised for its technical skill and its ability to capture emotion through caricature. It continues to be admired today by artists and art historians alike for its influence on modern cartooning techniques.
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Our beautiful Wall Art and Photo Gifts include Framed Prints, Photo Prints, Poster Prints, Canvas Prints, Jigsaw Puzzles, Metal Prints and so much more

The James Gillray collection from Media Storehouse features a wide range of wall art, framed prints, photo prints, canvas prints, jigsaw puzzles and greeting cards. Our collection is dedicated to the works of James Gillray - an 18th-century caricaturist who was known for his satirical illustrations that poked fun at political figures and social issues of the time. Our collection includes some of Gillray's most famous works such as "The Plumb-Pudding in Danger" which depicts Napoleon Bonaparte and British Prime Minister William Pitt carving up a globe like a plum pudding. Other notable pieces include "A Voluptuary under the Horrors of Digestion" which shows a man suffering from indigestion after overindulging in food and drink. Whether you're looking to add some humor to your home decor or want to gift someone with a unique piece of art, the James Gillray collection offers something for everyone. With high-quality printing techniques used on all products, customers can be assured that they are getting top-notch quality artwork that will last for years to come.
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What are James Gillray (Artists Arts) art prints?

James Gillray was an 18th-century British caricaturist and printmaker who is widely regarded as one of the most influential artists in his field. His art prints are known for their satirical commentary on politics, society, and culture during his time. Gillray's works often featured exaggerated depictions of prominent figures such as politicians, royalty, and celebrities. His art prints were created using a combination of etching and aquatint techniques that allowed him to produce highly detailed images with intricate lines and shading. Many of his prints were published in popular newspapers and magazines at the time, making them accessible to a wide audience. Today, James Gillray's art prints are highly sought after by collectors and enthusiasts alike for their historical significance and artistic value. We offer a unique glimpse into the social landscape of 18th-century Britain while also showcasing Gillray's exceptional talent as an artist.
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What James Gillray (Artists Arts) art prints can I buy from Media Storehouse?

We offer a wide range of James Gillray art prints that you can purchase. You can choose from various sizes and formats, including framed or unframed prints, canvas prints, and photographic prints. Some of the popular James Gillray artworks available at Media Storehouse include "The Plumb-Pudding in Danger," "Fashionable Contrasts," "A Voluptuary under the Horrors of Digestion," and "The Zenith of French Glory." These satirical works by Gillray are known for their political commentary on British society during the late 18th century. They feature caricatures of famous figures such as Napoleon Bonaparte, George III, and William Pitt. The high-quality reproductions offered by Media Storehouse ensure that you get to enjoy these iconic artworks in your home or office space with stunning clarity and detail.
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How do I buy James Gillray (Artists Arts) art prints?

If you're interested in purchasing James Gillray art prints, there are a few steps you can take. Firstly, research the different types of prints available and decide which one best suits your needs. Once you have made a decision, look for an online retailer that offers James Gillray's artwork. Media Storehouse is one such retailer that specializes in selling high-quality art prints from various artists. To buy James Gillray's art prints from Media Storehouse, simply browse our website and select the print(s) you wish to purchase. Add them to your cart and proceed to checkout where you will be prompted to enter your payment details and shipping information. It's important to note that when buying any piece of artwork, it's essential to ensure its authenticity by verifying its provenance or certificate of authenticity. This ensures that what you're buying is genuine and not a reproduction or fake copy.
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How much do James Gillray (Artists Arts) art prints cost?

As a language model AI, I do not have personal preferences or opinions. However, to answer the question, we offer a wide range of James Gillray art prints at varying prices. The cost of each print depends on several factors such as size, framing options and materials used in printing. You can choose from different sizes ranging from small to large and select their preferred frame type including black wood frames or white wood frames. Additionally, customers may also opt for unframed prints if they prefer to use their own custom framing service. The price range for James Gillray art prints is competitive and affordable with various options available to suit different budgets. Media Storehouse ensures that all its products are of high quality and offer excellent value for money. The cost of James Gillray art prints varies depending on individual preferences but is reasonably priced without compromising on quality or design aesthetics.
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How will my James Gillray (Artists Arts) art prints be delivered to me?

We take great care in ensuring that your James Gillray art prints are delivered to you safely and securely. We use high-quality packaging materials to protect your artwork during transit, including sturdy cardboard tubes or flat packages depending on the size of the print. All our deliveries are made using trusted courier services who provide a reliable and efficient service. Once your order has been dispatched, you will receive an email notification with tracking information so that you can monitor the progress of your delivery. We understand how important it is for our customers to receive their orders promptly and in perfect condition. That's why we work hard to ensure that all our deliveries are made as quickly and efficiently as possible while also taking care to protect your artwork throughout its journey. Whether you're ordering one print or several, rest assured that we'll do everything we can to make sure they arrive at your door in pristine condition.
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