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Ci-devant Occupations, or Madame Talian and the Empress Josephine Dancing Naked before
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Ci-devant Occupations, or Madame Talian and the Empress Josephine Dancing Naked before
NCO190178 Ci-devant Occupations, or Madame Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797, published by Hannah Humphrey in 1805 (etching with aquatint) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: falling in love with Josephine; ); English, out of copyright
Media ID 22931150
© Bridgeman Images
1763 1814 1769 1821 Armchair Armchairs Bottle Crocodile Cupid Curtain Directoire Drunk Egyptian Campaign Enthroned Epaulettes Eros Feather Inebriated Joséphine De Beauharnais Lecherous Leering Lover Mistress Napoleon Bonaparte Palm Tree Peeking Peeping Plume Political Satire Pyramid Revolutionary Sash Screen Slouching Spying Stout Tambourine Tricolour Tricorn Voyeur Voyeuristic Wine Glass Disreputable Enamoured Entertaining French Revolution
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Ci-devant Occupations, or Madame Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797
EDITORS COMMENTS
. This print captures a moment of scandalous revelry from history. Created by James Gillray in 1805, this etching with aquatint depicts an intriguing scene that combines political satire, voyeurism, and historical figures. In this artwork, we witness Madame Talian and the Empress Josephine engaging in a provocative dance before Comte de Barras during the winter of 1797. The composition is filled with symbolic elements such as curtains, swords, feathers, and palm trees that add depth to its narrative. The lecherous gaze of Barras as he lounges in his armchair highlights his infatuation with Josephine. Meanwhile, Cupid peeks mischievously from behind a screen while putti wearing bonnet rouge observe discreetly. The revolutionary spirit is further emphasized through references to military uniforms adorned with epaulettes and tricolour accents. Gillray's satirical approach brings humor to this otherwise scandalous portrayal. His caricature-like style exaggerates physical features like Madame Talian's stout figure and emphasizes her former pursuits alongside Napoleon Bonaparte during the Egyptian campaign. Through this artwork's intricate details and clever symbolism, viewers are transported back to a time when politics mingled with personal affairs. It serves as both entertainment for those who appreciate political satire and an intriguing glimpse into the lives of influential figures during the French Revolution era.
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