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Holy Kinship (oil on canvas)
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Holy Kinship (oil on canvas)
471235 Holy Kinship (oil on canvas) by Baegert, Derick (c.1440-d.p.1515); 128x157 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; (add.info.: Kinship of Saint Anna. According Trinubium legend ('three marriage legend "), Anna was married three times: with Joachim, Cleophas and Salome. From this marriage came forth: Mary, mother of Jesus, Mary Cleophas and Mary Salome. Mary Cleophas, joined in matrimony with Alpheus, had four children: James (the Younger), Simon (Zelotes, the zealot), Judas Thaddeus, and Justus and Barnabas, Mary Salome, wife of Zebedee, and had sons John (the Evangelist ) and James (the Greater).); © Art in Flanders
Media ID 28435320
© Art in Flanders / Bridgeman Images
Barnabas Cleophas Daughters Enthroned Fathers Grandchildren Grandmother Husbands James Joachim John The Evangelist Justus Lineage Marriages Matriarch Relatives Sacra Conversazione Salome Simon Sons Wives Zebedee Alpheus Judas Thaddeus Kinship Matriarchal New Baby New Born New Born Babes New Born Infant Newborn Newly Born Northern Renaissance
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The captivating painting "Holy Kinship" by Derick Baegert depicts a scene of profound familial connection and lineage. Measuring 128x157 cm, this oil on canvas masterpiece can be found in the Koninklijk Museum voor Schone Kunsten in Antwerp, Belgium. The artwork portrays the concept of kinship through the lens of Saint Anna's three marriages as per the Trinubium legend. Anna was married to Joachim, Cleophas, and Salome successively, from which came forth Mary (the mother of Jesus), Mary Cleophas, and Mary Salome. The painting beautifully captures these generations within one frame. With meticulous attention to detail characteristic of Northern Renaissance artistry, Baegert showcases a group consisting of saints, daughters, sons, husbands, wives, fathers, mothers—each figure representing an integral part of this sacred family tree. The Virgin Mary is enthroned at the center while surrounded by her relatives. This piece not only celebrates familial bonds but also highlights matriarchal influence as it traces back through generations. It emphasizes the importance of lineage and how it shapes individuals' identities within a larger context. Baegert's skillful brushwork brings life to each character portrayed—the infants held tenderly in their mothers' arms symbolize new beginnings and hope for future generations. This painting serves as a testament to both artistic mastery and storytelling prowess—a true gem within the realm of Renaissance art.
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