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The false Emperor: A Chinese child presents Pope Alexander VII as the son of Chinese emperor Zhu Youlang (Reign Name Yongli). The false prince was settled in his throne decor in the Chinese in Rome
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The false Emperor: A Chinese child presents Pope Alexander VII as the son of Chinese emperor Zhu Youlang (Reign Name Yongli). The false prince was settled in his throne decor in the Chinese in Rome
XEE4137051 The false Emperor: A Chinese child presents Pope Alexander VII as the son of Chinese emperor Zhu Youlang (Reign Name Yongli). The false prince was settled in his throne decor in the Chinese in Rome. The Jesuites would have set up this scene to show the glory of Jesuites in China. Mid-17th century. Engraving from 1845 in " The dramatic and picturesque history of the Jesuites from the foundation of the order to the present day" by Adolphe Boucher, drawing by Theophile Fragonard (1806 - 1876). Private collection. by Fragonard, Theophile Evariste (1806-76); Private Collection; (add.info.: The false Emperor: A Chinese child presents Pope Alexander VII as the son of Chinese emperor Zhu Youlang (Reign Name Yongli). The false prince was settled in his throne decor in the Chinese in Rome. The Jesuites would have set up this scene to show the glory of Jesuites in China. Mid-17th century. Engraving from 1845 in " The dramatic and picturesque history of the Jesuites from the foundation of the order to the present day" by Adolphe Boucher, drawing by Theophile Fragonard (1806 - 1876). Private collection.); Stefano Bianchetti
Media ID 25196642
© Stefano Bianchetti / Bridgeman Images
Seicento 17 17th 17th 17th Xvii 18th Century Asian Asian Circa 1600 Early 17th Century Early Xvii Century Seventeeth Century
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In this print titled "The False Emperor" we are transported back to the mid-17th century, where a Chinese child presents Pope Alexander VII as the son of Chinese emperor Zhu Youlang. The scene is set in Rome, with the false prince seated on an ornate throne adorned with traditional Chinese decorations. This intriguing image was likely orchestrated by the Jesuites to showcase their influence and power in China. The Jesuites were known for their missionary work and close relationship with influential figures across different cultures. This particular scene aimed to highlight their glory within China. The engraving, created by Adolphe Boucher and drawn by Theophile Fragonard, captures the grandeur of this momentous occasion. It is evident that great attention has been paid to every detail, from the intricate designs on the throne to the expressions on each character's face. As we gaze upon this historical artwork now preserved in a private collection, we can't help but marvel at its ability to transport us through time and space. It serves as a reminder of how art can immortalize significant events and shed light on complex relationships between nations and religions. "The False Emperor" invites us into a world where perception intertwines with reality, leaving us pondering over questions of identity, power dynamics, and cultural exchange that continue to resonate even today.
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