Seicento Collection

"Seicento: A Glimpse into the Artistic Splendor of the 17th Century" Step back in time and immerse yourself in the captivating world of Seicento

The Communion of the Virgin, 1663 (oil on canvas)
JEB4882123 The Communion of the Virgin, 1663 (oil on canvas) by Gimignani or Gemignano, Giacinto (1611-81); 221x172 cm; Palais de Longchamp, Marseille, France; eJean Bernard; Italian, out of copyright

Blessed Ludovica Albertoni in ecstasy. 1674. (Marble Sculpture)
LRI4594033 Blessed Ludovica Albertoni in ecstasy. 1674. (Marble Sculpture) by Bernini, Gian Lorenzo (1598-1680); San Francesco a Ripa, Rome

Portrait of Orlando Gibbons (1583-1625) british composer
LRI557933 Portrait of Orlando Gibbons (1583-1625) british composer by English School, (17th century); Museo internazionale e biblioteca della musica, Bologna, Emilia-Romagna

Portrait of the Roman Emperor Domitian (Titus flavius domitianus) (51-96
JLJ4585783 Portrait of the Roman Emperor Domitian (Titus flavius domitianus) (51-96) Painting by Domenico Fetti (1589-1623) 17th century Sun

Illustration for "Les Contes" written by Charles Perrault, 1879 (engraving)
MAJ5032113 Illustration for "Les Contes" written by Charles Perrault, 1879 (engraving) by Dore, Gustave (1832-83); (add.info.: Cinderella tries the vair slipper)

The King of France Louis XIV in the gallant company of Mademoiselle de la Valliere, 19th century (engraving)
PCT5618314 The King of France Louis XIV in the gallant company of Mademoiselle de la Valliere, 19th century (engraving) by French School

Pierre Paul RIQUET, Baron de Bonrepos - 1609-1680, French entrepreneur, directs the works of the Canal du Midi - 1880
JAB4120345 Pierre Paul RIQUET, Baron de Bonrepos - 1609-1680, French entrepreneur, directs the works of the Canal du Midi - 1880 by French School, (19th century); (add.info.: Pierre Paul RIQUET)

Illustration for "Les Contes" written by Charles Perrault, 1879 (engraving)
MAJ5032122 Illustration for "Les Contes" written by Charles Perrault, 1879 (engraving) by Dore, Gustave (1832-83); (add.info.: Peau d'ane)

Virgin and Child, 1621-22 (oil on canvas)
7443459 Virgin and Child, 1621-22 (oil on canvas) by Guercino (Giovanni Francesco Barbieri) (1591-1666); Stadel Museum, Frankfurt am Main, Germany; (add.info.: By Guercino)

Illustration for "Les Contes" written by Charles Perrault, 1879 (engraving)
MAJ5032082 Illustration for "Les Contes" written by Charles Perrault, 1879 (engraving) by Dore, Gustave (1832-83); (add.info.: Sleeping beauty)

Illustration for "Les Contes" written by Charles Perrault, 1879 (engraving)
MAJ5032093 Illustration for "Les Contes" written by Charles Perrault, 1879 (engraving) by Dore, Gustave (1832-83); (add.info.: Little Poucet and his hungry brothers)

The Fall of Simon Magus, 1690 (fresco)
7413410 The Fall of Simon Magus, 1690 (fresco) by Solimena, Francesco (1657-1747); 40x80 cm; San Paolo Maggiore, Naples, Italy; (add.info.: By Francesco Solimena (1657-1747)); Luisa Ricciarini

Representation de sainte Catherine de Sienne (1347-1380) La sainte porte une couronne d'epines et ses mains sont
JLJ4659672 Representation de sainte Catherine de Sienne (1347-1380) La sainte porte une couronne d'epines et ses mains sont marquees de stigmates

Landscape with a large tree in the center and a belvedere, 17th century (drawing)
JLJ4646185 Landscape with a large tree in the center and a belvedere, 17th century (drawing) by Poussin, Nicolas (1594-1665); 22x38 cm; Musee Conde, Chantilly

View of Villeneuve-les-Avignons, 17th century (drawing)
JLJ4646173 View of Villeneuve-les-Avignons, 17th century (drawing) by Poussin, Nicolas (1594-1665) (circle of); Musee Conde, Chantilly, France; (add.info.: View of Villeneuve-les-Avignons)

Portrait of a lady of the Florentine nobility Derriere her a representation of the Pitti
LRI4570515 Portrait of a lady of the Florentine nobility Derriere her a representation of the Pitti Palace, she is dressed in a richly paree dress and a strawberry collar in a charette wheel

Mediis tranquillus in undis or "The imperturbability of the Greek philosopher
LRI4699748 Mediis tranquillus in undis or " The imperturbability of the Greek philosopher Anaxarchus of Abdere (4th century BC)

Ship's bow and shields (after Giulio Romano, 1632-1635 (drawing)
JLJ4646203 Ship's bow and shields (after Giulio Romano, 1632-1635 (drawing) by Poussin, Nicolas (1594-1665); 31x21 cm; Musee Conde, Chantilly

Two athletes, 17th century (drawing)
JLJ4646193 Two athletes, 17th century (drawing) by Poussin, Nicolas (1594-1665); Musee Conde, Chantilly, France; (add.info.: Two athletes. Drawing by Nicolas Poussin (1594-1665) 17th century

The Astronomer, c. 1668 (oil on canvas)
JLJ4671178 The Astronomer, c. 1668 (oil on canvas) by Vermeer, Jan (Johannes) (1632-75); 51x46 cm; Louvre, Paris, France; (add.info.: The Astronomer also known as the Astrologer)

Representation of Pope Clement VIII (Clemente or Clemens) (1592-1605) Drawing from " Misteri del Vaticano" by
ELD4956751 Representation of Pope Clement VIII (Clemente or Clemens) (1592-1605) Drawing from " Misteri del Vaticano" by Franco Mistrali; Private Collection; (add.info)

Portrait of Jean Duvergier de Hauranne (1581-1643), Abbe of Saint-Cyran, French religious and theologian Jansenist
ELD4845905 Portrait of Jean Duvergier de Hauranne (1581-1643), Abbe of Saint-Cyran, French religious and theologian Jansenist (Jean du Vergier de Hauranne)

Objective lens of the astronomical bezel of Galilee or Galileo Galilei (1564-1642), 1610 (object)
DEX5040778 Objective lens of the astronomical bezel of Galilee or Galileo Galilei (1564-1642), 1610 (object) by Galilei, Galileo (1564-1642); Istituto e Museo di Storia della Scienza, Florence

Thermometer of the Accademia del Cimento, consists of 7 bulbs in clusters containing liquid with glass beads of
DEX5040751 Thermometer of the Accademia del Cimento, consists of 7 bulbs in clusters containing liquid with glass beads of different densities, c.1650 (object) by Unknown Artist

Samuel Morland's mechanical calculator in brassware and silver, 1664 (brass)
DEX5040743 Samuel Morland's mechanical calculator in brassware and silver, 1664 (brass) by Unknown Artist, (17th century); Istituto e Museo di Storia della Scienza, Florence

Crossing the woods, the little red riding hood meets the wolf. Engraving by Gustave Dore (1832-1883)
MAJ5032134 Crossing the woods, the little red riding hood meets the wolf. Engraving by Gustave Dore (1832-1883) from " Les contes" by Charles Perrault (1628-1703)

Objective lens and astronomical bezel of Galilee or Galileo Galilei (1564-1642), 1610 (object)
DEX5040742 Objective lens and astronomical bezel of Galilee or Galileo Galilei (1564-1642), 1610 (object) by Galilei, Galileo (1564-1642); Istituto e Museo di Storia della Scienza, Florence

Saint Augustine of Hippo (354-430), Chiesa di Sant'Agostino, Palermo, Sicily (sculpture)
DEX5040734 Saint Augustine of Hippo (354-430), Chiesa di Sant'Agostino, Palermo, Sicily (sculpture) by Serpotta, Giacomo (1656-1732); (add.info)

Portrait of English playwright William Shakespeare (1564-1616) Engraving after an anonymous 18th century painting
ELD4933283 Portrait of English playwright William Shakespeare (1564-1616) Engraving after an anonymous 18th century painting by English School

Magnet given by Galileo Galilei (1564-1642) to Ferdinando II de Medici, c. 1608 (object)
DEX5040803 Magnet given by Galileo Galilei (1564-1642) to Ferdinando II de Medici, c.1608 (object) by Galilei, Galileo (1564-1642); Istituto e Museo di Storia della Scienza, Florence

The Triumph of Saint Augustine, 1664 (oil on canvas)
DEX5040776 The Triumph of Saint Augustine, 1664 (oil on canvas) by Coello, Claudio (1642-93); Prado, Madrid, Spain; (add.info)

Grigore I Ghica (Ghika) (1628-1675), Prince of Wallachia par Bouttats, Gerard (ca. 1630-after 1668)
FIA5405399 Grigore I Ghica (Ghika) (1628-1675), Prince of Wallachia par Bouttats, Gerard (ca. 1630-after 1668). Copper engraving, ca 1664, Private Collection by Bouttats

Galileo Galilei demonstrating law of gravity in presence of Giovanni De Medici, Tribune of Galileo, Florence, c
DEX5040747 Galileo Galilei demonstrating law of gravity in presence of Giovanni De Medici, Tribune of Galileo, Florence, c.1839 (fresco) by Bezzuoli, Giuseppe (1784-1855); Museo della Specola

King Louis XIII shaving the walls of the city of La Rochelle and forgiving its inhabitants at the end of the siege
ELD4926725 King Louis XIII shaving the walls of the city of La Rochelle and forgiving its inhabitants at the end of the siege, 1628 (Siege of La rochelle)

Portrait of Thomas Hobbes (1588-1679) English philosopher. 19th century colour engraving
NWI4950384 Portrait of Thomas Hobbes (1588-1679) English philosopher. 19th century colour engraving. by Jaspers, Jan Baptist (c.1620-91) (after); (add.info)

"L'hospitalite d'Abraham" Abraham servant l'agneau aux trois anges venus lui demander
FIA5328231 "L'hospitalite d'Abraham" Abraham servant l'agneau aux trois anges venus lui demander l'hospitalite

Prohibition of preches and arrest of Protestants after the revocation of the Edit de Nantes
ELD4903882 Prohibition of preches and arrest of Protestants after the revocation of the Edit de Nantes (dragonnades under Louis XIV (1681-1686)

The Young Bacchus, c. 1596 (oil on canvas)
GIM5038357 The Young Bacchus, c.1596 (oil on canvas) by Caravaggio, Michelangelo Merisi da (1571-1610); 85x95 cm; Galleria degli Uffizi, Florence, Tuscany

Saint Catherine of Alexandria. C. 1636 (oil on canvas)
AIS5332833 Saint Catherine of Alexandria. C. 1636 (oil on canvas) by Zurbaran, Francisco de (1598-1664); 124x100 cm; (add.info.: ZURBARAN, Francisco de (1598-1664) Bilbao

La Pieta Painting by Daniele Crespi (1598-1630) 17th century Madrid, Prado Museum
QUA5031807 La Pieta Painting by Daniele Crespi (1598-1630) 17th century Madrid, Prado Museum by Crespi, Daniele (1597-1630); (add.info)

The Adoration of the Magi Fresco by Daniele Crespi (1598-1630) 17th century Milan, Church of St. Alessandro in Zebedia
QUA5031773 The Adoration of the Magi Fresco by Daniele Crespi (1598-1630) 17th century Milan, Church of St. Alessandro in Zebedia by Crespi

The Assumption of Saint Mary Magdalene Guided by Angels Drawing by Daniele Crespi (1598-1630) 17th century Madrid
QUA5031820 The Assumption of Saint Mary Magdalene Guided by Angels Drawing by Daniele Crespi (1598-1630) 17th century Madrid, Prado Museum by Crespi

Saint Luke. 1633 (oil on canvas)
AIS5332817 Saint Luke. 1633 (oil on canvas) by Zurbaran, Francisco de (1598-1664); 55x53 cm; (add.info.: ZURBARAN, Francisco de (1598-1664) Cadiz. Museo de Cadiz); Photo © Rotger/AIC

The Wolf and the Little Red Riding Hood Illustration by Vimar (1851-1916) for "The Little Red Riding Hood"
ELD4869886 The Wolf and the Little Red Riding Hood Illustration by Vimar (1851-1916) for "The Little Red Riding Hood", tale by Charles Perrault (1628-1703)

View of Charybde and Scylla in the Detroit of Messina between Italy and Sicily (Scylla and Charybdis (Kharybdis)
ELD4867617 View of Charybde and Scylla in the Detroit of Messina between Italy and Sicily (Scylla and Charybdis (Kharybdis) in the strait of Messina, Sicily

Streltsy revolt: arrest of members of streltsy regiments (strelets) after their lifting in 1698 against progressive
ELD4882036 Streltsy revolt: arrest of members of streltsy regiments (strelets) after their lifting in 1698 against progressive innovations of tsar Peter the Great

The first European settlers on the Saint Lawrence River banks, present-day Quebec 16th-17th century
ELD4874241 The first European settlers on the Saint Lawrence River banks, present-day Quebec 16th-17th century (European settlers on the Saint Lawrence River banks)

Le petit poucet steals les les boots de sept leagues de l'ogre Illustration by Jean Geoffroy (1853-1924)
ELD4869874 Le petit poucet steals les les boots de sept leagues de l'ogre Illustration by Jean Geoffroy (1853-1924) for " Le petit poucet" tale by Charles Perrault (1628-1703)

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"Seicento: A Glimpse into the Artistic Splendor of the 17th Century" Step back in time and immerse yourself in the captivating world of Seicento, a period that witnessed remarkable artistic achievements. From religious masterpieces to exquisite sculptures, this era showcases an array of exceptional works. "The Communion of the Virgin, 1663 (oil on canvas)" by an unknown artist takes us on a spiritual journey, depicting a sacred moment with intricate details and vibrant colors. In "Blessed Ludovica Albertoni in ecstasy, 1674 (Marble Sculpture), " Gian Lorenzo Bernini captures the intense emotions and divine connection experienced by this saintly figure. The portrait "Portrait of Orlando Gibbons (1583-1625), British composer" offers a glimpse into the life of one of England's renowned musical talents. The intricately painted details bring forth his personality and passion for music. A powerful portrayal comes to life in "Portrait of the Roman Emperor Domitian (Titus Flavius Domitianus) (51-96). " This commanding artwork reflects both authority and vulnerability through its meticulous brushstrokes. "The Fall of Simon Magus, 1690 (fresco)" transports us to biblical times as we witness this dramatic scene unfold before our eyes. The vivid colors and skilled technique create a sense of movement within the painting. Andrea Sacchi's masterpiece "Representation de Sainte Catherine de Sienne (1347-1380)" portrays this revered saint wearing a crown made from thorns while bearing stigmata marks on her hands. This hauntingly beautiful piece is housed at London's Courtauld Institute gallery. Nature takes center stage in two stunning drawings - "Landscape with a large tree in the center and belvedere" as well as "View Villeneuve-les-Avignons. " These artworks capture serene landscapes with meticulous attention to detail, transporting viewers to idyllic settings.