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Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper)
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Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper)
AIS5380085 Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid, Spain; © Iberfoto
Media ID 26407132
© Iberfoto / Bridgeman Images
Detention Facility Francisco De Goya Francisco Jose De 1746 1828 Francisco José De Goya Y Lucientes Goya Goya Francisco De 1746 1828 Goya Y Lucientes Inks Inquisition Jail Pain Papering Papers Penitenciary Persecute Persecuted Persecution Prison Prisoners Prisons Suffer Suffered Suffereth Suffering Sufferings Violated Violent Prisoner
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The print titled "Thats what you get for writing for idiots, 1814-23" by Francisco Jose de Goya y Lucientes captures the essence of suffering and pain through its intricate use of wash, brush, bistre, grey-brown ink, and iron gall ink on laid paper. This artwork is housed in the Prado Museum in Madrid, Spain. Goya's masterpiece delves into the political turmoil and religious persecution prevalent during the early 19th century. The artist skillfully portrays a scene that depicts a jailed politician or writer who has fallen victim to violence and violation. The image serves as a powerful commentary on the oppressive nature of politics and religion at that time. Through his masterful strokes, Goya evokes emotions of empathy towards those who have suffered unjustly. The use of various inks adds depth to the composition while highlighting the artist's attention to detail. This artwork stands as a testament to Goya's profound understanding of history and his ability to tell stories through painting. It serves as a reminder of our collective past and urges us not to forget the struggles endured by individuals who dared challenge societal norms. Overall, this piece invites viewers to reflect upon their own beliefs about power dynamics within society while appreciating Goya's technical brilliance as both a painter and an artist with deep social consciousness.
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