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Suffer Collection

"Suffer little children to come unto me, " said Jesus, embracing the innocence and vulnerability of youth

Background imageSuffer Collection: Jesus and Children

Jesus and Children
Jesus suffers the little children to come unto him. Date: 1st century

Background imageSuffer Collection: Medusa Raft - 1

Medusa Raft - 1
When French ship wrecks on the African coast, all take to boats, towing a raft; but the boats abandon the raft with 157 on it, who suffer terribly and fight, only 15 surviving. Date: July 1816

Background imageSuffer Collection: Suffer little children to come unto me

Suffer little children to come unto me. Date c1892 Apr. 8

Background imageSuffer Collection: Hairdresser on Stilts

Hairdresser on Stilts
Il faut souffrir pour etre belle - one must suffer to be beautiful

Background imageSuffer Collection: The Death of Bhishma, Mortally Wounded by Arjunas Numerous Arrows, c

The Death of Bhishma, Mortally Wounded by Arjunas Numerous Arrows, c
1196881 The Death of Bhishma, Mortally Wounded by Arjunas Numerous Arrows, c.1760-1770 (w/c on paper) by Indian School, (18th century)

Background imageSuffer Collection: The Battle of Marciano in Val di Chiana, 1570-1571. Artist: Vasari, Giorgio (1511-1574)

The Battle of Marciano in Val di Chiana, 1570-1571. Artist: Vasari, Giorgio (1511-1574)
The Battle of Marciano in Val di Chiana, 1570-1571. Found in the collection of the Palazzo Vecchio, Florence

Background imageSuffer Collection: Christ as the man in sorrows, 1525, (fresco)

Christ as the man in sorrows, 1525, (fresco)
7129015 Christ as the man in sorrows, 1525, (fresco) by Sarto, Andrea del (1486-1530); Galleria dell'Accademia, Florence, Tuscany, Italy; (add.info.: Christ as the man in sorrows)

Background imageSuffer Collection: Christ Displaying His Wounds, 1615-20 (oil on canvas)

Christ Displaying His Wounds, 1615-20 (oil on canvas)
7333494 Christ Displaying His Wounds, 1615-20 (oil on canvas) by Galli, Giovanni Antonio (Lo Spadarino) (1585-1651/3); 148.7x114 (framed) cm; Perth Museum & Art Gallery

Background imageSuffer Collection: The Fishermans Prayer

The Fishermans Prayer
THE FISHERMANs PRAYER Lord suffer me to catch a fish so large that even I in talking of it afterwards shall have no need to lie

Background imageSuffer Collection: Halt of Prince Charles Edward on the Banks of the Nairne, 1878 (oil on canvas)

Halt of Prince Charles Edward on the Banks of the Nairne, 1878 (oil on canvas)
1199561 Halt of Prince Charles Edward on the Banks of the Nairne, 1878 (oil on canvas) by Beavis, Richard (1824-96); 115.5x178 cm; Private Collection; Photo eChristies Images; English

Background imageSuffer Collection: The Arms Race

The Arms Race
The more the nations try to outdo their neighbours in the arms race, the more their own people suffer... Date: 1909

Background imageSuffer Collection: Three runaway schoolboys are very seasick

Three runaway schoolboys are very seasick
Three runaway schoolboys suffer greatly from seasickness on an ocean voyage. Date: 1898

Background imageSuffer Collection: Glaisher and Coxwe

Glaisher and Coxwe conducting scientific experiment in a balloon, the two scientists suffer from lack of oxygen and pass out, though they manage to release air and descend

Background imageSuffer Collection: Belgium, 1914 (print)

Belgium, 1914 (print)
3789205 Belgium, 1914 (print) by Partridge, Bernard (1861-1945); (add.info.: La Belgique 1914 by Bernard Partridge. Quote from Jeremiah I, 2 and 10 - She weepeth sore in the night)

Background imageSuffer Collection: The opening of the fifth and sixth seals, 1522 (engraving)

The opening of the fifth and sixth seals, 1522 (engraving)
1578227 The opening of the fifth and sixth seals, 1522 (engraving) by Durer or Duerer, Albrecht (1471-1528); (add.info.: Martin Luther: Preface to the Revelation of John ( 1522)

Background imageSuffer Collection: Jesus On The Cross With Two Others

Jesus On The Cross With Two Others

Background imageSuffer Collection: Cosimo studies the taking of Siena, 1563-1565. Artist: Vasari, Giorgio (1511-1574)

Cosimo studies the taking of Siena, 1563-1565. Artist: Vasari, Giorgio (1511-1574)
Cosimo studies the taking of Siena, 1563-1565. Found in the collection of the Palazzo Vecchio, Florence

Background imageSuffer Collection: End of the Suffer

End of the Suffer
Abdullah Essam

Background imageSuffer Collection: Hawker Siddeley Harrier GR. 1 and Bedford MK

Hawker Siddeley Harrier GR. 1 and Bedford MK
Hawker Siddeley Harrier GR.1 being pushed back into its hide by a Bedford MK 4-tonner, during a field deployment in Germany

Background imageSuffer Collection: Enoch Taken Heaven Religion Bible Events Old

Enoch Taken Heaven Religion Bible Events Old
enoch, taken, heaven, religion, bible, events, old, testament, looking, pretty, good, 365, years, son, cain, god, without, suffer, tiresome, formality, death, leaves, methusaleh, history, historical

Background imageSuffer Collection: Madonna (Sorrowful Virgin), 1583-1584 (bronze)

Madonna (Sorrowful Virgin), 1583-1584 (bronze)
7413351 Madonna (Sorrowful Virgin), 1583-1584 (bronze) by Vittoria, Alessandro (1525-1608); 104.5 cm; Basilica Santi Giovanni and Paolo, Venice

Background imageSuffer Collection: Christ at the column, 1510 (fresco)

Christ at the column, 1510 (fresco)
885769 Christ at the column, 1510 (fresco) by Sodoma, Giovanni Antonio Bazzi (1477-1549); Pinacoteca Nazionale, Siena, Tuscany, Italy; (add.info.: by by Giovanni Antonio Bazzi, known as Sodoma)

Background imageSuffer Collection: The Passion of Christ: Jesus get his clothes removed, 18th century (oil on canvas)

The Passion of Christ: Jesus get his clothes removed, 18th century (oil on canvas)
AIS5365841 The Passion of Christ: Jesus get his clothes removed, 18th century (oil on canvas) by Viladomat, Antonio (1678-1755); (add.info)

Background imageSuffer Collection: Scene from the New Testament: Carrying of the cross (fresco)

Scene from the New Testament: Carrying of the cross (fresco)
885845 Scene from the New Testament: Carrying of the cross (fresco) by Barna da Siena (fl.1350-55); Collegiata di Santa Maria Assunta, San Gimignano

Background imageSuffer Collection: Coal miners trapped 24 days underground after roof fall, 1906 (print)

Coal miners trapped 24 days underground after roof fall, 1906 (print)
541351 Coal miners trapped 24 days underground after roof fall, 1906 (print) by French School, (20th century); (add.info.: Survived by eating carrots and oats they found in the pit pony stables)

Background imageSuffer Collection: Christ and Simon of Cyrene. (fifth stop of the Way of the Cross), 1722/37 (oil on canvas)

Christ and Simon of Cyrene. (fifth stop of the Way of the Cross), 1722/37 (oil on canvas)
AIS5365859 Christ and Simon of Cyrene. (fifth stop of the Way of the Cross), 1722/37 (oil on canvas) by Viladomat, Antonio (1678-1755); (add.info.: Painting by Antoni Viladomat i Manalt (1678-1755)

Background imageSuffer Collection: The plague in Milan 1630-1631, 19th century (engraving)

The plague in Milan 1630-1631, 19th century (engraving)
1737128 The plague in Milan 1630-1631, 19th century (engraving) by Meaulle, Fortune Louis (1844-1901); Private Collection; (add.info.: The plague in Milan 1630-1631)

Background imageSuffer Collection: The Path to Calvary (detail), 15th century (tempera on wood)

The Path to Calvary (detail), 15th century (tempera on wood)
CUL4938772 The Path to Calvary (detail), 15th century (tempera on wood) by Bernat, Martin (1445-1503) & Ximenez, Miguel (fl.1466-1505); Museo Provincial de Bellas Artes, Zaragoza

Background imageSuffer Collection: The mask of pain, 1909, (white marble)

The mask of pain, 1909, (white marble)
7129215 The mask of pain, 1909, (white marble) by Wildt, Adolfo (1868-1931); Galleria Comunale d'Arte Moderna e Contemporanea, Rome, Italy; (add.info.: The mask of pain, 1909, Adolfo Wildt)

Background imageSuffer Collection: Empedocle, Dieu suppose. Empedocles, Supposed God, 1929 (engraving)

Empedocle, Dieu suppose. Empedocles, Supposed God, 1929 (engraving)
7315162 Empedocle, Dieu suppose. Empedocles, Supposed God, 1929 (engraving) by Barbier, Georges (1882-1932); Private Collection; (add.info.: Empedocle, Dieu suppose (Empedocles, Supposed God)

Background imageSuffer Collection: Empedocle, Dieu suppose. Empedocles, Supposed God, 1929 (engraving)

Empedocle, Dieu suppose. Empedocles, Supposed God, 1929 (engraving)
7315160 Empedocle, Dieu suppose. Empedocles, Supposed God, 1929 (engraving) by Barbier, Georges (1882-1932); Private Collection; (add.info.: Empedocle, Dieu suppose (Empedocles, Supposed God)

Background imageSuffer Collection: The Man of Sorrows, 1430 (oil on panel)

The Man of Sorrows, 1430 (oil on panel)
LAF470816 The Man of Sorrows, 1430 (oil on panel) by Campin, Robert (c.1378-1444); 36x28 cm; Museum voor Schone Kunsten, Ghent, Belgium; © Art in Flanders

Background imageSuffer Collection: St. Augustine heals the lame, detail, 1551 (oil on canvas)

St. Augustine heals the lame, detail, 1551 (oil on canvas)
7292551 St. Augustine heals the lame, detail, 1551 (oil on canvas) by Tintoretto, Jacopo Robusti (1518-94); Museo Civico Palazzo Chiericati, Vicenza

Background imageSuffer Collection: Laocoon, the famous marble group in the Vatican Museum, is the most important depiction of Laocoon

Laocoon, the famous marble group in the Vatican Museum, is the most important depiction of Laocoon
7278173 Laocoon, the famous marble group in the Vatican Museum, is the most important depiction of Laocoon by Unknown Artist, (19th century); Private Collection; (add.info.: Laocoon)

Background imageSuffer Collection: St. Augustine heals the lame, 1551 (oil on canvas)

St. Augustine heals the lame, 1551 (oil on canvas)
7292552 St. Augustine heals the lame, 1551 (oil on canvas) by Tintoretto, Jacopo Robusti (1518-94); Museo Civico Palazzo Chiericati, Vicenza, Italy; (add.info.: by Jacopo Tintoretto); Ghigo Roli

Background imageSuffer Collection: The statue of Laocoon and his sons, also called the Laocoon Group, Gruppo del Laocoonte

The statue of Laocoon and his sons, also called the Laocoon Group, Gruppo del Laocoonte
7279410 The statue of Laocoon and his sons, also called the Laocoon Group, Gruppo del Laocoonte by Unknown Artist, (19th century); Private Collection; (add.info.: The statue of Laocoon and his sons)

Background imageSuffer Collection: Christ at the column, second half of 15th century (oil on panel)

Christ at the column, second half of 15th century (oil on panel)
7292761 Christ at the column, second half of 15th century (oil on panel) by Montagna, Bartolomeo (c.1450-1525); Museo Civico Palazzo Chiericati, Vicenza

Background imageSuffer Collection: St. Augustine heals the lame, detail, 1551 (oil on canvas)

St. Augustine heals the lame, detail, 1551 (oil on canvas)
7292774 St. Augustine heals the lame, detail, 1551 (oil on canvas) by Tintoretto, Jacopo Robusti (1518-94); Museo Civico Palazzo Chiericati, Vicenza

Background imageSuffer Collection: Tooth puller, c. 1800 (print)

Tooth puller, c. 1800 (print)
7293225 Tooth puller, c.1800 (print) by Boilly, Louis Leopold (1761-1845); (add.info.: Medecine. Dentistry. Tooth puller. Caricature by Louis Boilly, France, ca 1800.); Photo: © Archives Charmet

Background imageSuffer Collection: After the Crisis, Fever Decline, Health, Child Concern

After the Crisis, Fever Decline, Health, Child Concern
7279057 After the Crisis, Fever Decline, Health, Child Concern by Unknown Artist, (19th century); Private Collection; (add.info.: After the Crisis, Fever Decline, Health, Child Concern)

Background imageSuffer Collection: the suffering man

the suffering man
Michael Allmaier

Background imageSuffer Collection: Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink)

Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper)
AIS5380085 Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageSuffer Collection: Impact of the Great Depression in South Dakota, 1929 (b / w photo)

Impact of the Great Depression in South Dakota, 1929 (b / w photo)
1700301 Impact of the Great Depression in South Dakota, 1929 (b/w photo) by American Photographer, (20th century); (add.info.: Depression americaine)

Background imageSuffer Collection: Outbreak of the plague in London, 1641 (woodcut)

Outbreak of the plague in London, 1641 (woodcut)
7201737 Outbreak of the plague in London, 1641 (woodcut) by English School, (17th century) (after); Private Collection; (add.info.: Outbreak of the plague in London, 1641)

Background imageSuffer Collection: The horrors and sorrows of war, Montenegrin women who go to find their loved ones in the field

The horrors and sorrows of war, Montenegrin women who go to find their loved ones in the field... (colour litho)
2808529 The horrors and sorrows of war, Montenegrin women who go to find their loved ones in the field... (colour litho) by Beltrame

Background imageSuffer Collection: J aime le vin, je fait l amour (Vieille Ariette): Guilty Childhood

J aime le vin, je fait l amour (Vieille Ariette): Guilty Childhood, back cover of issue 389 of L Assiette au Beurre
7268493 J aime le vin, je fait l amour (Vieille Ariette): Guilty Childhood, back cover of issue 389 of L Assiette au Beurre, September 1908 by Naudin

Background imageSuffer Collection: Battle between the Georgians and the Mountain Tribes, 1826 (lithograph)

Battle between the Georgians and the Mountain Tribes, 1826 (lithograph)
1195833 Battle between the Georgians and the Mountain Tribes, 1826 (lithograph) by Orlowski, Alexander (Alexandr Osipovich Orlovsky) (1777-1832)

Background imageSuffer Collection: The Charge, c. 1893-1931 (woodcut)

The Charge, c. 1893-1931 (woodcut)
1196621 The Charge, c. 1893-1931 (woodcut) by Vallotton, Felix Edouard (1865-1925); 20x26 cm; Private Collection; Photo © Christies Images



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"Suffer little children to come unto me, " said Jesus, embracing the innocence and vulnerability of youth. In Medusa Raft - 1, we witness the sufferings endured by those who dare to challenge the wrath of mythical creatures. The Death of Bhishma portrays the agony inflicted upon a noble warrior, mortally wounded by Arjuna's relentless arrows. The Battle of Marciano in Val di Chiana captures the horrors faced by soldiers as they endure the brutality of war. In contrast, The Fisherman's Prayer depicts a humble plea for relief from suffering, seeking solace in divine intervention. Halt of Prince Charles Edward on the Banks of Nairne showcases a moment frozen in time when even royalty must confront their own hardships. The Arms Race represents an ongoing struggle for power and dominance that perpetuates suffering worldwide. Hugh Latimer and Nicholas Ridley being burnt at stake symbolize martyrdom and sacrifice for one's beliefs; their words echo with courage and resilience. Amidst all this turmoil, three runaway schoolboys find themselves battling seasickness—a reminder that suffering comes in many forms, sometimes unexpected yet undeniably real. And there stands a hairdresser on stilts—perhaps offering respite from daily struggles through creativity and self-expression. Finally, Glaisher and Coxwell soar high into uncharted skies as pioneers facing physical discomforts but driven by curiosity and ambition. Suffering permeates our existence—it is both universal and deeply personal. Yet within its depths lie stories of resilience, hope, faith, bravery, compassion—the very essence that defines our humanity.