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Goya Y Lucientes Collection

"Goya y Lucientes: A Journey Through the Mind of an Artistic Genius" Step into the world of Francisco Goya

Background imageGoya Y Lucientes Collection: La maja desnuda (The Nude Maja), c. 1800 (oil on canvas)

La maja desnuda (The Nude Maja), c. 1800 (oil on canvas)
JLJ4667793 La maja desnuda (The Nude Maja), c. 1800 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 95x190 cm; Prado, Madrid

Background imageGoya Y Lucientes Collection: Plate 80 from Los Caprichos : It is time (Ya es hora. ), 1799. Creator: Francisco Goya

Plate 80 from Los Caprichos : It is time (Ya es hora. ), 1799. Creator: Francisco Goya
Plate 80 from Los Caprichos : It is time (Ya es hora.), 1799

Background imageGoya Y Lucientes Collection: The Second of May, 1808 or The Charge of the Mamelukes, 1814 (oil on canvas) (post-restoration)

The Second of May, 1808 or The Charge of the Mamelukes, 1814 (oil on canvas) (post-restoration)
2920870 The Second of May, 1808 or The Charge of the Mamelukes, 1814 (oil on canvas) (post-restoration) by Goya y Lucientes, Francisco Jose de (1746-1828); 266x345 cm; Prado, Madrid

Background imageGoya Y Lucientes Collection: Pllate 60 from Los Caprichos : Trials (Ensayos. ), 1799. Creator: Francisco Goya

Pllate 60 from Los Caprichos : Trials (Ensayos. ), 1799. Creator: Francisco Goya
Pllate 60 from Los Caprichos : Trials (Ensayos.), 1799

Background imageGoya Y Lucientes Collection: Plate 25 from Los Caprichos : If he broke the pot (Si quebroel Cantaro. ), 1799

Plate 25 from Los Caprichos : If he broke the pot (Si quebroel Cantaro. ), 1799
Plate 25 from Los Caprichos : If he broke the pot (Si quebro el Cantaro.), 1799

Background imageGoya Y Lucientes Collection: Portrait of the spanish artist Goya (engraving)

Portrait of the spanish artist Goya (engraving)
6266107 Portrait of the spanish artist Goya (engraving); (add.info.: Portrait of Francisco de Goya. Francisco Jose de Goya y Lucientes, 1746-1828. Spanish painter and printmaker)

Background imageGoya Y Lucientes Collection: Francisco de Goya (1746-1828)

Francisco de Goya (1746-1828)
3499693 Francisco de Goya (1746-1828); (add.info.: Francisco de Goya (1746-1828). Spanish painter and engraver. The Road to Hell, 1818. Drawing on black pencil. National Library

Background imageGoya Y Lucientes Collection: They make their toilet, c.1820 (engraving)

They make their toilet, c.1820 (engraving)
PCT4265532 They make their toilet, c.1820 (engraving) by Goya y Lucientes, Francisco Jose de (1746-1828); (add.info.: Engraving by Francisco Goya y Lucientes (1746-1828)

Background imageGoya Y Lucientes Collection: Boys Playing at Soldiers, c. 1775-99 (oil on canvas)

Boys Playing at Soldiers, c. 1775-99 (oil on canvas)
GLS29679 Boys Playing at Soldiers, c.1775-99 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 29.2x41.9 cm; Stirling Maxwell Collection, Pollok House, Glasgow

Background imageGoya Y Lucientes Collection: Disparate de tontos (Fool's folly), 1877 (etching, aquatint & drypoint)

Disparate de tontos (Fool's folly), 1877 (etching, aquatint & drypoint)
3745584 Disparate de tontos (Fool's folly), 1877 (etching, aquatint & drypoint) by Goya y Lucientes, Francisco Jose de (1746-1828); 29x43 cm; Manchester Art Gallery

Background imageGoya Y Lucientes Collection: Francisco Goya Y Lucientes, Pintor, 1799 (etching, aquatint, drypoint & burin)

Francisco Goya Y Lucientes, Pintor, 1799 (etching, aquatint, drypoint & burin)
3745578 Francisco Goya Y Lucientes, Pintor, 1799 (etching, aquatint, drypoint & burin) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x23 cm; Manchester Art Gallery

Background imageGoya Y Lucientes Collection: No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint)

No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint, burnishing & burin)
3745581 No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint, burnishing & burin) by Goya y Lucientes, Francisco Jose de (1746-1828); 25x34 cm; Manchester Art Gallery

Background imageGoya Y Lucientes Collection: El Sueno De La Razon Produce Monstruos (The Dream of Reason Produces Monsters)

El Sueno De La Razon Produce Monstruos (The Dream of Reason Produces Monsters), 1799 (etching & aquatint)
3745577 El Sueno De La Razon Produce Monstruos (The Dream of Reason Produces Monsters), 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Manchester Art Gallery

Background imageGoya Y Lucientes Collection: Modo de volar (A way of flying), 1864 (etching, aquatint, drypoint & burnishing)

Modo de volar (A way of flying), 1864 (etching, aquatint, drypoint & burnishing)
3745575 Modo de volar (A way of flying), 1864 (etching, aquatint, drypoint & burnishing) by Goya y Lucientes, Francisco Jose de (1746-1828); 30x42 cm; Manchester Art Gallery

Background imageGoya Y Lucientes Collection: Bobalicon (Silly Idiot), 1864 (etching, aquatint & drypoint)

Bobalicon (Silly Idiot), 1864 (etching, aquatint & drypoint)
3959779 Bobalicon (Silly Idiot), 1864 (etching, aquatint & drypoint) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.3x34.5 cm; Manchester Art Gallery

Background imageGoya Y Lucientes Collection: No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin)

No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin)
3745585 No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin) by Goya y Lucientes, Francisco Jose de (1746-1828); 25x34 cm; Manchester Art Gallery

Background imageGoya Y Lucientes Collection: Saturn Devouring His Son, 1819-1823 (mixed media mural transferred to canvas)

Saturn Devouring His Son, 1819-1823 (mixed media mural transferred to canvas)
JLJ4650294 Saturn Devouring His Son, 1819-1823 (mixed media mural transferred to canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageGoya Y Lucientes Collection: Don Manuel Osorio Manrique de Zuniga (1784-92), 1790 (oil on canvas)

Don Manuel Osorio Manrique de Zuniga (1784-92), 1790 (oil on canvas)
1109266 Don Manuel Osorio Manrique de Zuniga (1784-92), 1790 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 127x101.6 cm; Metropolitan Museum of Art, New York

Background imageGoya Y Lucientes Collection: GOYA Y LUCIENTES, Francisco de (1746-1828); ALCANTARA LOPEZ DE ZUNIGA, Pedro (18th century)

GOYA Y LUCIENTES, Francisco de (1746-1828); ALCANTARA LOPEZ DE ZUNIGA, Pedro (18th century)
CUL4870263 GOYA Y LUCIENTES, Francisco de (1746-1828); ALCANTARA LOPEZ DE ZUNIGA, Pedro (18th century). 14th Count of Miranda del Castanar and 10th Duke of Penaranda

Background imageGoya Y Lucientes Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). Pedro Romero killing the halted bull. 1816. (25)

GOYA Y LUCIENTES, Francisco de (1746-1828). Pedro Romero killing the halted bull. 1816. (25. 1 x 35. 9 cm)
CUL4871900 GOYA Y LUCIENTES, Francisco de (1746-1828). Pedro Romero killing the halted bull. 1816. (25.1 x 35.9 cm). ROMERO, Pedro (1754-1839). Spanish bullfighter

Background imageGoya Y Lucientes Collection: The family of the infant Don Luis of Bourbon, 1783-1784 (oil on canvas)

The family of the infant Don Luis of Bourbon, 1783-1784 (oil on canvas)
7294373 The family of the infant Don Luis of Bourbon, 1783-1784 (oil on canvas) by Goya, Francisco Jose de (1746-1828) (school of); Fondazione Magnani-Rocca, Parma

Background imageGoya Y Lucientes Collection: GOYA Y LUCIENES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. (24'7 x 35'8 cm)

GOYA Y LUCIENES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. (24'7 x 35'8 cm)
CUL4874394 GOYA Y LUCIENES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. (24'7 x 35'8 cm). Plate 1 of " Proverbs". Romanticism. Engraving. SPAIN

Background imageGoya Y Lucientes Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of Philip III of Spain. 1778

GOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of Philip III of Spain. 1778
CUL4878576 GOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of Philip III of Spain. 1778. PHILIP III of Spain (1578-1621). King of Spain (1598-1621)

Background imageGoya Y Lucientes Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm)

GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm)
CUL4874729 GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm). Plate 55 of " Los Caprichos", etching and burnished aquatint. Romanticism. Engraving. Etching

Background imageGoya Y Lucientes Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). The daring of Martincho (probably Antonio Ebassum)

GOYA Y LUCIENTES, Francisco de (1746-1828). The daring of Martincho (probably Antonio Ebassum)
CUL4871908 GOYA Y LUCIENTES, Francisco de (1746-1828). The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa. 1816. (24.9 x 35.7 cm)

Background imageGoya Y Lucientes Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). It is time. 1797-1799. (21 x 14'5 cm)

GOYA Y LUCIENTES, Francisco de (1746-1828). It is time. 1797-1799. (21 x 14'5 cm)
CUL4877269 GOYA Y LUCIENTES, Francisco de (1746-1828). It is time. 1797-1799. (21 x 14'5 cm). Plate 80 of " Los Caprichos", etching, burnished aquatint, drypoint and chisel

Background imageGoya Y Lucientes Collection: Pretty Teacher. 1793-1799 (aquatint)

Pretty Teacher. 1793-1799 (aquatint)
CUL4874399 Pretty Teacher. 1793-1799 (aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 20x14 cm; Biblioteca Nacional, Madrid, Spain; (add.info.: By GOYA Y LUCIENTES)

Background imageGoya Y Lucientes Collection: Night Scene from the Inquisition, c. 1810 (oil on wood)

Night Scene from the Inquisition, c. 1810 (oil on wood)
7305498 Night Scene from the Inquisition, c.1810 (oil on wood) by Goya y Lucientes, Francisco Jose de (1746-1828); 30.1x40 cm; Nasjonalmuseet, Oslo, Norway; (add.info.: by Goya (1746-1828))

Background imageGoya Y Lucientes Collection: Portrait of Don Francisco del Mazo, circa 1815-1820 (oil on canvas)

Portrait of Don Francisco del Mazo, circa 1815-1820 (oil on canvas)
7305247 Portrait of Don Francisco del Mazo, circa 1815-1820 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Musee Goya, Castres

Background imageGoya Y Lucientes Collection: Self-portrait with glasses, around 1800 (oil on canvas)

Self-portrait with glasses, around 1800 (oil on canvas)
7305246 Self-portrait with glasses, around 1800 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Musee Goya, Castres

Background imageGoya Y Lucientes Collection: Family of spanish king Carlos IV, detail, 1801 (painting)

Family of spanish king Carlos IV, detail, 1801 (painting)
1760508 Family of spanish king Carlos IV, detail, 1801 (painting) by Goya y Lucientes, Francisco Jose de (1746-1828); (add.info.: Family of spanish king Carlos IV)

Background imageGoya Y Lucientes Collection: Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink)

Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper)
AIS5380085 Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageGoya Y Lucientes Collection: 193-0082312 The exhortations, plate 16 of Proverbs, 1819-23, pub. 1864 (etching)

193-0082312 The exhortations, plate 16 of Proverbs, 1819-23, pub. 1864 (etching)
IND82116 193-0082312 The exhortations, plate 16 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.6x35.9 cm; Private Collection; Index Fototeca

Background imageGoya Y Lucientes Collection: Clear fantasy, plate 15 of Proverbs, 1819-23, pub. 1864 (etching)

Clear fantasy, plate 15 of Proverbs, 1819-23, pub. 1864 (etching)
IND82115 Clear fantasy, plate 15 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.7 cm; Private Collection; Index Fototeca

Background imageGoya Y Lucientes Collection: Simpleton, plate 4 of Proverbs, 1819-23, pub. 1864 (etching)

Simpleton, plate 4 of Proverbs, 1819-23, pub. 1864 (etching)
IND82104 Simpleton, plate 4 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.9 cm; Private Collection; Index Fototeca

Background imageGoya Y Lucientes Collection: They loose dogs on the bull, plate 25 of The Art of Bullfighting, pub. 1816 (etching)

They loose dogs on the bull, plate 25 of The Art of Bullfighting, pub. 1816 (etching)
IND81925 They loose dogs on the bull, plate 25 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 25x35.7 cm; Private Collection; Index Fototeca

Background imageGoya Y Lucientes Collection: The Moors use donkeys as a barrier to defend themselves against the bull

The Moors use donkeys as a barrier to defend themselves against the bull, whose horns have been tipped with balls
IND81917 The Moors use donkeys as a barrier to defend themselves against the bull, whose horns have been tipped with balls, plate 17 of The Art of Bullfighting, pub

Background imageGoya Y Lucientes Collection: The very skilful student of Falces (b. 1709) wrapped in his cape

The very skilful student of Falces (b. 1709) wrapped in his cape, tricks the bull with the play of his body
IND81914 The very skilful student of Falces (b.1709) wrapped in his cape, tricks the bull with the play of his body, plate 14 of The Art of Bullfighting, pub

Background imageGoya Y Lucientes Collection: The Bullfight

The Bullfight
IND36757 The Bullfight by Goya y Lucientes, Francisco Jose de (1746-1828); Biblioteca Nacional, Madrid, Spain; Index Fototeca

Background imageGoya Y Lucientes Collection: 193-0082314 Funereal riddle, plate 18 of Proverbs, 1819-23, pub. 1864 (etching)

193-0082314 Funereal riddle, plate 18 of Proverbs, 1819-23, pub. 1864 (etching)
IND82118 193-0082314 Funereal riddle, plate 18 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.4x35.8 cm; Private Collection; Index Fototeca

Background imageGoya Y Lucientes Collection: 193-0082313 Loyalty, plate 17 of Proverbs, 1819-23, pub. 1864 (etching)

193-0082313 Loyalty, plate 17 of Proverbs, 1819-23, pub. 1864 (etching)
IND82117 193-0082313 Loyalty, plate 17 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.6x35.8 cm; Private Collection; Index Fototeca

Background imageGoya Y Lucientes Collection: Carnival fantasy, plate 14 of Proverbs, 1819-23, pub. 1864 (etching)

Carnival fantasy, plate 14 of Proverbs, 1819-23, pub. 1864 (etching)
IND82114 Carnival fantasy, plate 14 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.6x35.7 cm; Private Collection; Index Fototeca

Background imageGoya Y Lucientes Collection: The same Mariano Ceballos, mounted on a bull, breaks short spears in the ring at Madrid

The same Mariano Ceballos, mounted on a bull, breaks short spears in the ring at Madrid
IND81924 The same Mariano Ceballos, mounted on a bull, breaks short spears in the ring at Madrid, plate 24 of The Art of Bullfighting, pub

Background imageGoya Y Lucientes Collection: Destres of the war: Vaines complaints (preparatory drawing, 1810-1820)

Destres of the war: Vaines complaints (preparatory drawing, 1810-1820)
LRI4606740 Destres of the war: Vaines complaints (preparatory drawing, 1810-1820) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageGoya Y Lucientes Collection: Ensayos, plate from Los Caprichos, 1799 (etching & aquatint)

Ensayos, plate from Los Caprichos, 1799 (etching & aquatint)
3112270 Ensayos, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Background imageGoya Y Lucientes Collection: Charles V, Holy Roman Emperor and King of Spain as Charles I (1500-58)

Charles V, Holy Roman Emperor and King of Spain as Charles I (1500-58) spearing a bull in the ring at Valladolid
IND81910 Charles V, Holy Roman Emperor and King of Spain as Charles I (1500-58) spearing a bull in the ring at Valladolid, plate 10 of The Art of Bullfighting, pub

Background imageGoya Y Lucientes Collection: The Tyrant: Portrait of the Actress Rosario Fernandez

The Tyrant: Portrait of the Actress Rosario Fernandez
IND54189 The Tyrant: Portrait of the Actress Rosario Fernandez by Goya y Lucientes, Francisco Jose de (1746-1828); 2, 06 x 1, 30 cm; Real Academia de Bellas Artes de San Fernando, Madrid

Background imageGoya Y Lucientes Collection: The wrong woman Anthropophagy Scene, a witch has a child. Grey wash by Francisco Goya y Lucientes

The wrong woman Anthropophagy Scene, a witch has a child. Grey wash by Francisco Goya y Lucientes (1746-1828) Sun
JLJ4974507 The wrong woman Anthropophagy Scene, a witch has a child. Grey wash by Francisco Goya y Lucientes (1746-1828) Sun

Background imageGoya Y Lucientes Collection: Pedro Romero killing the halted bull, plate 30 of The Art of Bullfighting, pub. 1816 (etching)

Pedro Romero killing the halted bull, plate 30 of The Art of Bullfighting, pub. 1816 (etching)
IND81930 Pedro Romero killing the halted bull, plate 30 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Background imageGoya Y Lucientes Collection: The famous Martincho (probably Antonio Ebassum) places the banderillas

The famous Martincho (probably Antonio Ebassum) places the banderillas, playing the bull with the movement of his body
IND81915 The famous Martincho (probably Antonio Ebassum) places the banderillas, playing the bull with the movement of his body, plate 15 of The Art of Bullfighting, pub

Background imageGoya Y Lucientes Collection: A Spanish mounted knight in the ring breaking short spears without the help of assistants

A Spanish mounted knight in the ring breaking short spears without the help of assistants
IND81913 A Spanish mounted knight in the ring breaking short spears without the help of assistants, plate 13 of The Art of Bullfighting, pub

Background imageGoya Y Lucientes Collection: Court of the Inquisition (engraving)

Court of the Inquisition (engraving)
IND52912 Court of the Inquisition (engraving) by Goya y Lucientes, Francisco Jose de (1746-1828); Real Academia de Bellas Artes de San Fernando, Madrid, Spain; Index Fototeca

Background imageGoya Y Lucientes Collection: Pepe Hillo making the pass of the recorte, plate 29 of The Art of Bullfighting, pub. 1816 (etching)

Pepe Hillo making the pass of the recorte, plate 29 of The Art of Bullfighting, pub. 1816 (etching)
IND81929 Pepe Hillo making the pass of the recorte, plate 29 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Background imageGoya Y Lucientes Collection: Title-page of The Art of Bullfighting, listing the title of the plates, pub. 1816 (etching)

Title-page of The Art of Bullfighting, listing the title of the plates, pub. 1816 (etching)
IND81900 Title-page of The Art of Bullfighting, listing the title of the plates, pub. 1816 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); Private Collection; Index Fototeca

Background imageGoya Y Lucientes Collection: The Devout Profession, plate 70 of Los caprichos, 1799 (etching) (see also 175022)

The Devout Profession, plate 70 of Los caprichos, 1799 (etching) (see also 175022)
IND81689 The Devout Profession, plate 70 of Los caprichos, 1799 (etching) (see also 175022) by Goya y Lucientes, Francisco Jose de (1746-1828); 21x16.6 cm; Private Collection; Index Fototeca

Background imageGoya Y Lucientes Collection: Bullfights: The Death of Pepe Illo (3rd Composition), 1816, printed 1876 (engraving)

Bullfights: The Death of Pepe Illo (3rd Composition), 1816, printed 1876 (engraving)
XOS5866434 Bullfights: The Death of Pepe Illo (3rd Composition), 1816, printed 1876 (engraving) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.2x34.7 cm; Cleveland Museum of Art, OH, USA

Background imageGoya Y Lucientes Collection: The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa

The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa, plate 18 of The Art of Bullfighting, pub
IND81918 The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa, plate 18 of The Art of Bullfighting, pub

Background imageGoya Y Lucientes Collection: A Spanish knight kills the bull after having lost his horse, plate 9 of The Art of Bullfighting

A Spanish knight kills the bull after having lost his horse, plate 9 of The Art of Bullfighting, pub. 1816 (etching)
IND81909 A Spanish knight kills the bull after having lost his horse, plate 9 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Background imageGoya Y Lucientes Collection: They (the Moors) play another bull with the cape in an enclosure

They (the Moors) play another bull with the cape in an enclosure, plate 4 of The Art of Bullfighting, pub
IND81904 They (the Moors) play another bull with the cape in an enclosure, plate 4 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Background imageGoya Y Lucientes Collection: The same man (Martincho, probably Antonio Ebassum) throws a bull in the ring at Madrid

The same man (Martincho, probably Antonio Ebassum) throws a bull in the ring at Madrid
IND81916 The same man (Martincho, probably Antonio Ebassum) throws a bull in the ring at Madrid, plate 16 of The Art of Bullfighting, pub



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"Goya y Lucientes: A Journey Through the Mind of an Artistic Genius" Step into the world of Francisco Goya, a Spanish painter and printmaker who left an indelible mark on the art world with his captivating works. From his iconic Plate 80 from Los Caprichos titled "It is time (Ya es hora. )" to his mesmerizing portrayal of "Boys Playing at Soldiers, " Goya's talent shines through. In Plate 60 from Los Caprichos, aptly named "Trials (Ensayos. ), " Goya delves into the complexities of human nature and society. His ability to capture raw emotions and social commentary is further exemplified in Plate 25 from Los Caprichos, where he explores the consequences of one's actions in "If he broke the pot (Si quebro el Cantaro. ). " Goya's artistic prowess extends beyond just paintings; his etchings showcase his versatility as an artist. In "Disparate de tontos (Fool's folly), " created in 1877, Goya combines etching, aquatint, and drypoint techniques to create a whimsical yet thought-provoking piece. One cannot discuss Goya without mentioning his self-portrait titled "Francisco Goya Y Lucientes, Pintor. " Created in 1799 using etching, aquatint, drypoint & burin techniques, this self-portrait allows us a glimpse into the mind behind these extraordinary creations. Moving forward in time to later works such as "Lo Mismo (The Same)" and "No Hay Quien Los Socorra (There is no one to help them), " both created in 1863 using various printmaking techniques like etching and burnishing. These pieces continue to demonstrate Goya's ability to depict societal issues with profound depth. "The Dream of Reason Produces Monsters, " created by Goya himself in 1799, showcases his mastery of etching and aquatint.

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