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Suffereth Collection

"Suffereth: A Visual Journey through Pain and Resilience" Step into the world of suffering, where art speaks volumes about human endurance and resilience

Background imageSuffereth Collection: Christ as the man in sorrows, 1525, (fresco)

Christ as the man in sorrows, 1525, (fresco)
7129015 Christ as the man in sorrows, 1525, (fresco) by Sarto, Andrea del (1486-1530); Galleria dell'Accademia, Florence, Tuscany, Italy; (add.info.: Christ as the man in sorrows)

Background imageSuffereth Collection: Christ Displaying His Wounds, 1615-20 (oil on canvas)

Christ Displaying His Wounds, 1615-20 (oil on canvas)
7333494 Christ Displaying His Wounds, 1615-20 (oil on canvas) by Galli, Giovanni Antonio (Lo Spadarino) (1585-1651/3); 148.7x114 (framed) cm; Perth Museum & Art Gallery

Background imageSuffereth Collection: Belgium, 1914 (print)

Belgium, 1914 (print)
3789205 Belgium, 1914 (print) by Partridge, Bernard (1861-1945); (add.info.: La Belgique 1914 by Bernard Partridge. Quote from Jeremiah I, 2 and 10 - She weepeth sore in the night)

Background imageSuffereth Collection: The opening of the fifth and sixth seals, 1522 (engraving)

The opening of the fifth and sixth seals, 1522 (engraving)
1578227 The opening of the fifth and sixth seals, 1522 (engraving) by Durer or Duerer, Albrecht (1471-1528); (add.info.: Martin Luther: Preface to the Revelation of John ( 1522)

Background imageSuffereth Collection: Madonna (Sorrowful Virgin), 1583-1584 (bronze)

Madonna (Sorrowful Virgin), 1583-1584 (bronze)
7413351 Madonna (Sorrowful Virgin), 1583-1584 (bronze) by Vittoria, Alessandro (1525-1608); 104.5 cm; Basilica Santi Giovanni and Paolo, Venice

Background imageSuffereth Collection: Christ at the column, 1510 (fresco)

Christ at the column, 1510 (fresco)
885769 Christ at the column, 1510 (fresco) by Sodoma, Giovanni Antonio Bazzi (1477-1549); Pinacoteca Nazionale, Siena, Tuscany, Italy; (add.info.: by by Giovanni Antonio Bazzi, known as Sodoma)

Background imageSuffereth Collection: The Passion of Christ: Jesus get his clothes removed, 18th century (oil on canvas)

The Passion of Christ: Jesus get his clothes removed, 18th century (oil on canvas)
AIS5365841 The Passion of Christ: Jesus get his clothes removed, 18th century (oil on canvas) by Viladomat, Antonio (1678-1755); (add.info)

Background imageSuffereth Collection: Scene from the New Testament: Carrying of the cross (fresco)

Scene from the New Testament: Carrying of the cross (fresco)
885845 Scene from the New Testament: Carrying of the cross (fresco) by Barna da Siena (fl.1350-55); Collegiata di Santa Maria Assunta, San Gimignano

Background imageSuffereth Collection: Coal miners trapped 24 days underground after roof fall, 1906 (print)

Coal miners trapped 24 days underground after roof fall, 1906 (print)
541351 Coal miners trapped 24 days underground after roof fall, 1906 (print) by French School, (20th century); (add.info.: Survived by eating carrots and oats they found in the pit pony stables)

Background imageSuffereth Collection: Christ and Simon of Cyrene. (fifth stop of the Way of the Cross), 1722/37 (oil on canvas)

Christ and Simon of Cyrene. (fifth stop of the Way of the Cross), 1722/37 (oil on canvas)
AIS5365859 Christ and Simon of Cyrene. (fifth stop of the Way of the Cross), 1722/37 (oil on canvas) by Viladomat, Antonio (1678-1755); (add.info.: Painting by Antoni Viladomat i Manalt (1678-1755)

Background imageSuffereth Collection: The plague in Milan 1630-1631, 19th century (engraving)

The plague in Milan 1630-1631, 19th century (engraving)
1737128 The plague in Milan 1630-1631, 19th century (engraving) by Meaulle, Fortune Louis (1844-1901); Private Collection; (add.info.: The plague in Milan 1630-1631)

Background imageSuffereth Collection: The Path to Calvary (detail), 15th century (tempera on wood)

The Path to Calvary (detail), 15th century (tempera on wood)
CUL4938772 The Path to Calvary (detail), 15th century (tempera on wood) by Bernat, Martin (1445-1503) & Ximenez, Miguel (fl.1466-1505); Museo Provincial de Bellas Artes, Zaragoza

Background imageSuffereth Collection: The mask of pain, 1909, (white marble)

The mask of pain, 1909, (white marble)
7129215 The mask of pain, 1909, (white marble) by Wildt, Adolfo (1868-1931); Galleria Comunale d'Arte Moderna e Contemporanea, Rome, Italy; (add.info.: The mask of pain, 1909, Adolfo Wildt)

Background imageSuffereth Collection: Empedocle, Dieu suppose. Empedocles, Supposed God, 1929 (engraving)

Empedocle, Dieu suppose. Empedocles, Supposed God, 1929 (engraving)
7315162 Empedocle, Dieu suppose. Empedocles, Supposed God, 1929 (engraving) by Barbier, Georges (1882-1932); Private Collection; (add.info.: Empedocle, Dieu suppose (Empedocles, Supposed God)

Background imageSuffereth Collection: Empedocle, Dieu suppose. Empedocles, Supposed God, 1929 (engraving)

Empedocle, Dieu suppose. Empedocles, Supposed God, 1929 (engraving)
7315160 Empedocle, Dieu suppose. Empedocles, Supposed God, 1929 (engraving) by Barbier, Georges (1882-1932); Private Collection; (add.info.: Empedocle, Dieu suppose (Empedocles, Supposed God)

Background imageSuffereth Collection: The Man of Sorrows, 1430 (oil on panel)

The Man of Sorrows, 1430 (oil on panel)
LAF470816 The Man of Sorrows, 1430 (oil on panel) by Campin, Robert (c.1378-1444); 36x28 cm; Museum voor Schone Kunsten, Ghent, Belgium; © Art in Flanders

Background imageSuffereth Collection: St. Augustine heals the lame, detail, 1551 (oil on canvas)

St. Augustine heals the lame, detail, 1551 (oil on canvas)
7292551 St. Augustine heals the lame, detail, 1551 (oil on canvas) by Tintoretto, Jacopo Robusti (1518-94); Museo Civico Palazzo Chiericati, Vicenza

Background imageSuffereth Collection: Laocoon, the famous marble group in the Vatican Museum, is the most important depiction of Laocoon

Laocoon, the famous marble group in the Vatican Museum, is the most important depiction of Laocoon
7278173 Laocoon, the famous marble group in the Vatican Museum, is the most important depiction of Laocoon by Unknown Artist, (19th century); Private Collection; (add.info.: Laocoon)

Background imageSuffereth Collection: St. Augustine heals the lame, 1551 (oil on canvas)

St. Augustine heals the lame, 1551 (oil on canvas)
7292552 St. Augustine heals the lame, 1551 (oil on canvas) by Tintoretto, Jacopo Robusti (1518-94); Museo Civico Palazzo Chiericati, Vicenza, Italy; (add.info.: by Jacopo Tintoretto); Ghigo Roli

Background imageSuffereth Collection: The statue of Laocoon and his sons, also called the Laocoon Group, Gruppo del Laocoonte

The statue of Laocoon and his sons, also called the Laocoon Group, Gruppo del Laocoonte
7279410 The statue of Laocoon and his sons, also called the Laocoon Group, Gruppo del Laocoonte by Unknown Artist, (19th century); Private Collection; (add.info.: The statue of Laocoon and his sons)

Background imageSuffereth Collection: Christ at the column, second half of 15th century (oil on panel)

Christ at the column, second half of 15th century (oil on panel)
7292761 Christ at the column, second half of 15th century (oil on panel) by Montagna, Bartolomeo (c.1450-1525); Museo Civico Palazzo Chiericati, Vicenza

Background imageSuffereth Collection: St. Augustine heals the lame, detail, 1551 (oil on canvas)

St. Augustine heals the lame, detail, 1551 (oil on canvas)
7292774 St. Augustine heals the lame, detail, 1551 (oil on canvas) by Tintoretto, Jacopo Robusti (1518-94); Museo Civico Palazzo Chiericati, Vicenza

Background imageSuffereth Collection: Tooth puller, c. 1800 (print)

Tooth puller, c. 1800 (print)
7293225 Tooth puller, c.1800 (print) by Boilly, Louis Leopold (1761-1845); (add.info.: Medecine. Dentistry. Tooth puller. Caricature by Louis Boilly, France, ca 1800.); Photo: © Archives Charmet

Background imageSuffereth Collection: After the Crisis, Fever Decline, Health, Child Concern

After the Crisis, Fever Decline, Health, Child Concern
7279057 After the Crisis, Fever Decline, Health, Child Concern by Unknown Artist, (19th century); Private Collection; (add.info.: After the Crisis, Fever Decline, Health, Child Concern)

Background imageSuffereth Collection: Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink)

Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper)
AIS5380085 Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageSuffereth Collection: Impact of the Great Depression in South Dakota, 1929 (b / w photo)

Impact of the Great Depression in South Dakota, 1929 (b / w photo)
1700301 Impact of the Great Depression in South Dakota, 1929 (b/w photo) by American Photographer, (20th century); (add.info.: Depression americaine)

Background imageSuffereth Collection: Outbreak of the plague in London, 1641 (woodcut)

Outbreak of the plague in London, 1641 (woodcut)
7201737 Outbreak of the plague in London, 1641 (woodcut) by English School, (17th century) (after); Private Collection; (add.info.: Outbreak of the plague in London, 1641)

Background imageSuffereth Collection: The horrors and sorrows of war, Montenegrin women who go to find their loved ones in the field

The horrors and sorrows of war, Montenegrin women who go to find their loved ones in the field... (colour litho)
2808529 The horrors and sorrows of war, Montenegrin women who go to find their loved ones in the field... (colour litho) by Beltrame

Background imageSuffereth Collection: J aime le vin, je fait l amour (Vieille Ariette): Guilty Childhood

J aime le vin, je fait l amour (Vieille Ariette): Guilty Childhood, back cover of issue 389 of L Assiette au Beurre
7268493 J aime le vin, je fait l amour (Vieille Ariette): Guilty Childhood, back cover of issue 389 of L Assiette au Beurre, September 1908 by Naudin

Background imageSuffereth Collection: Apollo flaying Marsyas, c. 1618 (oil on canvas)

Apollo flaying Marsyas, c. 1618 (oil on canvas)
AII79413 Apollo flaying Marsyas, c.1618 (oil on canvas) by Guercino (Giovanni Francesco Barbieri) (1591-1666); Palazzo Pitti, Florence

Background imageSuffereth Collection: Illustration of Song 24 of Hell, by Gustave Dore (engraving)

Illustration of Song 24 of Hell, by Gustave Dore (engraving)
ELD4831862 Illustration of Song 24 of Hell, by Gustave Dore (engraving) by Dore, Gustave (1832-83); (add.info.: Illustration of Song 24 of Hell in " La Divine Comedie" (la divina commedia)

Background imageSuffereth Collection: Julius Caesar on the voyage to Britain, 55 BC (colour litho)

Julius Caesar on the voyage to Britain, 55 BC (colour litho)
7185385 Julius Caesar on the voyage to Britain, 55 BC (colour litho) by Moreland, Arthur (1876-1951); Private Collection; (add.info.: Julius Caesar on the voyage to Britain, 55 BC)

Background imageSuffereth Collection: The Collar of Misery (engraving)

The Collar of Misery (engraving)
7185144 The Collar of Misery (engraving) by Geoffroy, Jean (called Geo) (1853-1924); Private Collection; (add.info.: The Collar of Misery)

Background imageSuffereth Collection: Milan, Church of San Francesco da Paola, Andrea Pozzo, The Angels support Jesus in the Garden of

Milan, Church of San Francesco da Paola, Andrea Pozzo, The Angels support Jesus in the Garden of Gethsemane, 1671
7227323 Milan, Church of San Francesco da Paola, Andrea Pozzo, The Angels support Jesus in the Garden of Gethsemane, 1671 by Pozzo, Andrea (1642-1709); Chiesa di San Francesco di Paola, Milan

Background imageSuffereth Collection: Childbirth (woodcut)

Childbirth (woodcut)
7186200 Childbirth (woodcut) by Swiss School, (16th century); Private Collection; (add.info.: Childbirth. Illustration from Bilder-Lexicon Sexualwissenschaft (Verlag fur Kulturforschung)

Background imageSuffereth Collection: Retreat of Napoleons Grande Armee from Moscow, 1812 (engraving)

Retreat of Napoleons Grande Armee from Moscow, 1812 (engraving)
7201264 Retreat of Napoleons Grande Armee from Moscow, 1812 (engraving) by English School, (19th century); Private Collection; (add.info.: Retreat of Napoleons Grande Armee from Moscow, 1812)

Background imageSuffereth Collection: Banished, 1865

Banished, 1865
7215877 Banished, 1865 by Sundt-Hansen, Carl (1841-1907); 50x42 cm; Private Collection; Photo © O. Vaering

Background imageSuffereth Collection: TOWERS CROSSING A FORD (detail), 1872 (oil on canvas)

TOWERS CROSSING A FORD (detail), 1872 (oil on canvas)
7215218 TOWERS CROSSING A FORD (detail), 1872 (oil on canvas) by Repin, Ilya Efimovich (1844-1930); Tretyakov Gallery, Moscow, Russia; (add.info.: 1872//Oil on canvas The " Mother Volga")

Background imageSuffereth Collection: Barricades (litho)

Barricades (litho)
7201319 Barricades (litho) by Daumier, Honore (1808-79) (after); Private Collection; (add.info.: Barricades. Illustration from Lustige Blatter, 1913.); © Look and Learn

Background imageSuffereth Collection: Napoleons retreat from Moscow, 1812 (engraving)

Napoleons retreat from Moscow, 1812 (engraving)
7154013 Napoleons retreat from Moscow, 1812 (engraving) by English School, (19th century); Private Collection; (add.info.: Retreat of Napoleons French Grande Armee from Moscow, Russia, 1812)

Background imageSuffereth Collection: The Magdalene, also known as The Pain, 1869 (Oil on Canvas)

The Magdalene, also known as The Pain, 1869 (Oil on Canvas)
7212083 The Magdalene, also known as The Pain, 1869 (Oil on Canvas) by Cezanne, Paul (1839-1906); Musee d Orsay, Paris, France; (add.info.: The Magdalene, also known as The Pain, 1869)

Background imageSuffereth Collection: TOWERS CROSSING A FORD, 1872 (oil on canvas)

TOWERS CROSSING A FORD, 1872 (oil on canvas)
7215214 TOWERS CROSSING A FORD, 1872 (oil on canvas) by Repin, Ilya Efimovich (1844-1930); Tretyakov Gallery, Moscow, Russia; (add.info.: 1872//Oil on canvas The " Mother Volga")

Background imageSuffereth Collection: Sick on a Holiday (engraving)

Sick on a Holiday (engraving)
7182189 Sick on a Holiday (engraving) by English School, (19th century); Private Collection; (add.info.: Sick on a Holiday)

Background imageSuffereth Collection: Herbal remedies (litho)

Herbal remedies (litho)
7201214 Herbal remedies (litho) by English School, (20th century); Private Collection; (add.info.: Herbal remedies. Illustration from The Boys Own Annual (Boys Own Paper Office, London)

Background imageSuffereth Collection: Le Vocabulaire Illustre: Pain (Petit); French roll; Brodchen (engraving)

Le Vocabulaire Illustre: Pain (Petit); French roll; Brodchen (engraving)
7196930 Le Vocabulaire Illustre: Pain (Petit); French roll; Brodchen (engraving) by European School, (19th century); Private Collection; (add.info.: Pain (Petit); French roll; Brodchen

Background imageSuffereth Collection: Calvary, c. 1520 (oil on panel)

Calvary, c. 1520 (oil on panel)
6620693 Calvary, c.1520 (oil on panel) by Cock, Jan Wellens de (1480-1526); 172.5--119 cm; Rijksmuseum, Amsterdam, The Netherlands

Background imageSuffereth Collection: Retreat of Napoleons Grande Armee from Moscow, 1812 (engraving)

Retreat of Napoleons Grande Armee from Moscow, 1812 (engraving)
7185207 Retreat of Napoleons Grande Armee from Moscow, 1812 (engraving) by Philippoteaux, Felix (1815-84) (after); Private Collection; (add.info.: Retreat of Napoleons Grande Armee from Moscow, 1812)

Background imageSuffereth Collection: Le Vocabulaire Illustre: Pain (natte); Twist; Flechte (engraving)

Le Vocabulaire Illustre: Pain (natte); Twist; Flechte (engraving)
7196931 Le Vocabulaire Illustre: Pain (natte); Twist; Flechte (engraving) by European School, (19th century); Private Collection; (add.info.: Pain (natte); Twist; Flechte



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"Suffereth: A Visual Journey through Pain and Resilience" Step into the world of suffering, where art speaks volumes about human endurance and resilience. From Madonna's sorrowful gaze in "Madonna (Sorrowful Virgin), 1583-1584, " to the brutal depiction of Christ's flagellation in the fresco "Scene from the New Testament: Flagellation of Christ, " these artworks capture moments of intense anguish. In "Christ at the column, 1510, " witness Christ's stoic determination as he endures unimaginable pain during his crucifixion. The oil painting "The Passion of Christ: Jesus gets his clothes removed" portrays vulnerability and humiliation, reminding us that suffering often strips away our dignity. As we delve deeper into this exploration, a different kind of suffering emerges. In a haunting print from 1906, we see coal miners trapped underground for an agonizing 24 days after a roof collapse. Their struggle for survival mirrors Christ's journey to Calvary. Religious persecution takes center stage in two poignant paintings on wood. The predella panel depicts a holy deacon baptizing a prison neophyte before both face martyrdom at the hands of a Roman magistrate. These images remind us that even faith cannot shield one from suffering. Moving forward along the Way of the Cross, we encounter Simon of Cyrene helping Jesus carry his cross in an oil painting from 1722/37. This act embodies compassion amidst agony—a reminder that sometimes solace can be found even in our darkest moments. The plague ravaging Milan between 1630-1631 is captured vividly in a haunting engraving from the 19th century. It serves as a stark reminder that suffering knows no boundaries—whether physical or emotional—and affects all walks of life indiscriminately.