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King James II (1633-1701) Receiving the News of the Landing of William of Orange in 1688

King James II (1633-1701) Receiving the News of the Landing of William of Orange in 1688


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King James II (1633-1701) Receiving the News of the Landing of William of Orange in 1688

THA15412 King James II (1633-1701) Receiving the News of the Landing of William of Orange in 1688, 1851 (oil on canvas) by Ward, Edward Matthew (1816-79); 50.8x75.6 cm; Towneley Hall Art Gallery and Museum, Burnley, Lancashire; eTowneley Hall Art Gallery and Museum; English, out of copyright

Media ID 23176292

© Towneley Hall Art Gallery and Museum / Bridgeman Images

Council Glorious Revolution Listening Royal Family Stuart Eavesdropper Rulers


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> Arts > Artists > J > William James

> Arts > Artists > W > Edward Matthew Ward

> Arts > Artists > W > James Ward

> Europe > United Kingdom > England > Lancashire > Burnley

> Europe > United Kingdom > England > Lancashire > Related Images

> Europe > United Kingdom > England > London > Sights > British Museum

> Europe > United Kingdom > England > Paintings

> Europe > United Kingdom > Paintings

> Fine Art Finder > Artists > Edward Matthew Ward

> Fine Art Finder > Artists > Francesco Brunery

> Fine Art Finder > Britain: Royalty & Rulers

> People > Royalty > Related Images


EDITORS COMMENTS
In this oil painting by Edward Matthew Ward, we are transported back to a pivotal moment in British history. The scene depicts King James II of England receiving the earth-shattering news of the landing of William of Orange in 1688. The artist skillfully captures the tension and intrigue that permeate the room as members of the royal council gather around their monarch, anxiously awaiting his reaction. Bathed in soft candlelight, King James sits at a regal table adorned with maps and documents, his face etched with concern and disbelief. Ward's attention to detail is remarkable; every figure is meticulously rendered, from the attentive courtiers leaning forward to catch every word to an eavesdropper lurking behind a curtain, adding an air of secrecy to the scene. Through masterful brushstrokes and use of light and shadow, Ward creates a palpable sense of urgency and drama. This historic event depicted here marks the beginning of what would later be known as the Glorious Revolution – a turning point for Great Britain's monarchy. It led to James II's eventual abdication from power and William III ascending to become joint ruler alongside his wife Mary II. As we gaze upon this exquisite artwork housed within Towneley Hall Art Gallery and Museum in Lancashire, we cannot help but feel drawn into this significant moment in time when destiny hung delicately in balance for both king and country.

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