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Featured Lancashire Image

Goods shed, Preston CC80_00089

Goods Shed, West Lancashire Station, Fishergate Hill, Preston. The interior of the Cantrell and Cochrane depot with an employee moving a crate across the store. Photographed in 1927 for the London, Midland and Scottish Railway. The station was also known as Fishergate Hill Station. With the exception of a few infrequent services, the station was closed to passengers in 1900 but it remained open to goods traffic until 1965. It was later demolished and the site is now Colman Court.

© Historic England

Featured Lancashire Image

Blackpool's Tram Cars

Blackpool's 'Luxury' Streamline Tram Cars, including double ('Balloon') and single decker varieties and a fully open boat tram. Many of these vintage tramcars are still running, maintained by enthusiasts and the money from holidaymakers who have made the resort famous. The Blackpool tramway runs from Blackpool to Fleetwood on the Fylde Coast in Lancashire, England, and is the only surviving first-generation tramway in the UK. Built by the English Electric Company of Preston, Lancashire. Date: 1930s

© Mary Evans / Grenville Collins Postcard Collection

Featured Lancashire Image

Annie Rowney, Leghe Suthers (1856-1924)

Oil on canvas, Newlyn School, late 19th / early 20th century. John Lees, or 'Leghe' Suthers was born in Oldham, Greater Manchester. Very little is known about his early life, but it is assumed that he spent his formative years around Southport in Lancashire, where he is known to have lived before moving to Newlyn. Suthers studied at Verlat's Academy in Antwerp and was great friends with fellow Newlyn artists Fred Hall and Frank Bramley, who also studied there. He later met Stanhope Forbes in Brittany. He went to paint in Venice, and Venetian subjects dominated his early works shown at the Royal Academy. An early visitor to Newlyn, staying for some months in 1883, Suthers continued to use his Southport address for his Royal Academy submissions until 1893 (having first exhibited there in 1885). It is difficult to determine when he settled in Newlyn, particularly as he was often away from the village, but he was a keen advocate of the 'square brush' technique, clearly visible in this portrait, and seems to have been an integral member of the colony. It is thought that had probably stopped painting in Newlyn by 1900 and had settled along with Fred Hall in Porlock, Somerset.

© RIC