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Allegory of Vanity, 1600 (oil on wood)
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Allegory of Vanity, 1600 (oil on wood)
3959972 Allegory of Vanity, 1600 (oil on wood) by Isaacsz. Pieter Fransz. (1569-1625); 36.4 x 43.5 cm; Kunstmuseum, Basel, Switzerland; (add.info.: Titians " Venus with a lute player" with the main characters reflected in a mirror image as an allegory of vanitas); Dutch, out of copyright
Media ID 22750990
© Bridgeman Images
Aphrodite Bohemia Boudoir Cherubim Cupids Fleeting Golden Age Lute Luxury Memento Mori Moral Possessions Putti Reclining Splendid Symbolism Time Vanitas Vanitas Vanitatum Vanity Venus Winged Allegorical Cherub Cherubs Jewels Mortality Symbolic Symbols Transitory
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EDITORS COMMENTS
This print showcases Isaacsz. Pieter Fransz. 's masterpiece, "Allegory of Vanity" painted in 1600. The oil on wood painting measures 36.4 x 43.5 cm and is housed in the Kunstmuseum in Basel, Switzerland. The artwork depicts a scene inspired by Titian's "Venus with a lute player" but with a twist that transforms it into an allegory of vanitas, or the fleeting nature of earthly pleasures. In the mirror image reflection, we see the main characters surrounded by symbols of vanity and transitory objects. A crowd gathers around as cupids play musical instruments and hold luxurious possessions, emphasizing the symbolic nature of wealth and luxury. A reclining goddess represents life's splendid yet ephemeral nature while reminding viewers of their mortality. The naked woman serves as a moral reminder that time passes quickly, urging us to reflect upon our own existence. Winged cherubs adorn the scene with jewels and gold, further enhancing its opulence. This Dutch masterpiece from the Golden Age captures both beauty and melancholy through its exquisite use of symbolism. It invites contemplation on themes such as memento mori (remembering death) and vanitas vanitatum (vanity of vanities). With this print from Bridgeman Images' collection, one can bring home a piece of art history that continues to inspire awe centuries later.
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