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A Corner in the Taos Plaza, c. 1925 (oil on canvas)
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A Corner in the Taos Plaza, c. 1925 (oil on canvas)
1767636 A Corner in the Taos Plaza, c.1925 (oil on canvas) by Berninghaus, Oscar Edward (1874-1952); 88.9x101.6 cm; Private Collection; (add.info.: A Corner in the Taos Plaza. Oscar Edward Berninghaus (1874-1952). Oil on canvas. Painted circa 1925. 88.9 x 101.6cm.); Photo © Christie's Images
Media ID 31715534
© Christie's Images / Bridgeman Images
1925 Accessories American Artist American Indian American Painting Artist American Background People Behaviour Black Hair Blanket Brown Brown Colour Buttoned Bystander Contemplate Contemplating Contemplation Corner Dark Hair Direct Gaze Equine Facial Expression Foliage Green Colour Hooved Mammal Incopyright Indigenous Indigenous People Looking At Camera Looking Down Mature Mature Adult Mature Man Mature Men Maturity Middle Aged Native American Indian Native People Natural Light New Mexico North American Outer Garment Patterned Pensive Personal Accessory Plant Part Position Shirt Small Group Small Group Of Animals Small Group Of People Solemn Stick Striped Striped Pattern Stripes Stripey Sunny Taos Temperament Temperature Thought Using Hands Accessory Berninghaus Portrait Style Portraiture Thinking
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A Corner in the Taos Plaza, c. 1925
EDITORS COMMENTS
is a captivating oil painting by Oscar Edward Berninghaus that beautifully captures a moment frozen in time. The scene depicts a bustling corner of the Taos Plaza, set against the backdrop of early twentieth-century New Mexico. In this vibrant composition, we see a small group of people gathered around an indigenous American Indian man. Dressed in traditional attire and holding a walking stick, he exudes an air of contemplation as he gazes into the distance. The artist skillfully portrays his solemn expression and deep thoughts through natural light and meticulous brushstrokes. The painting's rich color palette highlights the lush greenery surrounding them, while also showcasing the diverse clothing styles worn by bystanders from different cultures - some wearing striped shirts and others donning traditional brown garments. This fusion of influences creates an intriguing visual narrative that speaks to the cultural diversity present in Taos during this era. Berninghaus' attention to detail extends beyond human subjects; even background elements like trees and plants are meticulously rendered with precision. These details add depth to the composition and create a sense of place within this urban setting. Overall, "A Corner in the Taos Plaza" is not just a snapshot but rather an immersive experience that transports viewers back to 1920s New Mexico. It serves as both a historical record and an artistic testament to Berninghaus' talent for capturing moments infused with emotion and cultural significance.
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