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Canvas Print : Study, An Allegory of Social Strife, by Archibald Ziegler
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Study, An Allegory of Social Strife, by Archibald Ziegler
Study for a painting, An Allegory of Social Strife, by Archibald Ziegler. A reflection on postwar mass unemployment and social unrest, recalling the 1926 General Strike.
late 1920s
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Media ID 23056772
© Liss Fine Art / Mary Evans Picture Library
Allegory Archibald Capitalism Capitalist Conflict Crucified Crucifixion Employment Establishment Mass Postwar Socialism Socialist Socialists Strife Strike Struggle Study Unemployment Unions Unrest Worker Ziegler Capitalists Rights
20"x16" (51x41cm) Canvas Print
Bring the evocative and thought-provoking art of Archibald Ziegler into your home with our Media Storehouse Canvas Prints. This stunning reproduction showcases "Study for a painting, An Allegory of Social Strife," an allegorical masterpiece from the late 1920s. Reflecting on postwar mass unemployment and social unrest, this powerful artwork recalls the 1926 General Strike. Our premium canvas prints are meticulously crafted to bring out the rich colors and intricate details of this iconic image, making it a captivating addition to any space. Order yours today and let the art of Liss Fine Art / Mary Evans Picture Library transform your walls.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 40.6cm (20" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
Study for a Painting: An Allegory of Social Strife" by Archibald Ziegler is a powerful and thought-provoking artwork created in the late 1920s, a time of significant post-World War I social unrest and mass unemployment in Europe. This evocative study, which serves as a precursor to Ziegler's completed painting, captures the essence of the tumultuous period and the underlying tensions between the working class and the established order. The painting portrays a chaotic scene of conflict and struggle. At the center, a crucified figure, representing the working man or soldier, is suspended between two opposing groups: capitalists and socialists, soldiers and workers. The capitalists, depicted as smug and self-satisfied, stand on one side, while the workers, portrayed as desperate and angry, are shown on the other. The crucified man, with his arms outstretched, symbolizes the sacrifice and suffering endured by the common people in the face of social and economic upheaval. The backdrop of the painting is a cityscape, with buildings in various stages of construction and destruction, reflecting the economic instability of the time. The use of dramatic lighting and bold, expressive brushstrokes adds to the sense of tension and urgency. The 1926 General Strike, which took place in the United Kingdom, serves as a significant historical reference point for this allegory. The strike, which was the largest in British history, was a response to wage cuts and poor working conditions, and it highlighted the growing divide between the working class and the capitalist establishment. Ziegler's Study for a Painting: An Allegory of Social Strife is a powerful reminder of the complex social and economic issues that shaped the interwar period. It invites viewers to reflect on the ongoing struggle for workers' rights, social justice, and the role of the establishment in shaping the future of society.
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