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Canvas Print : Mo-sho-la-tub-bee, He Who Puts Out and Kills, Chief of the Tribe, 1834. Creator: George Catlin
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Mo-sho-la-tub-bee, He Who Puts Out and Kills, Chief of the Tribe, 1834. Creator: George Catlin
Mo-sho-la-tub-bee, He Who Puts Out and Kills, Chief of the Tribe, 1834
Heritage Images features heritage image collections
Media ID 21233426
© Heritage Art/Heritage Images
Catlin George Chief Choctaw George Catlin George Wilkes Barre Hand Held Peace Pipe Pipe Pride Proud Smithsonian American Art Museum Tobacco Pipe Wampum
20"x16" (51x41cm) Canvas Print
Bring the rich history and culture of the Native American tribes to your home with our exquisite Canvas Prints from Media Storehouse. This captivating piece features a portrait of Mo-sho-la-tub-bee, also known as He Who Puts Out and Kills, the esteemed Chief of the Tribe, as depicted by renowned artist George Catlin in 1834. Each Canvas Print is meticulously crafted using premium materials, ensuring vibrant colors and exceptional detail that bring the image to life. Transport yourself back in time and add a touch of history and artistry to your living space with this stunning Canvas Print.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Mo-sho-la-tub-bee, He Who Puts Out and Kills - A Glimpse into Native American Heritage
EDITORS COMMENTS
. In this oil painting by George Catlin, we are transported back to the 19th century, where Mo-sho-la-tub-bee, Chief of the Choctaw Tribe, stands proudly before us. Dressed in vibrant blue traditional clothing adorned with wampum beads and feathers, he exudes a sense of strength and dignity. The artist's meticulous attention to detail allows us to appreciate every aspect of Mo-sho-la-tub-bee's attire - from his intricately designed fan held firmly in his hand to the peace pipe gently resting between his fingers. As smoke rises from the tobacco-filled pipe, it symbolizes not only a momentary pause but also a connection to ancestral traditions. Catlin's portrait captures more than just an individual; it encapsulates an entire culture. Through this powerful image, we gain insight into the rich heritage of Native Americans and their deep-rooted pride in their identity. Displayed at the Smithsonian American Art Museum as part of its educational institution collection, this artwork serves as a reminder of our country's diverse history. It prompts us to reflect on our shared past while honoring those who have shaped America's cultural tapestry. As we gaze upon Mo-sho-la-tub-bee's resolute expression and look away towards distant horizons, we are reminded that indigenous peoples' stories deserve recognition within our collective narrative
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