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Canvas Print : Limbs and Demons; The Poor calling Death; Corpses of a Cardinal, a Woman and a Nun, fragments from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c. 1350
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Limbs and Demons; The Poor calling Death; Corpses of a Cardinal, a Woman and a Nun, fragments from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c. 1350
6365888 Limbs and Demons; The Poor calling Death; Corpses of a Cardinal, a Woman and a Nun, fragments from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350 by Orcagna, Andrea di Cione (c.1308-68); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross: " Limbs and Demons; The Poor calling Death; Corpses of a Cardinal, a Woman and a Nun", fragments from the cycle of detached frescoes " The Triumph of Death, Last Judgement and Hell", by Andrea Orcagna, about 1350); Ghigo Roli
Media ID 26406208
© Ghigo Roli / Bridgeman Images
14 14th Xiv Xivth Fourteenth Century Affresco Arte Arte Medioevale Basilica Basilica Di Santa Croce Basilica Of The Holy Cross Cardinal Cardinale Cardinals Cristianesimo Demon Demone Donna Florentino Gotico Hell Il Trecento Inferno Last Judgement Medieval Art Morte Opera D Arte Opera Darte Pittura Religione Toscana Tuscan 1300s 14 14o Xiv Xivo Secolo 14 14th Xiv Xivth Century 14 Century Andrea Orcagna C14th Late 14th Century Monaca Religious Role The 14th Century Xiv Century Xiv Secolo Xivth Century
21"x7" (53x18cm) Canvas Print
Experience the haunting beauty and intrigue of Ghigo Roli's 'Limbs and Demons; The Poor calling Death; Corpses of a Cardinal, a Woman and a Nun, fragments from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell.' This captivating collection of canvas prints, featuring the iconic artwork from Fine Art Finder (6365888), showcases the vivid detail and masterful brushstrokes of this 14th-century Italian master. The chilling imagery of limbs and demons, the poor calling death, and the corpses of a cardinal, a woman, and a nun, transport you to the realms of the last judgment and hell. Each print is meticulously crafted to bring out the rich colors and textures of Roli's original work, making it a stunning addition to any home or office decor. Embrace the mystery and allure of this timeless masterpiece with Media Storehouse's premium canvas prints.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 17.8cm x 53.3cm (7" x 21")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the hauntingly beautiful fragments from the cycle of detached frescoes titled "Limbs and Demons; The Poor calling Death; Corpses of a Cardinal, a Woman and a Nun". Created by the talented artist Andrea di Cione Orcagna around 1350, these mesmerizing artworks can be found in the Basilica of the Holy Cross in Florence, Italy. The image captures the essence of death's triumph over humanity, as depicted through vivid scenes of despair and anguish. In this particular fragment, we witness the lifeless bodies of a cardinal, a woman, and a nun lying amidst an eerie backdrop filled with demons. Each figure tells its own tragic story - their once vibrant lives now reduced to mere remnants. Orcagna's masterful use of color and intricate details transports viewers into a realm where mortality is confronted head-on. The viewer cannot help but feel both captivated and unnerved by this thought-provoking artwork that explores themes such as mortality, judgment, and damnation. As we gaze upon this print, we are reminded not only of our own mortality but also of the power art holds in capturing profound human emotions. It serves as a testament to Orcagna's skill as an artist during his time period while leaving us with lingering questions about life's transience and what awaits us beyond death's door.
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