Pittura Collection

The Walnut Tree in Benevento (the Witches Sabbath), 1822-26 (w / c on paper)
6200541 The Walnut Tree in Benevento (the Witches Sabbath), 1822-26 (w/c on paper) by Bagetti, Giuseppe Pietro (1764-1831); Private Collection; (add.info.: Giuseppe Pietro Bagetti)

Dante reading his works (fresco)
6262792 Dante reading his works (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria, Italy; (add.info.: The interior, Chapel Nova or St)

Tuscan Landscape with House (oil on canvas)
6336354 Tuscan Landscape with House (oil on canvas) by Salvarani, Arcangelo (1882-1953); 54x90 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna

Tuscan Landscape with River (oil on canvas)
6336355 Tuscan Landscape with River (oil on canvas) by Salvarani, Arcangelo (1882-1953); 54x90 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna

Jam Factory (oil on plywood)
5894096 Jam Factory (oil on plywood) by Salvarani, Arcangelo (1882-1953); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol,inv)

Preparations for the fireworks and decorations of the feast given in Rome celebrating
LRI4621560 Preparations for the fireworks and decorations of the feast given in Rome celebrating the birth of the Louis de France dolphin (oil on canvas, 1729) by Pannini or Panini

Self-Portrait 69 Years Old (oil on canvas, 1815)
LRI4605952 Self-Portrait 69 Years Old (oil on canvas, 1815) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Roger delivrant Angelique Angelique (Angelica) is liberated by Roger (Ruggero
LRI4607233 Roger delivrant Angelique Angelique (Angelica) is liberated by Roger (Ruggero, Ruggiero) rides on a hippoclaw - Illustration of the X Song of " Furious Roland" (Orlando furioso)

Portrait of Thomas Christian Walther (1749-1788) danish composer
LRI557885 Portrait of Thomas Christian Walther (1749-1788) danish composer. by Crescimbeni, Angelo (1734-81); Museo internazionale e biblioteca della musica, Bologna, Emilia-Romagna

Act II, first scene and third act, stage equipment: The Chariot of Armida for Armida by G. Rossini
6283536 Act II, first scene and third act, stage equipment: The Chariot of Armida for Armida by G. Rossini. 1952 (pencile and tempera on a canvas board) by Savinio, Alberto (Chirico)

Ugo Foscolo, 1813 (oil on canvas)
6343064 Ugo Foscolo, 1813 (oil on canvas) by Fabre, Francois Xavier (1766-1837); Biblioteca Nazionale Centrale, Florence, Italy; (add.info.: by Francois - Xavier Fabre (1776 - 1837)); Ghigo Roli

Francesco Ferruccis Deathvin Gavinana, 1852 (oil on canvas)
6200638 Francesco Ferruccis Deathvin Gavinana, 1852 (oil on canvas) by Albertis, Sebastiano de (1828-97); Private Collection; (add.info.: Sebastiano De Albertis)

Ricciardino Langoscos mother searching the corpse of her son killed during the conquest of Pavia at the hands of Matteo
6200637 Ricciardino Langoscos mother searching the corpse of her son killed during the conquest of Pavia at the hands of Matteo Visconti in 1315, 1846 (oil on canvas) by Massacra

Marco Botzaris Death, c. 1841 (oil on canvas)
6200636 Marco Botzaris Death, c.1841 (oil on canvas) by Lipparini, Lodovico (1802-56); Civico Museo Sartorio, Trieste, Italy; (add.info.: Ludovico Lipparini)

Limbs and Demons; The Poor calling Death; Corpses of a Cardinal, a Woman and a Nun
6365888 Limbs and Demons; The Poor calling Death; Corpses of a Cardinal, a Woman and a Nun, fragments from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell

The miracle of the child grabs between the fangs of a wolf. Part of the triptych History of Hermit of St
LRI4608561 The miracle of the child grabs between the fangs of a wolf. Part of the triptych History of Hermit of St. Augustine (Tempera on wood, 1325-1328) by Martini

Apollo and Marsyas (oil on canvas, 1618. )
LRI4607208 Apollo and Marsyas (oil on canvas, 1618.) by Guercino (Giovanni Francesco Barbieri) (1591-1666); Palatine Gallery, Pitti Palace, Florence; (add.info.: Apollo and Marsyas)

The Circus, study (Watercolour, 1890)
LRI4611421 The Circus, study (Watercolour, 1890) by Seurat, Georges Pierre (1859-91); Louvre, Paris, France; (add.info.: Study for " The Circus" - Watercolour by Georges Seurat (1859-1891)

Capture of Christ, by Master of the right apse of St Francis in Montefalco, detached fresco, end XIV century
6254891 Capture of Christ, by Master of the right apse of St Francis in Montefalco, detached fresco, end XIV century by Italian School, (14th century); Palazzo Trinci, Foligno, Umbria

"The resurrected Christ", c. 1420 (fresco)
5051377 " The resurrected Christ", c.1420 (fresco) by Master of Vignola (15th century); Rocca di Vignola, Vignola, Modena, Italy; (add.info.: Vignola Stronghold, the Contrari Chapel)

"Resurrection"and "Descent into Limbo", Detail of Christ and the sleeping Roman soldiers, c
5051433 " Resurrection" and " Descent into Limbo", Detail of Christ and the sleeping Roman soldiers, c.1420 (fresco) by Master of Vignola (15th century); Rocca di Vignola

Transept, external part of The Bardi Chapel: St. Francis and the Stigmata, 1320-25
6365905 Transept, external part of The Bardi Chapel: St. Francis and the Stigmata, 1320-25 by Giotto (Giotto di Bondone) (c.1266-1337); Santa Croce, Florence

Scenes of the life of Christ: Resurrection
6365961 Scenes of the life of Christ: Resurrection by Gerini, Niccolo di Pietro (fl.1368-1415); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross, sacristy)

Bardi St. Francis altarpiece and twenty stories of his life, The Bardi Chapel
6365927 Bardi St. Francis altarpiece and twenty stories of his life, The Bardi Chapel, Detail of the Saint Saint who teaches lepers, while holding one in his arms and washing the feet of the others

Punishment of the Miser and the Wrathful and Satan devouring Judas, Brutus and Cassius
6365884 Punishment of the Miser and the Wrathful and Satan devouring Judas, Brutus and Cassius, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell

Lucifer clutching two Giants and Antenor, fragment from the cycle of detached frescoes The Triumph of Death
6365883 Lucifer clutching two Giants and Antenor, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350 by Orcagna

Innocence sending away Deceit, 1734 (fresco)
5949103 Innocence sending away Deceit, 1734 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Our Lady and the child with donor, detail ( circa 1377, Fresco placed on canvas)
LRI4608326 Our Lady and the child with donor, detail ( circa 1377, Fresco placed on canvas) by Master of Mocchirolo (fl.c.1350); Pinacoteca di Brera, Milan

The Colossus (also called Coloso or the Giant) (oil on canvas, 1808-1812)
LRI4606089 The Colossus (also called Coloso or the Giant) (oil on canvas, 1808-1812) by Julia, Asensio (el Pescadoret) (1760-1832); Prado, Madrid

Detail of "The Assumption of Mary", 1745-48 (fresco)
3928826 Detail of "The Assumption of Mary", 1745-48 (fresco) by Bortoloni, Mattia (1695-1750), Biella, Felice (1702-86) & Bibiena, Giuseppe Galli (1696-1757); Sanctuary of Vicoforte, Cuneo

"The Mystical Lamb", symbol of sacrifice for the redemption of mankind, c. 1420 (fresco)
5051373 " The Mystical Lamb", symbol of sacrifice for the redemption of mankind, c.1420 (fresco) by Master of Vignola (15th century); Rocca di Vignola, Vignola, Modena

The Choir of the Apostles, 1500-04 (fresco)
6262745 The Choir of the Apostles, 1500-04 (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria, Italy; (add.info.: Chapel Nova or Chapel of St)

Palazzina (Small Building), the third room or room of the Aeneid: "Venus, as a huntress
5962691 Palazzina (Small Building), the third room or room of the Aeneid: "Venus, as a huntress, appears to her son Aeneas and his companion Achates on the beach of Libya

Unidentified figure (fresco)
6336454 Unidentified figure (fresco) by Jacopo di Cione, (fl.1368-94); Palazzo dei Giudici e dei Notai, Florence, Italy; (add.info)

"Portrait of Saint (St. Yves Helory?) (fresco)
6336451 " Portrait of Saint (St. Yves Helory?) (fresco) by Jacopo di Cione, (fl.1368-94); Palazzo dei Giudici e dei Notai, Florence

Allegory of the Dialectic (fresco)
6336437 Allegory of the Dialectic (fresco) by Jacopo di Cione, (fl.1368-94); Palazzo dei Giudici e dei Notai, Florence, Italy; (add.info.: Frescoes by Jacopo di Cione (brother of Orcagna, 1366-1406)

Male figure playing with a ball, Camera Pinta (Painted Room) (fresco)
6204078 Male figure playing with a ball, Camera Pinta (Painted Room) (fresco) by Italian School, (14th-15th century); Rocca Albornoz, Spoleto, Umbria

Portrait of Giuseppe Verdi (1813-1901) italian composer. Bologna, civico museo musicale
LRI557882 Portrait of Giuseppe Verdi (1813-1901) italian composer. Bologna, civico museo musicale by Tivoli, Giuseppe (1845-1925); Museo internazionale e biblioteca della musica, Bologna

Cybo chapel (northern arm of the transept), vault: Resurrection of Jesus Christ, 1910 (fresco)
6372334 Cybo chapel (northern arm of the transept), vault: Resurrection of Jesus Christ, 1910 (fresco) by Pogliaghi, Ludovico (1857-1950); Cattedrale di San Lorenzo, Genoa, Italy; (add.info.: Genoa)

Bowl of Fruit and a Tankard before a Window, c. 1890 (oil on canvas)
6366747 Bowl of Fruit and a Tankard before a Window, c.1890 (oil on canvas) by Gauguin, Paul (1848-1903); National Gallery, London, UK

Studies for Dynamism of a Cyclist, 1913 (black ink on paper)
6366704 Studies for Dynamism of a Cyclist, 1913 (black ink on paper) by Boccioni, Umberto (1882-1916); Civiche Raccolte del Castello Sforzesco, Gabinetto dei Disegni, Milan, Italy; Italian

I want to le human forms in movement (Dynamic Decomposition), 1913 (black pencile, black ink)
6366702 I want to le human forms in movement (Dynamic Decomposition), 1913 (black pencile, black ink, white tempera and white w/c on paper) by Boccioni

I want to le human forms in movement (Muscles in movement), 1913 (black pencile, black ink)
6366701 I want to le human forms in movement (Muscles in movement), 1913 (black pencile, black ink, white tempera and white w/c on paper) by Boccioni

6366131

Medici Chapel: Descent of Christ to the Limbo, detail, 1522 (oil on panel)
6366075 Medici Chapel: Descent of Christ to the Limbo, detail, 1522 (oil on panel) by Bronzino, Agnolo di Cosimo (1503-72); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

Medici Chapel: Descent of Christ to the Limbo, 1522 (oil on panel)
6366073 Medici Chapel: Descent of Christ to the Limbo, 1522 (oil on panel) by Bronzino, Agnolo di Cosimo (1503-72); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

Medici Chapel: Descent of Christ to the Limbo, detail, 1522 (oil on panel)
6366072 Medici Chapel: Descent of Christ to the Limbo, detail, 1522 (oil on panel) by Bronzino, Agnolo di Cosimo (1503-72); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

Last Supper, 1546, by Giorgio Vasari (oil on panel)
6365893 Last Supper, 1546, by Giorgio Vasari (oil on panel) by Vasari, Giorgio (1511-74); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross: " Last Supper", 1546)

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"Pittura: A Glimpse into Artistic Narratives" Dante reading his works (fresco): Immersed in the world of literature, Dante Alighieri captivates us with his profound words as he delves into the depths of his own creations. The Walnut Tree in Benevento (the Witches Sabbath), 1822-26 (w/c on paper): With vibrant watercolors on delicate paper, this enchanting artwork transports us to a realm where witches gather under the bewitching walnut tree, casting spells and embracing their mystical powers. Preparations for the fireworks and decorations of the feast given in Rome celebrating: The bustling streets come alive with anticipation as Rome prepares to celebrate a grand feast. Vibrant colors and intricate details capture the excitement that fills every corner of this magnificent city. Self-Portrait 69 Years Old (oil on canvas, 1815): Through skillful brushstrokes, an aging artist immortalizes himself on canvas. Every wrinkle tells a story; every stroke reveals a lifetime's worth of passion and dedication to art. Roger delivering Angelique: Witness an epic tale unfold through paintbrushes as Roger liberates Angelica from her captivity. This captivating portrait captures both bravery and tenderness within its strokes. Portrait of Thomas Christian Walther (1749-1788) Danish composer: In this striking portrait, we glimpse into the soulful eyes of Thomas Christian Walther, a renowned Danish composer whose music transcends time itself. Act II, first scene and third act - stage equipment: The Chariot of Armida for Armida by G. Rossini. 1952 (pencil and tempera on a canvas board): Behind-the-scenes magic comes alive as meticulous sketches bring forth elaborate stage designs for an opera production. Each line drawn represents countless hours dedicated to creating visual splendor that enhances musical performances. Ugo Foscolo, 1813 (oil on canvas).