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Canvas Print : Mr. Jaggers And His Clients. "mr. Jaggers Suddenly Stopped, And Turning On The Two Women With Shawls, Said, "oh! Amelia, Is It?"yes, Mr Jaggers. "but For Me, "He Retorted, "you Wouldn t Be Here. Say Another Word And Wemmick Shall Give You Your Money Back"The Excitable Jew Had Already Raised The Skirts Of Mr. Jaggers Coat To His Lips Several Times. "Illustration By Harry Furniss For The Charles Dickens Novel Great Expectations, From The Testimonial Edition Published 1910
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Mr. Jaggers And His Clients. "mr. Jaggers Suddenly Stopped, And Turning On The Two Women With Shawls, Said, "oh! Amelia, Is It?"yes, Mr Jaggers. "but For Me, "He Retorted, "you Wouldn t Be Here. Say Another Word And Wemmick Shall Give You Your Money Back"The Excitable Jew Had Already Raised The Skirts Of Mr. Jaggers Coat To His Lips Several Times. "Illustration By Harry Furniss For The Charles Dickens Novel Great Expectations, From The Testimonial Edition Published 1910
Mr. Jaggers And His Clients. " mr. Jaggers Suddenly Stopped, And Turning On The Two Women With Shawls, Said, " oh! Amelia, Is It?" " yes, Mr Jaggers." " but For Me, " He Retorted, " you Wouldn t Be Here. Say Another Word And Wemmick Shall Give You Your Money Back" The Excitable Jew Had Already Raised The Skirts Of Mr. Jaggers Coat To His Lips Several Times." Illustration By Harry Furniss For The Charles Dickens Novel Great Expectations, From The Testimonial Edition Published 1910
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Media ID 18199813
© Ken Welsh / Design Pics
Character Characters Charles Classic Classical Dickens Drawing Expectations Furniss Great Harry Huffam John Literature Novelist Sketch Social Story Victorian Writer Clients
30"x20" (76x51cm) Canvas Print
Bring the captivating world of Charles Dickens' "Great Expectations" to life with our exquisite Canvas Prints. This particular piece, titled "Mr. Jaggers and His Clients," features an illustration by Harry Furniss, showcasing a pivotal moment between Mr. Jaggers and Amelia. The intricate details of the scene are beautifully rendered, making it a stunning addition to any home or office. Immerse yourself in the rich storytelling of Dickens' timeless novel through this captivating work of art. Order now and bring a piece of literary history into your space.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 76.2cm x 50.8cm (30" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
In this photo print, we are transported back in time to the world of Charles Dickens' Great Expectations. The illustration by Harry Furniss beautifully captures a scene featuring Mr. Jaggers and his clients. As the image unfolds before our eyes, we witness a moment of intense interaction between Mr. Jaggers and two women draped in shawls. Mr. Jaggers, with an air of authority, suddenly halts his stride and directs his attention towards one of the women named Amelia. His piercing gaze seems to hold a hint of reproach as he addresses her by name. However, it is evident that without him, she would not be present at this very moment. The tension in the scene is palpable as Mr. Jaggers sternly warns Amelia against speaking further on the matter at hand or risk losing her money entirely - a threat delivered through Wemmick's intervention. Furniss masterfully depicts the excitable nature of Wemmick through his animated gestures; raising the skirts of Mr. Jaggers' coat to his lips multiple times in an act that conveys both reverence and anxiety. This evocative illustration transports us into Dickens' narrative world while highlighting themes such as power dynamics, social class disparities, and financial dependency within Victorian society. Ken Welsh's skillful reproduction allows us to appreciate Furniss' artistry even more deeply as we delve into this timeless classic once again.
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