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Sculpture of The First Sin by Michele Prestinari and Nicola Tabacchetti in the Sanctuary of the Sacro Monte in Varallo (Italy)
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Sculpture of The First Sin by Michele Prestinari and Nicola Tabacchetti in the Sanctuary of the Sacro Monte in Varallo (Italy)
Sculpture of The First Sin by Michele Prestinari and Nicola Tabacchetti in the Sanctuary of the Sacro Monte in Varallo (Italy) Varallo Sculptural Group Baroque, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1880 -1900 ca.. Date of Artwork:XVII sec.. Artist:Tabacchetti, Prestinari, Michele
Unidentified Author
PDC-S-004008-0003
Media ID 33276274
© Alinari Archives, Florence
Adam Bible Old Testament Fruit Hare People Reptiles Snake Story Of Adam And Eve Women Subject
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EDITORS COMMENTS
This print captures the essence of 'The First Sin' sculpture, created by Michele Prestinari and Nicola Tabacchetti in the Sanctuary of the Sacro Monte in Varallo, Italy. Dating back to the 17th century, this masterpiece stands as a testament to the enduring power of art. Intricately carved from stone, 'The First Sin' depicts a pivotal moment in biblical history - Adam and Eve's fateful encounter with temptation. The sculpture portrays Adam and Eve standing side by side, their bodies exquisitely sculpted to reveal every sinew and curve. They are surrounded by an array of animals - snakes slithering at their feet, reptiles basking nearby, and mammals like hares dotting the landscape. As we gaze upon this image frozen in time between 1880-1900, we can't help but be drawn into its narrative. The story unfolds before our eyes: Adam reaching out towards an apple held aloft on a tree branch while Eve looks on intently. It is a scene that has captivated generations with its symbolism of human curiosity and fallibility. Nature plays an integral role within this composition; lush vegetation frames the figures as if nature itself is both witness to and participant in mankind's original transgression. This juxtaposition highlights our connection to the natural world while also emphasizing our unique ability for self-reflection. Through this photograph taken by an unidentified author from Alinari, we are transported back centuries ago to witness not only a remarkable work of art but also a timeless tale that continues to resonate today.
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