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Metal Print : King Prempeh Is humiliation, 1896
Metal Prints from Mary Evans Picture Library
King Prempeh Is humiliation, 1896
" One of the Govenors demands made after the Ashanti rebellion was that King Prempeh should make abject submission in accordance with the native custom. The King removed his crown and sandals, came forward with the Queen Mother to perform the act of humiliation, and reached the platform on which were seated Sir Francis Scott, Colonel Kempster and Mr. Maxwell. They knelt and embraced the Englishmens legs and boots, while the Ashantis looked on with astonishment at their Kings abasement." Date: 1896
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Media ID 7179475
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10512481
1896 Abroad Ashanti Colonel Colonialism Custom Dais Fourth Francis Humiliation Maxwell Pith Platform Rebellion Scott Submission Abject Prempeh
16"x24" (61x41cm) Metal Print
Experience the rich history of the Ashanti rebellion with our stunning Metal Print of 'One of the Governors demands made after the Ashanti rebellion: King Prempeh's Humiliation, 1896' from Mary Evans Prints Online. This powerful image captures a pivotal moment in history, as King Prempeh is shown making a humiliating submission to the British governors following the rebellion. Our high-quality Metal Prints bring your favorite historical photographs to life, with vibrant colors and exceptional detail that truly bring the past to the present. Each print is made using premium metal sheets coated with a special photographic layer, ensuring a long-lasting and beautiful addition to your home or office decor. Relive history with this captivating piece from the Media Storehouse range.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
In this striking image from 1896, King Prempeh I of the Ashanti people in present-day Ghana is depicted in a moment of profound humiliation following the suppression of the Ashanti Rebellion by British colonial forces. The King, dressed in traditional attire, is shown kneeling before Sir Francis Scott, Sir Kempster, and Mr. Maxwell, who are seated on a raised platform. The King and the Queen Mother, dressed in white, have removed their crowns and sandals and are embracing the legs and boots of their colonial oppressors. The Ashanti people look on in astonishment as their monarch submits to the demands of the British colonial authorities. This act of abject submission was a requirement of native custom, according to the colonial governors, as a symbol of the Ashanti people's defeat in the war. The image captures the power dynamics of colonialism during the late 1890s, with the British imposing their will on a people and their monarch, leaving a lasting impact on the political and cultural landscape of the region.
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