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Premium Framed Print : Master of the altarpiece of St Bartholemew c. 1499. St Thomas, DoubtingThomas, placing
Framed Photos from Universal Images Group (UIG)
Master of the altarpiece of St Bartholemew c. 1499. St Thomas, DoubtingThomas, placing
Master of the altarpiece of St Bartholemew c.1499. St Thomas, DoubtingThomas, placing his hand into Christs wound. On left, St Jerome, on right St Ambrose and St Mary Magdalene. God the Father, with Dove of Holy Spirit, looks down. Angel bottom right plays a Hurdy-Gurdy. Wallraf-Richartz Museum, Cologne
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Media ID 9782965
© Universal History Archive/Universal Images Group
Altarpiece Angel Bottom Christ Christian Cologne Dove Down Father Hand Holy Instrument Jerome Left Magdalene Mary Master Museum Music Placing Plays Spirit Thomas Wound 1499 Ambrose Bartholemew Hurdy Gurdy
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases the exquisite artwork of the "Master of the altarpiece of St Bartholomew" from around 1499. In this particular piece, we witness a profound moment as St Thomas, known for his doubt in Christ's resurrection, places his hand into the wound on Christ's side. The scene is beautifully composed with St Jerome standing on the left and St Ambrose and St Mary Magdalene on the right. Above them all, God the Father gazes down upon this sacred encounter, symbolized by a dove representing the Holy Spirit. Adding an intriguing touch to this religious tableau is an angel positioned at the bottom right corner who plays a Hurdy-Gurdy instrument. This unexpected element adds depth and curiosity to an already mesmerizing composition. The photograph was taken at Wallraf-Richartz Museum in Cologne, where it now resides as part of their esteemed collection. It serves as a testament to both artistic mastery and religious devotion during that era
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