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Premium Framed Print : 1878 Darwin as a circus monkey by Gill
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1878 Darwin as a circus monkey by Gill
" L homme descend du singe" Cartoon caricature by Andre Gill, 18th August, 1878, La Lune, Paris. Gill shows a monkey with the face of french materialist Emile Littre encouraging a similarly simian Charles Darwin to jump through hoops of credulite and superstitions
Science Photo Library features Science and Medical images including photos and illustrations
Media ID 6347013
© This image is Paul D. Stewart 2009. Do not reproduce without permission of the photographer at Stewartpauld@aol.com
1878 Caricature Cartoon Charles Darwin Descent Of Man Evolution France Gill Monkey Superstition La Lune Littre
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 30.4cm x 20.3cm (12" x 8")
Estimated Product Size is 45.8cm x 35.6cm (18" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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> Caricatures
EDITORS COMMENTS
This thought-provoking print captures a significant moment in history, showcasing the controversial views surrounding Charles Darwin's theory of evolution. Titled "1878 Darwin as a circus monkey" this caricature by Andre Gill speaks volumes about the prevailing sentiments of the time. In this illustration from 19th-century Paris, Gill cleverly portrays Darwin as a simian figure, emphasizing his connection to our primate ancestors. The face of French materialist Emile Littre adorns the monkey's body, symbolizing the influence and encouragement that intellectuals like Littre provided to support Darwin's ideas. The image takes on an even deeper meaning as it depicts Darwin being urged by Littre-monkey to jump through hoops labeled "credulite" (credulity) and "superstitions". This satirical representation highlights how society viewed evolutionary theories with skepticism and disbelief, often dismissing them as mere superstition. Through this artwork, Gill challenges viewers to question their own beliefs and confront societal prejudices. It serves as a reminder that scientific progress can be met with resistance when it challenges deeply ingrained notions about human origins. Paul D. Stewart's masterful reproduction of this iconic piece allows us to reflect on the historical context surrounding evolutionary theory while appreciating its artistic value. This print invites us into an intriguing dialogue between science, artistry, and social commentary – bridging gaps between disciplines for a richer understanding of our collective intellectual journey.
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