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Premium Framed Print : Young Joseph Grimaldi going to visit his godfather
Framed Photos From Mary Evans Picture Library
Young Joseph Grimaldi going to visit his godfather
Young Joseph Grimaldi going to visit his godfather Date: circa 1780s
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 32260840
© Mary Evans Picture Library
1780s Cruikshank Dickens Drawn Edited Georgian Godfather Grimaldi Laughing Master Memoirs Joey
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This enchanting print captures the moment when young Joseph Grimaldi, the future English comic legend, sets off to visit his godfather in Georgian London during the 1780s. Dressed in a bright red jacket and breeches, and clutching a hat in his hand, the young boy exudes an infectious energy and excitement. His laughter-filled expression and the jovial crowd around him suggest that this visit will be a memorable one. Joseph Grimaldi (1778-1837) would go on to become one of the most famous and influential figures in the history of English comedy and entertainment. Known as "Joey" or "Master Joey," he was a master of physical comedy, acrobatics, and clowning, and his influence can be seen in the works of later comedians such as Charles Dickens and the illustrator George Cruikshank. The print, drawn in the late 18th or early 19th century, may have been inspired by Grimaldi's own memoirs or the popular accounts of his early years written by Charles Dickens under the pseudonym "Boz." The lively and humorous scene is a testament to the enduring appeal of Grimaldi's story and the rich cultural heritage of Georgian London.
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