Premium Framed Print : A man or monk seated, seen from behind, holding a short dagg
Framed Photos from Mary Evans Picture Library
A man or monk seated, seen from behind, holding a short dagg
A man or monk seated, seen from behind, holding a short dagger(?) in right hand, while meditating or contemplating seppuku. Date between 1800 and 1850
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 7362196
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10604880
Behind Contemplating Dagger Meditating Monk Seppuku Short Woodblocks Woodcuts
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This evocative woodblock print depicts a Japanese monk deep in contemplation, seated on a tatami mat with a serene expression on his face. The monk is shown from behind, adding an element of mystery to the scene. In his right hand, he holds a short dagger, the traditional weapon used in the ritual suicide known as seppuku or harakiri. The monk's posture and the presence of the dagger suggest that he is preparing for this ultimate act of self-sacrifice, a common practice among the samurai class during the Edo period (1603-1868). However, the monk's calm demeanor and the peaceful surroundings raise questions about the true nature of his intentions. Is he contemplating seppuku as a means of atoning for a mistake or as a way to escape from a difficult situation? Or is he simply deep in meditation, using the image of the dagger as a focus for his thoughts? The print, created between 1800 and 1850, is a poignant reminder of the complex and often contradictory nature of Japanese culture during this period. The intricate woodcut technique used to create the print adds to its beauty and depth, making it a valuable addition to any collection of Asian art.
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