Canvas Print : A man or monk seated, seen from behind, holding a short dagg
Canvas Prints from Mary Evans Picture Library
A man or monk seated, seen from behind, holding a short dagg
A man or monk seated, seen from behind, holding a short dagger(?) in right hand, while meditating or contemplating seppuku. Date between 1800 and 1850
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 7362196
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10604880
Behind Contemplating Dagger Meditating Monk Seppuku Short Woodblocks Woodcuts
20"x16" (51x41cm) Canvas Print
Introducing the captivating "A Man or Monk Seated" Canvas Print from Media Storehouse, an exquisite addition to your home or office decor. This evocative piece, sourced from Mary Evans Prints Online, transports you to another era with its intriguing depiction of a man or monk in deep contemplation. Seated with a serene expression, he holds a short dagger in his right hand, hinting at the solemn ritual of seppuku. This enchanting image, dating between 1800 and 1850, evokes a sense of mystery and introspection. Bring this captivating work of art into your space and let it inspire reflection and contemplation.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This evocative woodblock print depicts a Japanese monk deep in contemplation, seated on a tatami mat with a serene expression on his face. The monk is shown from behind, adding an element of mystery to the scene. In his right hand, he holds a short dagger, the traditional weapon used in the ritual suicide known as seppuku or harakiri. The monk's posture and the presence of the dagger suggest that he is preparing for this ultimate act of self-sacrifice, a common practice among the samurai class during the Edo period (1603-1868). However, the monk's calm demeanor and the peaceful surroundings raise questions about the true nature of his intentions. Is he contemplating seppuku as a means of atoning for a mistake or as a way to escape from a difficult situation? Or is he simply deep in meditation, using the image of the dagger as a focus for his thoughts? The print, created between 1800 and 1850, is a poignant reminder of the complex and often contradictory nature of Japanese culture during this period. The intricate woodcut technique used to create the print adds to its beauty and depth, making it a valuable addition to any collection of Asian art.
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