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Premium Framed Print : Leading a pig to slaughter a058914
Framed Photos From Historic England
Leading a pig to slaughter a058914
Church of St Mary, Ripple, Worcestershire. Detail of misericord depicting the slaughter of a pig, representing November
Historic England is the public body that champions and protects England's historic places
Media ID 13110473
© Historic England Archive
Decorative Medieval Sculpture Timber Wooden
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")
Estimated Product Size is 40.6cm x 35.6cm (16" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
FEATURES IN THESE COLLECTIONS
> Historic England
> Fine Art
> Medieval Art and Sculpture
> Misericords
> Europe
> United Kingdom
> England
> Sculptures
> Europe
> United Kingdom
> England
> Worcestershire
> Related Images
> Historic
> Medieval architecture
> Sculptures, reliefs, and carvings
> Wooden sculptures
EDITORS COMMENTS
This print captures a remarkable detail from the Church of St Mary in Ripple, Worcestershire. The intricate misericord depicted here showcases a medieval wooden sculpture that portrays the somber scene of leading a pig to slaughter, symbolizing the month of November. Crafted by the talented artist James O. Davies, this timber masterpiece stands as a testament to both artistic skill and historical significance. The image transports us back in time, offering a glimpse into an era where craftsmanship and storytelling intertwined seamlessly. The attention to detail is awe-inspiring; every curve and contour meticulously carved with precision. As we study this decorative artwork, we can almost feel the weight of history resting upon it. Beyond its aesthetic appeal, this photograph invites contemplation on themes such as life's transience and our connection with nature's cycles. It serves as a reminder that November was once associated with agricultural practices like slaughtering animals for sustenance during harsh winters. Through Historic England's lens, we are granted access to these hidden treasures that often go unnoticed amidst grand cathedrals or famous landmarks. This particular piece offers an intimate insight into rural life centuries ago—a testament to how art can encapsulate cultural traditions and preserve them for generations to come. James O. Davies' work reminds us that even within religious spaces like churches, there lies evidence of everyday existence—moments frozen in time through skilled hands and creative vision.
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