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Premium Framed Print : Women of Nuremberg, Germany, 16th century (1849). Artist: Edward May
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Women of Nuremberg, Germany, 16th century (1849). Artist: Edward May
Women of Nuremberg, Germany, 16th century (1849). The women are wearing outfits for church (1500), the home (1500), the city (16th century) and the ball (1500). A 19th century version based on original 16th century images. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)
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Media ID 14937028
© The Print Collector / Heritage-Images
A Rivaud Edward Edward May Ferdinand Ferdinand Sere Lacroix Paul Paul Lacroix Rivaud Schultz Sere
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")
Estimated Product Size is 40.6cm x 35.6cm (16" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This lithograph print, titled "Women of Nuremberg, Germany, 16th century (1849)", takes us on a journey back in time to the vibrant and diverse fashion of the Renaissance era. Created by artist Edward May as a 19th-century rendition based on original 16th-century images, this artwork beautifully showcases the different outfits worn by women in various settings. Intriguingly, each woman depicted represents a specific context: church attire from the year 1500 exudes modesty and religious devotion; home clothing from the same period reflects comfort and practicality; city fashion of the 16th century displays elegance and sophistication; while ball gowns from around 1500 epitomize opulence and grandeur. The lithograph's rich colors bring these historical garments to life, allowing us to appreciate their intricate details. From elaborate headpieces adorned with feathers or jewels to sumptuous fabrics draping gracefully over their figures, every aspect of these ensembles speaks volumes about the social status and cultural norms prevalent during that time. As we gaze upon this print, we are transported not only to Nuremberg but also into an enchanting world where fashion was an art form in itself. It serves as a reminder of how style has evolved throughout centuries while still retaining its power to captivate our imagination. This remarkable piece is undoubtedly a testament to Edward May's skillful interpretation of history through his artistic lens.
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