Metal Print > Renaissance art
Metal Print : Women of Nuremberg, Germany, 16th century (1849). Artist: Edward May
Metal Prints from Heritage Images
Women of Nuremberg, Germany, 16th century (1849). Artist: Edward May
Women of Nuremberg, Germany, 16th century (1849). The women are wearing outfits for church (1500), the home (1500), the city (16th century) and the ball (1500). A 19th century version based on original 16th century images. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)
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Media ID 14937028
© The Print Collector / Heritage-Images
A Rivaud Edward Edward May Ferdinand Ferdinand Sere Lacroix Paul Paul Lacroix Rivaud Schultz Sere
16"x20" (51x41cm) Metal Print
Step back in time with our exquisite Media Storehouse Metal Print of 'Women of Nuremberg, Germany, 16th Century (1849)' by Edward May. This captivating image transports you to the heart of the Renaissance era, featuring women in authentic outfits for church, home, city life, and balls. Each intricately detailed garment tells a story of a bygone age. Our premium metal print process ensures vibrant colors and a sleek, modern look that adds a touch of history to any room. Experience the beauty and richness of the past with this stunning work of art.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This lithograph print, titled "Women of Nuremberg, Germany, 16th century (1849)", takes us on a journey back in time to the vibrant and diverse fashion of the Renaissance era. Created by artist Edward May as a 19th-century rendition based on original 16th-century images, this artwork beautifully showcases the different outfits worn by women in various settings. Intriguingly, each woman depicted represents a specific context: church attire from the year 1500 exudes modesty and religious devotion; home clothing from the same period reflects comfort and practicality; city fashion of the 16th century displays elegance and sophistication; while ball gowns from around 1500 epitomize opulence and grandeur. The lithograph's rich colors bring these historical garments to life, allowing us to appreciate their intricate details. From elaborate headpieces adorned with feathers or jewels to sumptuous fabrics draping gracefully over their figures, every aspect of these ensembles speaks volumes about the social status and cultural norms prevalent during that time. As we gaze upon this print, we are transported not only to Nuremberg but also into an enchanting world where fashion was an art form in itself. It serves as a reminder of how style has evolved throughout centuries while still retaining its power to captivate our imagination. This remarkable piece is undoubtedly a testament to Edward May's skillful interpretation of history through his artistic lens.
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