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Premium Framed Print : White Memorial Altar Cloth, Parish Church, Cheddleton, c1891. Artist: Gerald Callcott Horsley
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White Memorial Altar Cloth, Parish Church, Cheddleton, c1891. Artist: Gerald Callcott Horsley
White Memorial Altar Cloth, Parish Church, Cheddleton, c1891. From The Studio Volume 1 [London Offices of the Studio, London, 1893]
Heritage Images features heritage image collections
Media ID 14967743
© The Print Collector
Altar Altar Cloth Flowerhead Horsley Memorial Panoramic Photography Parish Side By Side Staffordshire Studio Publications Studio Volume 1 Letterbox Format Metaphor
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 30.4cm x 20.3cm (12" x 8")
Estimated Product Size is 45.8cm x 35.6cm (18" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This photograph captures the exquisite beauty of the White Memorial Altar Cloth at Parish Church in Cheddleton, Staffordshire, England. Taken around 1891 by renowned artist Gerald Callcott Horsley, this monochrome image showcases a stunning floral arrangement adorning the altar. The delicate flowers, meticulously arranged with precision and care, symbolize devotion and reverence within the Christian faith. The white color palette represents purity and innocence while creating a striking contrast against the dark background. As we gaze upon this remarkable print from Studio Volume 1 (published by London Offices of the Studio in 1893), we are transported back to a simpler time in British history. This nineteenth-century masterpiece serves as a metaphor for spirituality and tranquility that transcends time. The panoramic photography format allows us to appreciate every intricate detail of this decorative piece. The flowerheads stand proudly side by side, forming an awe-inspiring sight that evokes feelings of serenity and contemplation. Through this lens into our past, we witness not only an artistic expression but also a historical artifact preserved for generations to come. Let us cherish this glimpse into religious heritage as it reminds us of the enduring power of faith and its significance throughout centuries.
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