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Premium Framed Print : Oui, Mossieu Fremouillet, tout va de mal en pis... 19th century. Creator: Honore Daumier
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Oui, Mossieu Fremouillet, tout va de mal en pis... 19th century. Creator: Honore Daumier
Oui, Mossieu Fremouillet, tout va de mal en pis... 19th century.
The Good Bourgeois - Yes, Mr. Fremouillet, everything goes from bad to worse
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Media ID 36335127
© Heritage Art/Heritage Images
Bourgeois Bourgeoisie Caricatures Cartoons Class Daumier Honore Daumier Honore Victorin Discussing Discussion H Daumier Honore Daumier Honore Victorin Daumier Lithographic Looking At Each Other Middle Class Social Class Speaking Talking Les Bons Bourgeois Lithotint Parody Satirical
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Oui, Mossieu Fremouillet, tout va de mal en pis...
EDITORS COMMENTS
(Yes, Mr. Fremouillet, everything goes from bad to worse) is a poignant and humorous lithograph by the renowned 19th century French artist, Honore Daumier. This monochromatic masterpiece, created in the greyscale tones of lithotint, depicts two middle-aged men, dressed in the somber attire of the bourgeoisie class, seated at a table in a dimly lit room. Their furrowed brows and serious expressions convey a sense of deep concern and frustration as they gaze intently at each other, lost in a heated discussion. The title of the work, "The Good Bourgeois," is a nod to the social and economic class that Daumier is satirizing. The bourgeoisie were the middle class citizens of France, who prided themselves on their respectability, morality, and material wealth. However, Daumier's caricature exposes the underlying anxieties and struggles that plagued this class, as the two men appear to be grappling with financial or personal troubles. The image is a powerful commentary on the human condition, and the challenges that come with it. The use of lettering in the title adds to the visual impact, as the words seem to hover above the scene, underscoring the men's predicament. The work is a testament to Daumier's skill as a master draftsman and his ability to capture the nuances of human emotion and behavior. This antique print is a valuable addition to any art collection, and a reminder of the rich cultural heritage that the 19th century produced. It is a must-see for anyone interested in the history of art, satire, and the human condition. Whether displayed in an art center, gallery, or private collection, "Oui, Mossieu Fremouillet, tout va de mal en pis..." is sure to provoke thought and inspire conversation.
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