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Metal Print : Oui, Mossieu Fremouillet, tout va de mal en pis... 19th century. Creator: Honore Daumier

Oui, Mossieu Fremouillet, tout va de mal en pis... 19th century. Creator: Honore Daumier



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Oui, Mossieu Fremouillet, tout va de mal en pis... 19th century. Creator: Honore Daumier

Oui, Mossieu Fremouillet, tout va de mal en pis... 19th century.
The Good Bourgeois - Yes, Mr. Fremouillet, everything goes from bad to worse

Heritage Images features heritage image collections

Media ID 36335127

© Heritage Art/Heritage Images

Bourgeois Bourgeoisie Caricatures Cartoons Class Daumier Honore Daumier Honore Victorin Discussing Discussion H Daumier Honore Daumier Honore Victorin Daumier Lithographic Looking At Each Other Middle Class Social Class Speaking Talking Les Bons Bourgeois Lithotint Parody Satirical


16"x20" (51x41cm) Metal Print

Experience the timeless wit and satire of Honore Daumier's iconic etching, "Oui, Mossieu Fremouillet, tout va de mal en pis..." (Yes, Mr. Fremouillet, everything goes from bad to worse). This captivating piece from the Media Storehouse range of Metal Prints showcases Daumier's masterful depiction of a disgruntled bourgeoisie, originally created in the 19th century. With its intricate details and rich textures, this Metal Print brings the charm of Heritage Images' archives into your home or office. Each print is meticulously crafted using high-quality aluminum sheets, ensuring a vibrant and long-lasting display. Embrace the elegance and sophistication of this classic artwork and add a touch of history to your space.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > D > Honore Daumier

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Pop art > Satire > Satirical artwork

> Arts > Realistic drawings > Figure drawing > Fine art portraits

> Europe > France > Le Mans

> Humour > Cartoon

> Humour > Postcard

> Humour > Related Images


Oui, Mossieu Fremouillet, tout va de mal en pis...

EDITORS COMMENTS
(Yes, Mr. Fremouillet, everything goes from bad to worse) is a poignant and humorous lithograph by the renowned 19th century French artist, Honore Daumier. This monochromatic masterpiece, created in the greyscale tones of lithotint, depicts two middle-aged men, dressed in the somber attire of the bourgeoisie class, seated at a table in a dimly lit room. Their furrowed brows and serious expressions convey a sense of deep concern and frustration as they gaze intently at each other, lost in a heated discussion. The title of the work, "The Good Bourgeois," is a nod to the social and economic class that Daumier is satirizing. The bourgeoisie were the middle class citizens of France, who prided themselves on their respectability, morality, and material wealth. However, Daumier's caricature exposes the underlying anxieties and struggles that plagued this class, as the two men appear to be grappling with financial or personal troubles. The image is a powerful commentary on the human condition, and the challenges that come with it. The use of lettering in the title adds to the visual impact, as the words seem to hover above the scene, underscoring the men's predicament. The work is a testament to Daumier's skill as a master draftsman and his ability to capture the nuances of human emotion and behavior. This antique print is a valuable addition to any art collection, and a reminder of the rich cultural heritage that the 19th century produced. It is a must-see for anyone interested in the history of art, satire, and the human condition. Whether displayed in an art center, gallery, or private collection, "Oui, Mossieu Fremouillet, tout va de mal en pis..." is sure to provoke thought and inspire conversation.

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