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Premium Framed Print : Morning, or, the Man of Taste, 1802-11. Creator: Unknown
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Morning, or, the Man of Taste, 1802-11. Creator: Unknown
Morning, or, the Man of Taste, 1802-11
Heritage Images features heritage image collections
Media ID 22177527
© Heritage Art/Heritage Images
Breakfast Bunbury Henry William Gambado Geoffrey Geoffrey Gambado Georgian Hand Colored Etching Henry Bunbury Henry William Bunbury Morning Servant Servants Serving Parody Satirical
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")
Estimated Product Size is 40.6cm x 35.6cm (16" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Morning, or, the Man of Taste - A Satirical Glimpse into 19th Century British Society
EDITORS COMMENTS
. This intriguing hand-colored etching from 1802-11 offers a humorous and satirical commentary on the social customs and fashion trends of Georgian England. Created by an unknown artist, this artwork titled "Morning, or, the Man of Taste" provides a captivating snapshot of daily life during that era. The scene depicts a well-dressed man sitting at a breakfast table in an opulent country house. The attention to detail in both costume and furniture highlights the artist's keen observation skills. With exaggerated caricatures and witty captions accompanying each character, this print serves as a parody on societal norms. Intriguingly, we witness servants serving breakfast to the man while he indulges himself with his morning meal. This portrayal sheds light on class distinctions prevalent at that time. The contrast between the elegant female servant attending to his needs and the man's self-absorbed demeanor adds depth to this piece. Through its clever use of satire and humor, "Morning, or, the Man of Taste" invites viewers to reflect upon their own notions of taste and style while providing insight into early 19th-century Britain. This artwork is housed within The Metropolitan Museum of Art (The Met), where it continues to captivate visitors with its timeless charm. As we gaze upon this remarkable print today, we are reminded once again that art has always been an avenue for social critique – allowing us
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