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A Long Minuet, 1787. Creator: Unknown

A Long Minuet, 1787. Creator: Unknown


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A Long Minuet, 1787. Creator: Unknown

A Long Minuet, 1787

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Media ID 22177509

© Heritage Art/Heritage Images

Bunbury Henry William Gambado Geoffrey Geoffrey Gambado Georgian Hand Colored Etching Henry Bunbury Henry William Bunbury Minuet Parody Satirical


FEATURES IN THESE COLLECTIONS

> Arts > Artists > B > Henry William Bunbury

> Arts > Dance

> Arts > Pop art > Satire > Satirical artwork

> Europe > United Kingdom > England > Dance

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Dance


A Long Minuet, 1787

EDITORS COMMENTS
is a captivating hand-colored etching from the 18th century that showcases the artistry and wit of an unknown creator. This delightful caricature transports us to Georgian Britain, where we witness a satirical take on the elegant dance form known as the minuet. The image depicts a group of men and women dressed in elaborate costumes, engaging in this traditional country dance. The exaggerated figures and playful expressions add a touch of humor to the scene, making it clear that this artwork is meant to be enjoyed as satire. With its vibrant colors and intricate details, "A Long Minuet" offers us a glimpse into the fashion and social customs of 18th-century England. The artist skillfully captures both male and female characters with their distinct personalities shining through their attire and gestures. As we explore this print at The Metropolitan Museum of Art (The Met), we are reminded of Henry William Bunbury's work - another renowned British caricaturist from that era. While the true identity behind this creation remains unknown, its artistic value cannot be denied. This piece serves as a testament to how art can transcend time, allowing us to appreciate not only its aesthetic qualities but also gain insights into historical contexts. "A Long Minuet" invites us to step back in time while embracing laughter and whimsy along the way.

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