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Premium Framed Print : Mereaux. emile-Louis. 33 ans, ne a Laon (Aisne). ebeniste
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Mereaux. emile-Louis. 33 ans, ne a Laon (Aisne). ebeniste
Mereaux. emile-Louis. 33 ans, ne a Laon (Aisne). ebeniste. Anarchiste. 23/4/92. 1892
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Media ID 20138712
© Heritage Art/Heritage Images
Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Cabinet Maker Cabinetmaker Criminal Identification Mug Shot Mugshot Physical Anthropology Albumen Silver Print
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures the enigmatic figure of Mereaux Emile-Louis, a 33-year-old cabinet maker born in Laon, Aisne. Taken by renowned photographer Alphonse Bertillon in 1892, this albumen silver print showcases the intersection of art and science during the 19th century. Mereaux's striking portrait reveals not only his physical appearance but also his political beliefs as an anarchist. The meticulous anthropometric measurements conducted by Bertillon provide insights into the emerging field of physical anthropology at that time. The photograph serves as more than just a mug shot; it is a testament to the power of photography in documenting identity for law enforcement purposes. It highlights how individuals were categorized based on their occupation, with Mereaux identified as both an artisan and a potential criminal. Displayed at The Metropolitan Museum of Art, this image represents an important piece of French heritage art. It offers viewers a glimpse into the social and political climate of late 19th-century France while showcasing Bertillon's pioneering work in forensic identification techniques. As we gaze upon Mereaux's arresting expression, we are reminded that behind every face lies a story waiting to be unraveled—a reminder that history continues to speak through these remarkable photographic artifacts.
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